NORMAL:
WARM:
WARM2:
WARM3:
STUDIO:
COOL:
● PICTURE

PICTURE Adjustments

PICTURE MENU

You can switch to the optimal picture mode for the video source

STANDARD

DYNAMIC

and viewing environment.

 

 

MONITOR

CINEMA

STANDARD:

CINEMA:

 

 

For viewing in standard (evening lighting) environments.

Ideal for movies.

 

 

This menu selects the normal levels of BRIGHTNESS

MONITOR:

 

 

and PICTURE.

For use when creating broadcast or movie content. With

DYNAMIC:

this picture, even if the overall average picture level

For viewing in brighter environments. This menu

(APL) changes, the brightness of areas with the same

selects higher than normal levels of BRIGHTNESS and

signal level does not change.

 

PICTURE.

 

 

 

Notes:

When “MONITOR” is selected in PICTURE MENU, the following menu items cannot be set. PICTURE menu: PICTURE

EXTENDED LIFE SETTINGS: PEAK LIMIT (see page 52)

SET UP menu: POWER SAVE (see page 46)

If you would like to change the picture and color of the selected PICTURE MENU to something else, adjust using the items in the PICTURE menu. (see below)

Adjusts the proper picture contrast.

 

 

Less

More

● BRIGHTNESS Adjusts for easier viewing of dark pictures such

 

 

 

as night scenes and black hair.

Darker

Brighter

● COLOR

Adjusts color saturation.

Less

More

 

 

● TINT

Adjusts for natural flesh tones.

Reddish

Greenish

 

 

● SHARPNESS

Adjusts picture sharpness.

 

 

COLOR TEMP Switches to various screen color tones. Intermediate color temperature.

Colors with a reddish tinge.

Colors with a reddish tinge (6100K). Colors with a reddish tinge (5600K).

Optimal color temperature for studio viewing (3200K). Colors with a bluish tinge.

Less More

NORMAL WARM WARM2

COOL STUDIO* WARM3

*“STUDIO” can be modified when “Studio mode” in the OPTIONS menu is “On”. (see page 56)

Notes:

You can change the level of each function (PICTURE, BRIGHTNESS, COLOR, TINT, SHARPNESS) for each

PICTURE MENU.

The setting details for STANDARD, DYNAMIC, CINEMA and MONITOR respectively are memorized separately for each input terminal.

In PICTURE, there is not a noticeable change even when contrast is increased with a bright picture or reduced with a dark picture.

32