Korg Synthesizer 21f: Peaking EQ

2:1 OSC 1 (11: Reed Model)

Parameters

Prog.

Edit

P2

Shape [0…99]

Specifies the character of the table that will shape the input waveform. For details on how the waveform will

change, refer to the “Wave Shape” diagram (☞page 16 of this manual) for the 01: Standard OSC.

AMS (Alternate Modulation Source) [OFF…MIDI (CC#83)]

Selects a modulation source (☞page 64 of this manual) that will control “Wave Shape.”

Intensity (Shape AMS Intensity) [–99…+99]

Specifies the depth and direction of the effect of “AMS.”

2–1f: Peaking EQ

Frequency [0…49]

Specifies the center frequency of the range that will be boosted or attenuated by the Peaking EQ. Increasing this

value will raise the center frequency.

Q[0…29]

Specifies the width of the Peaking EQ frequency band. Increasing this value will narrow the frequency band

that is boosted or attenuated.

Gain [–18…+18]

Specifies the amount by which the range specified by “Frequency” and “Q” will be boosted or attenuated.

Contents

Main Contents 1. Introduction --------------------- 1 2. Bank M Program Structure -- 2 3. Parameters ----------------------5 4. Data----------------------------- 64 1. Introduction Introduction Features of MOSS-TRI 2. Bank M program structure Program structure Each program of bank M has the following structure. Oscillator section Mixer section Editing Program Structure Characteristics of each oscillator 3. Parameters Program Play Mode Program Play P1 11: Program Play Program Edit Mode Program Edit P1 11: Prog Basic 11a: Program Name 11b: Category 11c: Assign/Hold Here, you can specify how notes will sound when keys are pressed. 11d: Unison Here, you can make settings for unison mode. 11e: Scale Specifies the scale type 11f: Panel Switch Assign 12: OSC Basic 1-2: OSC Basic 12a: Multi Oscillator Synthesis Setup 12b: Common Pitch Modulation 12a 12b 12c 12d 12c: Bending Specifies the width of pitch change that will occur when the joystick is moved to left and right. 12d: Portamento 1-2: OSC Basic 13: OSC 1 Pitch 1-3: OSC 1 Pitch Here, you can make settings for the basic pitch of oscillator 1, pitch modulation, and pitch slope. 13a: Basic Pitch Specifies the basic pitch of oscillator 1 14: OSC 2 Pitch 15: Sub Pitch Program Edit P2 21: OSC 01: Standard Waveform modulation 21a: Wave 21b: Waveform(Waveform Modulation) 21c: Wave Shape 2:1 OSC 1 (01: Standard) 02: Comb Filter Input Example of when noise is input Comb Oscillator 21a 21c 21d 21b: Level Modulation 21c: Feedback 21d: High Damp 2:1 OSC 1 (03: VPM) 03: VPM 21a: Carrier 21b: Wave Shape 21c: Feedback [099] Specifies the amount of the output after wave shaping that will be fed back to the carrier. 21d: Modulator 21e: Frequency 04: Resonance 21b: BPF14 2:1 OSC 1 (04: Resonance) Here, you can make settings for each band pass filter 14. 21c: Resonance 05: Ring Modulation 21b: Mod. Depth 06: Cross Modulation 21b: Mod. Depth 07: Sync Modulation 2:1 OSC 1 (08: Organ Model) 08: Organ Model 21a: Drawbar 1 Page 09: Electric Piano Model 21a: Hammer 21b: Tone Generator 21c: Overtone 21d: Pickup Position 21e: Low EQ 10: Brass Model { 2:1 OSC 1 (10: Brass Model) 21a: Inst Type 21b: Breath Pressure 21c: Lip Character 2:1 OSC 1 (10: Brass Model) 21d: Bell Character 21e: Peaking EQ 11: Reed Model { 2:1 OSC 1 (11: Reed Model) 21b: Breath Pressure 21c: Reed Character 21d: Bell Character 21e: Wave Shape 21f: Peaking EQ 12: Plucked String Model . 21a: Attack 21b: Attack Curve 21c: String Page 21d: Harmonics 21e: Pickup 21f: Low EQ 13: Bowed String Model 21a: Bowing Speed 2:1 OSC 1 (13: Bowed String Model) 21b: Bow Pressure 21c: String 21d: Peaking EQ 2:1 OSC 1 (13: Bowed String Model), 2-2: OSC 2 22: OSC 2 OSC2 parameters have the same structure as OSC1 parameters. Refer to 2-1: OSC 1. 23: Sub/Noise 23a: Sub Oscillator 2-3: Sub/Noise 23b: Noise Generator Here, you can make various settings for the noise generator. Program Edit P3 31: Mixer 31a: OSC 1 Out 1 Page 32: Filter 1 32a: Routing (Filter Routing) [serial 1/serial 2/parallel] 32b: Filter 1 3-2: Filter 1 32c: Cutoff/Cutoff A (Cutoff Frequency) 32d: Keyboard Track 32e: Resonance/Resonance A 3-2: Filter 1 P3 33: Filter 1SUB 33a: Input Trim [099] Specifies the level of the input to filter 1. 33b: Cutoff B (Cutoff Frequency B) 33c: Keyboard Track 33d: Resonance B 34: Filter 2 35: Filter 2 SUB Program Edit P4 41: Amp 41a: Amp 1 41b: Keyboard Track (Amplitude 1 Keyboard Track) 41c: Amp 2 41d: Keyboard Track (Amplitude 2 Keyboard Track) 41e: Pan/Outputs 4-1: Amp 4-2: Amp EG 42a: Level (Amp EG Level) [099] 42b: Time (Amp EG Time) 4-2: Amp EG P4 42c: Level Control 42d: Level Modulation 42e: Time Modulation 4-2: Amp EG Program Edit P5 51: EG 1 51a: Level 51b: Time (Amp EG Time) 5-1: EG 1 51c: Level Control 51d:Level Modulation 51e: Time Modulation 5-1: EG 1 Page Program Edit P6 61: LFO 1 61a: Wave Form/Key Sync Wave Form [Triangle 0ExpSawDown] Settings for the general-purpose LFOs 6-1: LFO 1 61b: Frequency 61c: MIDI Sync 61d: Amplitude Modulation 62: LFO 2 63: LFO 3 64: LFO 4 LFO 2, LFO 3, and LFO 4 have the same parameter as LFO 1. Refer to 6-1: LFO 1 6-1: LFO 1, 6-2: LFO 2, 6-3: LFO 3, 6-4: LFO 4 Page Modulation Source List *This After Touch is half of the effect of 18:AfterTouch. Retrigger Controller List Data 4. Data Precautions Additional message