INTRODUCTION

1. Introduction

Thank you for purchasing the MOSS-TRI DSP Synthesizer Option. To ensure long and trouble-free enjoyment, please read this user’s guide carefully and use the product correctly.

Before you use this product, be sure to read the “Safety precautions” found at the beginning of the Parameter Guide.

This guide explains the bank M parameters which are added when the MOSS-TRI DSP Synthesizer Option is installed (pre-installed in the Trinity V3 series). For details on parameters other than bank M, refer to your Parameter Guide, Basic Guide, and Effect Guide.

When this option is installed (pre-installed in the Trinity V3 series), the bank S programs created by the Solo-TRI option will become invalid. However, explanations of bank S in the Parameter Guide, Basic Guide, and Effect Guide will still apply to “bank M”.

Also, please refer to the Voice Name List for V3 together with the Voice Name List which you already have.

In combination mode, bank M programs can be selected only for one timbre (☞ page 4 in Parameter Guide). In Sequencer mode, bank M programs can be selected only for one track (☞ page 72 in Parameter Guide).

If a bank M program is selected for any timbre in a combination, the D-mod Src “Tempo” for the AMS or effect of the timbre program will use the Prog. Tempo setting (☞ page 61 of this manual) (when the MIDI Clock Source is Internal).

In all modes, you must use an insertion effect when using bank M programs. If you do not use an insertion effect, the output will be low.

Features of MOSS-TRI

This is a MOSS (Multi-Oscillator Synthesis System) tone generator with six voices of polyphony. Bank M contains 64 sounds which use the MOSS tone generator. When the PBS-TRI Flash ROM Option is installed, an additional 64 sounds are added to bank M, bringing the total to 128 sounds. The MOSS tone generator parameters are divided into voice, EG, LFO, effect and control sections. The voice section contains an oscillator section and a filter section, etc.

•The oscillator section contains two oscillators (1, 2) which allow you to use 13 oscillator algorithms (standard, ring modulation, VPM, resonance, organ model, electric piano model etc.), in addition to a sub oscillator and a noise generator.

•The filter section provides two filters, each of which allows you to use one of five types of filtering, including a dual-band pass filter with two independent center frequencies that let you simulate human voice sounds or the body resonances of a violin or guitar.

This voice section can be modulated by five EG units and four LFO units to apply diverse changes in pitch, timbre and volume to the sound.

Introduction

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Korg Synthesizer manual Introduction, Features of MOSS-TRI
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Synthesizer specifications

Korg synthesizers have established themselves as a powerhouse in the music production landscape, combining cutting-edge technology with user-friendly features to cater to musicians, producers, and sound designers alike. These iconic instruments have continuously evolved since the company’s inception in 1963, embodying innovation and quality.

One of the defining features of Korg synthesizers is their diverse range of models which cater to different musical styles and needs. From the grand M1 synthesizer that popularized MIDI in the late 1980s to the more recent Minilogue and Prologue, each model presents unique capabilities. The Minilogue offers a straightforward interface and powerful four-voice polyphony, ideal for both novices and seasoned musicians. In contrast, the Prologue, with its advanced circuitry and multi-engine technology, provides extensive sound design possibilities.

Korg synthesizers are known for their rich sound engines. Many models utilize the proprietary EDS (Enhanced Definition Synthesis) technology, which delivers detailed and dynamic sounds. Users can expect a broad sonic palette, facilitating everything from lush pads to biting leads. The multi-engine architecture found in the Prologue adds another layer of versatility, allowing for the integration of wavetable and FM synthesis alongside traditional analog sounds.

Another key characteristic of Korg synthesizers is their connectivity options. Most models are equipped with MIDI, USB, and audio outputs, making them easy to integrate into any studio setup or live performance rig. The ability to control virtual instruments and external devices through MIDI enhances the functionality of Korg synthesizers, enabling seamless integration into modern production environments.

Korg emphasizes portability with many of its synthesizers. The compact design of products like the Volca series allows musicians to create music on the go, making them ideal for traveling artists. Each Volca unit houses powerful synthesis technology within a small footprint, ensuring that users don’t sacrifice quality for convenience.

Korg also recognizes the importance of community and education in music production. The company frequently updates its synthesizers with new patches, features, and sound libraries, empowering users to keep their sounds fresh and relevant. Additionally, Korg offers various online resources, tutorials, and forums to support their users in exploring the full potential of their synthesizers.

Overall, Korg synthesizers encapsulate a balance of tradition and innovation. With their rich sound engines, user-friendly interfaces, and extensive connectivity options, they remain a favorite among musicians and producers seeking to push the boundaries of their sound. As technology progresses, Korg continues to set new standards in the world of synthesizers, inspiring creativity and musical exploration.
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