2:1 OSC 1 (01: Standard)

2–1a: Wave

Main Wave

[Saw, Pulse]

Selects the main waveform. Select either Saw (sawtooth wave) or Pulse (pulse wave).

Level

[0…99]

Specifies the output level of the main waveform.

 

Wave Edge

[0…99]

Adjusts the amount of high-range overtones for the main waveform. As the pitch rises, this effect will become stronger, and in the low range there will be little effect. Lower settings of this parameter will produce a more mellow sound, and in the vicinity of 0 the volume will also decrease.

Triangle Level

[0…99]

Specifies the output level of the triangle waveform. It will be output mixed with the main waveform.

Sine Level

[0…99]

Specifies the output level of the sine waveform. It will be output mixed with the main waveform.

Phase Shift (Triangle & Sine Phase Shift)

[–99…+99]

Specifies the phase difference between the main waveform and the triangle and sine waveforms. (The triangle and sine waveforms will always be in phase with each other.)

2–1b: Waveform(Waveform Modulation)

Waveform

[–99…+99]

Specifies the waveform. For the way in which this value will affect the waveform, refer to the diagrams shown on the previous page for sawtooth wave, pulse wave, and triangle wave.

LFO

[LFO1…LFO4]

Selects the source LFO for waveform modulation. LFO settings are made in the “Program Edit P6.”

Intensity (Waveform Modulation LFO Intensity)

[–99…+99]

Specifies the depth and direction of the waveform modulation that will be controlled by the LFO specified in “LFO.”

AMS (Alternate Modulation Source)

[OFF…MIDI (CC#83)]

Selects a modulation source (page 64 of this manual) that will control “Waveform.”

Intensity (Waveform AMS Intensity)

[–99…+99]

Specifies the depth and direction of the waveform modulation controlled by the “AMS.” For negative settings, the polarity of the modulation source will be inverted.

2–1c: Wave Shape

Input (Input Level)

[0…99]

Specifies the level of the signal that is input from the standard oscillator to the wave shaping table.

Example of when Input Level is modified (Table Type : Reso)

Output level

Output waveform

 

 

Input level

Input Level

Input Level

Input Level

Input Level

 

=99

=75

=50

=25

Parameters

Prog.

Edit

P2

 

Input waveform

AMS (Alternate Modulation Source)

[OFF…MIDI (CC#83)]

Selects a modulation source (page 64 of this manual) that will control “Input.”

Intensity (Input Level AMS Intensity)

[–99…+99]

Specifies the depth and direction of the waveform modulation controlled by the “AMS.”

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Korg Synthesizer manual 1a Wave, 1b WaveformWaveform Modulation, 1c Wave Shape

Synthesizer specifications

Korg synthesizers have established themselves as a powerhouse in the music production landscape, combining cutting-edge technology with user-friendly features to cater to musicians, producers, and sound designers alike. These iconic instruments have continuously evolved since the company’s inception in 1963, embodying innovation and quality.

One of the defining features of Korg synthesizers is their diverse range of models which cater to different musical styles and needs. From the grand M1 synthesizer that popularized MIDI in the late 1980s to the more recent Minilogue and Prologue, each model presents unique capabilities. The Minilogue offers a straightforward interface and powerful four-voice polyphony, ideal for both novices and seasoned musicians. In contrast, the Prologue, with its advanced circuitry and multi-engine technology, provides extensive sound design possibilities.

Korg synthesizers are known for their rich sound engines. Many models utilize the proprietary EDS (Enhanced Definition Synthesis) technology, which delivers detailed and dynamic sounds. Users can expect a broad sonic palette, facilitating everything from lush pads to biting leads. The multi-engine architecture found in the Prologue adds another layer of versatility, allowing for the integration of wavetable and FM synthesis alongside traditional analog sounds.

Another key characteristic of Korg synthesizers is their connectivity options. Most models are equipped with MIDI, USB, and audio outputs, making them easy to integrate into any studio setup or live performance rig. The ability to control virtual instruments and external devices through MIDI enhances the functionality of Korg synthesizers, enabling seamless integration into modern production environments.

Korg emphasizes portability with many of its synthesizers. The compact design of products like the Volca series allows musicians to create music on the go, making them ideal for traveling artists. Each Volca unit houses powerful synthesis technology within a small footprint, ensuring that users don’t sacrifice quality for convenience.

Korg also recognizes the importance of community and education in music production. The company frequently updates its synthesizers with new patches, features, and sound libraries, empowering users to keep their sounds fresh and relevant. Additionally, Korg offers various online resources, tutorials, and forums to support their users in exploring the full potential of their synthesizers.

Overall, Korg synthesizers encapsulate a balance of tradition and innovation. With their rich sound engines, user-friendly interfaces, and extensive connectivity options, they remain a favorite among musicians and producers seeking to push the boundaries of their sound. As technology progresses, Korg continues to set new standards in the world of synthesizers, inspiring creativity and musical exploration.