MIDI Implementation
23
●012b: Ring Modulator
This is an e ect that applies amplitude modulation (AM) to the input signal,
producing bell-like sounds. You can also change the modulation frequency in
response to changes in the volume of the sound sent into the e ect.
No Parameter Value Description
1Frequency #1 0–127 0–127 Adjusts the frequency at
which modulation is applied.
2Sens 0–127 0–127
Adjusts the amount of
frequency modulation
applied.
3Polarity 0–1 Up, Down
Determines whether the
frequency modulation moves
towards higher frequencies
(Up) or lower frequencies
(Down).
4Low Gain 0–30 -15–+15 dB Gain of the low frequency
range
5High Gain 0–30 -15–+15 dB Gain of the high frequency
range
6Balance #2 0–100 D100:0W–
D0:100W
Volume balance between the
direct sound (D) and the e ect
sound (W)
7Level 0–127 0–127 Output level
●0125: Tremolo
Cyclically modulates the volume to add tremolo e ect to the sound.
No Parameter Value Description
1Mod Wave 0–4 Tri, Sqr, Sin,
Saw1, Saw2
Modulation Wave
Tri: Triangle wave
Sqr: Square wave
Sin: Sine wave
Saw1/2: Sawtooth wave
2Rate Mode 0–1 Hz, note
When this is set to “note,” the
e ect is synchronized with the
tempo.
3Rate #1 1–127 0.05-10.00 Hz Frequency of the change (Hz)
4Rate 0–21 note Frequency of the change
(note)
5Depth #2 0–127 0–127 Depth to which the e ect is
applied
6Low Gain 0–30 -15–+15 dB Gain of the low range
7High Gain 0–30 -15–+15 dB Gain of the high range
8Level 0–127 0–127 Output Level
●0126: Auto Pan
Cyclically modulates the stereo location of the sound.
No Parameter Value Description
1Mod Wave 0–4 Tri, Sqr, Sin,
Saw1, Saw2
Modulation Wave
Tri: triangle wave
Sqr: square wave
Sin: sine wave
Saw1/2: sawtooth wave
2Rate Mode 0–1 Hz, note
When this is set to “note,”
the e ect is synchronized
with the tempo.
3Rate #1 1–127 0.05–10.00 Hz Frequency of the change
(Hz)
4Rate 0–21 note Frequency of the change
(note)
5Depth #2 0–127 0–127 Depth to which the e ect
is applied
6Low Gain 0–30 -15–+15 dB Gain of the low range
7High Gain 0–30 -15–+15 dB Gain of the high range
8Level 0–127 0–127 Output Level
●012c: Slicer
By applying successive cuts to the sound, this e ect turns a conventional sound into
a sound that appears to be played as a backing phrase. This is especially e ective
when applied to sustain-type sounds.
No Parameter Value Description
1Rate Mode 0–1 Hz, note
When this is set to “note,” the
e ect is synchronized with the
tempo.
2Rate 1–127 0.05-10.00 Hz Rate at which the 16-step
sequence will cycle (Hz)
3Rate #1 12–21 note Rate at which the 16-step
sequence will cycle (note)
4Attack 0–127 0–127 Speed at which the level
changes between steps
5Input Sync
Sw 0–1 O , On
Speci es whether an input
note will cause the sequence
to resume from the  rst step
of the sequence (ON) or not
(OFF)
6Input Sync
Threshold 0–127 0–27 Volume at which an input
note will be detected
7Mode 0–1 Legato, Slash
Sets the manner in which the
volume changes as one step
progresses to the next.
Legato: The change in volume
from one step’s level to the
next remains unaltered. If the
level of a following step is the
same as the one preceding it,
there is no change in volume.
Slash: The level is momentarily
set to 0 before progressing to
the level of the next step. This
change in volume occurs even
if the level of the following
step is the same as the preced-
ing step.
8Shu e #2 0–127 0–127
Timing of volume changes for
even-numbered steps (step 2,
step 4, step 6...).
The higher the value, the later
the beat progresses.
9Level 0–127 0–127 Output level
●0130: Compressor
Flattens out high levels and boosts low levels, smoothing out  uctuations in volume.
No Parameter Value Description
1Attack #2 0–127 0–127 Sets the speed at which
compression starts
2Threshold #1 0–127 0–127 Adjusts the volume at which
compression begins
3Post Gain 0–18 0–+18 dB Adjusts the output gain.
4Low Gain 0–30 -15–+15 dB Gain of the low frequency
range
5High Gain 0–30 -15–+15 dB Gain of the high frequency
range
6Level 0–127 0–127 Output level