Characteristics of each oscillator
For bank M sounds, OSC 1 provides thirteen oscillator types (methods of sound generation) and OSC 2 provides
nine types. In Program Edit P1 “1-2: OSC Basic” you can select one of these types for each oscillator, to specify
the combination.
If OSC 1 is set to an oscillator type of 01:Standard to 09:Electric Piano Model, you will also be able to select an
oscillator type of 01:Standard to 09:Electric Piano Model for OSC 2. If OSC 1 is set to an oscillator type of
10:Brass Model to 13: Bowed String Model, OSC 2 will not be available for use.
01: Standard OSC
This simulates the oscillator of an analog synthesizer. It can produce the same effects as an analog synthesizer,
such as pulse width modulation ( page 14 of this manual).
02: Comb Filter OSC
This oscillator creates pitched sound from noise or an impulse. It can create a wide variety of sounds — not only
noisy sounds, but also sounds ranging from synth-bass to strings (page 7 of this manual).
03: VPM OSC (Variable Phase Modulation OSC)
This oscillator uses phase modulation to create overtones. By modulating the phase of two oscillators and using
a wave shaping table to process the sound, rich overtones can be produced (page 19 of this manual)
04: Resonance OSC
This oscillator uses four tunable filters which are set up in series. Noise is input through the filter bank for very
ethereal sounds (page 21 of this manual).
05: Ring Modulation OSC - This oscillator multiplies the modulator and carrier and outputs the
resultant signal.
06: Cross Modulation OSC - This oscillator uses a modulator to frequency-modulate a carrier.
07: Sync Modulation OSC (oscillator sync)
These are special oscillators which simulate the effect of two oscillators which are used to modulate each other,
which was a technique that was possible on analog synthesizers. These are especially suitable for producing
sounds that are rich in overtones, such as bells, metallic sounds or gongs (page 23, 24, 25 of this manual).
08: Organ Model
This simulates a drawbar organ with three drawbars (when one oscillator is used) or six drawbars (when two
oscillators are used) (page 26 of this manual). Since each drawbar can use one of four types of waveform, a
wide range of tones can be produced.
09: Electric Piano Model
This is a physical model which simulates a warm, vintage electric piano sound (page 8 of this manual).
10: Brass Model
This is a physical model which simulates a brass instrument such as a trumpet or trombone (page 30 of this
manual).
11: Reed Model
This is a physical model which simulates a wind instrument such as a saxophone or flute (page 33 of this
manual)
12: Plucked String Model
This is a physical model which simulates a plucked string instrument such as a guitar or bass guitar (page 36
of this manual).
13: Bowed String Model
This is a physical model which simulates a bowed string instrument (page 40 of this manual).
Bank M Program Structure