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PICTURE Adjustments
●PICTURE MENU
You can switch to the optimal picture mode for the video source | STANDARD | DYNAMIC | ||
and viewing environment. |
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| MONITOR | CINEMA | ||
STANDARD: | CINEMA: | |||
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For viewing in standard (evening lighting) environments. | Ideal for movies. |
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This menu selects the normal levels of BRIGHTNESS | MONITOR: |
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and PICTURE. | For use when creating broadcast or movie content. With | |||
DYNAMIC: | this picture, even if the overall average picture level | |||
For viewing in brighter environments. This menu | (APL) changes, the brightness of areas with the same | |||
selects higher than normal levels of BRIGHTNESS and | signal level does not change. |
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PICTURE. |
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Notes:
•When “MONITOR” is selected in PICTURE MENU, the following menu items cannot be set. PICTURE menu: PICTURE
EXTENDED LIFE SETTINGS: PEAK LIMIT (see page 52)
SET UP menu: POWER SAVE (see page 46)
•If you would like to change the picture and color of the selected PICTURE MENU to something else, adjust using the items in the PICTURE menu. (see below)
Adjusts the proper picture contrast.
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| Less | More |
● BRIGHTNESS Adjusts for easier viewing of dark pictures such |
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| as night scenes and black hair. | Darker | Brighter |
● COLOR | Adjusts color saturation. | Less | More |
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● TINT | Adjusts for natural flesh tones. | Reddish | Greenish |
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● SHARPNESS | Adjusts picture sharpness. |
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●COLOR TEMP Switches to various screen color tones. Intermediate color temperature.
Colors with a reddish tinge.
Colors with a reddish tinge (6100K). Colors with a reddish tinge (5600K).
Optimal color temperature for studio viewing (3200K). Colors with a bluish tinge.
Less More
NORMAL WARM
WARM2
COOL STUDIO*
WARM3
*“STUDIO” can be modified when “Studio mode” in the OPTIONS menu is “On”. (see page 56)
Notes:
•You can change the level of each function (PICTURE, BRIGHTNESS, COLOR, TINT, SHARPNESS) for each
PICTURE MENU.
•The setting details for STANDARD, DYNAMIC, CINEMA and MONITOR respectively are memorized separately for each input terminal.
•In PICTURE, there is not a noticeable change even when contrast is increased with a bright picture or reduced with a dark picture.
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