2:1 OSC 1 (12: Plucked String Model)

Noise Level

[0…99]

Specifies the level of the noise component that is included in the attack waveform. As this value is increased, a greater portion of noise will be included in the attack, and the sound will be brighter with more overtones. The noise signal used here is taken from the output of the noise generator.

Velocity (Noise Level Velocity Control)

[–99…+99]

Specifies the depth and direction of the effect that velocity will have on “Noise Level.” For the way in which the effect occurs, refer to “Velocity (☞ page 36 of this manual).”

2–1b: Attack Curve

Curve Up

[0…99]

Specifies the steepness of the rising edge of the attack waveform.When the rising or falling edge is steep, the tone will be harder.

Envelope of the attack waveform

Volume level

Attack Curve Up Attack Curve Down

Velocity (Curve Up Velocity Control)

[–99…+99]

Specifies the depth and direction of the effect that velocity will have on “Curve Up.” For the way in which the effect occurs, refer to “Velocity (☞ page 36 of this manual).”

Curve Down

[0…99]

Specifies the steepness of the falling edge of the attack waveform.

Velocity (Curve Doun Velocity Control)

[–99…+99]

Specifies the depth and direction of the effect that velocity will have on “Curve Down.” For the way in which the effect occurs, refer to “Velocity (☞ page 36 of this manual).”

2–1c: String

Picking Position

[0…99]

Specifies the location at which the string will be plucked. A setting of 0 is the end of the string, 50 is the middle of the string, and 99 is the other end of the string.

AMS (Alternate Modulation Source)[OFF…MIDI (CC#83)]

Selects a modulation source (☞ page 64 of this manual) that will control “Picking

Position.”

Intensity (Picking Position AMS Intensity)

[–99…+99]

Specifies the depth and direction of the effect of “AMS.”

 

Damp

[0…99]

Specifies the amount of high-frequency attenuation that will be produced by the characteristics of the string and by how the string is pressed.

As this value is increased, the high-frequency components of the vibration in the string will be attenuated (dampened) more strongly, producing a darker sound. In general, this parameter should be set to a higher value to simulate instruments which use soft strings or which have no frets, and to a lower value to simulate instruments which use hard strings or which have frets.

Parameters

Prog.

Edit

P2

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Korg Synthesizer manual 1b Attack Curve, 1c String
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Synthesizer specifications

Korg synthesizers have established themselves as a powerhouse in the music production landscape, combining cutting-edge technology with user-friendly features to cater to musicians, producers, and sound designers alike. These iconic instruments have continuously evolved since the company’s inception in 1963, embodying innovation and quality.

One of the defining features of Korg synthesizers is their diverse range of models which cater to different musical styles and needs. From the grand M1 synthesizer that popularized MIDI in the late 1980s to the more recent Minilogue and Prologue, each model presents unique capabilities. The Minilogue offers a straightforward interface and powerful four-voice polyphony, ideal for both novices and seasoned musicians. In contrast, the Prologue, with its advanced circuitry and multi-engine technology, provides extensive sound design possibilities.

Korg synthesizers are known for their rich sound engines. Many models utilize the proprietary EDS (Enhanced Definition Synthesis) technology, which delivers detailed and dynamic sounds. Users can expect a broad sonic palette, facilitating everything from lush pads to biting leads. The multi-engine architecture found in the Prologue adds another layer of versatility, allowing for the integration of wavetable and FM synthesis alongside traditional analog sounds.

Another key characteristic of Korg synthesizers is their connectivity options. Most models are equipped with MIDI, USB, and audio outputs, making them easy to integrate into any studio setup or live performance rig. The ability to control virtual instruments and external devices through MIDI enhances the functionality of Korg synthesizers, enabling seamless integration into modern production environments.

Korg emphasizes portability with many of its synthesizers. The compact design of products like the Volca series allows musicians to create music on the go, making them ideal for traveling artists. Each Volca unit houses powerful synthesis technology within a small footprint, ensuring that users don’t sacrifice quality for convenience.

Korg also recognizes the importance of community and education in music production. The company frequently updates its synthesizers with new patches, features, and sound libraries, empowering users to keep their sounds fresh and relevant. Additionally, Korg offers various online resources, tutorials, and forums to support their users in exploring the full potential of their synthesizers.

Overall, Korg synthesizers encapsulate a balance of tradition and innovation. With their rich sound engines, user-friendly interfaces, and extensive connectivity options, they remain a favorite among musicians and producers seeking to push the boundaries of their sound. As technology progresses, Korg continues to set new standards in the world of synthesizers, inspiring creativity and musical exploration.
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