MIDI Implementation
29
●0151: Modulation Delay
Adds modulation to the delayed sound.
No Parameter Value Description
1Delay Left
Mode 0–1 ms, note
When this is set to “note,” the
e ect is synchronized with the
tempo.
2Delay Left 0–127 1–1270 ms Adjusts the time until the
delay sound is heard. (Hz)
3Delay Left 0–21 note Adjusts the time until the
delay sound is heard. (note)
4Delay Right
Mode 0–1 ms, note Settings of the Delay Right
The parameters are the same
as for the Delay Left.
5Delay Right 0–127 1–1270 ms
6Delay Right 0–21 note
7Feedback
Mode 0–1 Normal,
Cross
Selects the way in which delay
sound is fed back into the
e ect.
8Feedback 49–89 0–+80%
Adjusts the amount of the
delay sound that’s fed back
into the e ect.
9HF Damp 0–17 200–8000 Hz,
Bypass
Adjusts the frequency above
which sound fed back to the
e ect is  ltered out. If you
don’t want to  lter out any
high frequencies, set this
parameter to Bypass.
10 Rate Mode 0–1 Hz, note
When this is set to “note,” the
e ect is synchronized with the
tempo.
11 Rate 1–127 0.05–10.00
Hz Frequency of modulation (Hz)
12 Rate 0–21 note Frequency of modulation
(note)
13 Depth #1 0–127 0–127 Depth of modulation
14 Phase 0–90 0–180 deg Spatial spread of the sound
15 Low Gain 0–30 -15–+15 dB Gain of the low frequency
range
16 High Gain 0–30 -15–+15 dB Gain of the high frequency
range
17 Balance #2 0–100 D100:0W–
D0:100W
Volume balance between the
direct sound (D) and the delay
sound (W)
18 Level 0–127 0–127 Output level
●0152: Triple Tap Delay
Produces three delay sounds; center, left and right.
No Parameter Value Description
1Delay Left
Mode 0–1 ms, note
When this is set to “note,” the
e ect is synchronized with the
tempo.
2Delay Left 0–127 1–2540 ms Adjusts the time until the
delay sound is heard. (Hz)
3Delay Left 0–21 note Adjusts the time until the
delay sound is heard. (note)
4Delay Right
Mode 0–1 ms, note Settings of the Delay Right
The parameters are the same
as for the Delay Left.
5Delay Right 0–127 1–2540 ms
6Delay Right 0–21 note
7Delay Center
Mode 0–1 ms, note Settings of the Delay Center
The parameters are the same
as for the Delay Left.
8Delay Center 0–127 1–2540 ms
9Delay Center 0–21 note
10 Center
Feedback #1 49–89 0–+80%
Adjusts the amount of the
delay sound that’s fed back
into the e ect.
No Parameter Value Description
11 HF Damp 0–17 200–8000 Hz,
Bypass
Adjusts the frequency above
which sound fed back to the
e ect is  ltered out. If you do
not want to  lter out any high
frequencies, set this parameter
to Bypass.
12 Left Level 0–127 0–127 Volume of each delay
13 Right Level 0–127 0–127 Volume of each delay
14 Center Level 0–127 0–127 Volume of each delay
15 Low Gain 0–30 -15–+15 dB Gain of the low frequency
range
16 High Gain 0–30 -15–+15 dB Gain of the high frequency
range
17 Balance #2 0–100 D100:0W–
D0:100W
Volume balance between the
direct sound (D) and the delay
sound (W)
18 Level 0–127 0–127 Output level
●0157: 3D Delay
This applies a 3D e ect to the delay sound. The delay sound will be positioned 90
degrees left and 90 degrees right.
No Parameter Value Description
1Delay Left
Mode 0–1 ms, note
When this is set to “note,” the
e ect is synchronized with the
tempo.
2Delay Left 0–127 1–2540 ms
Adjusts the delay time from
the direct sound until the
delay sound is heard. (Hz)
3Delay Left 0–21 note
Adjusts the delay time from
the direct sound until the
delay sound is heard. (note)
4Delay Right
Mode 0–1 ms, note Settings of the Delay Right
The parameters are the same
as for the Delay Left.
5Delay Right 0–127 1–2540 ms
6Delay Right 0–21 note
7Delay Center
Mode 0–1 ms, note Settings of the Delay Center
The parameters are the same
as for the Delay Left.
8Delay Center 0–127 1–2540 ms
9Delay Center 0–21 note
10 Center
Feedback #1 49–89 0–+80%
Adjusts the proportion of the
delay sound that is fed back
into the e ect.
11 HF Damp 0–17 200–8000 Hz,
Bypass
Adjusts the frequency above
which sound fed back to
the e ect will be cut. If you
do not want to cut the high
frequencies, set this parameter
to Bypass.
12 Left Level 0–127
0–127 Output level of the delay
sound
13 Right Level 0–127
14 Center Level 0–127
15 Output Mode 0–1 Speaker,
Phones
Adjusts the method that will
be used to hear the sound
that is output to the OUTPUT
jacks. The optimal 3D e ect
will be achieved if you select
Speaker when using speakers,
or Phones when using
headphones.
16 Low Gain 0–30 -15–+15 dB Gain of the low range
17 High Gain 0–30 -15–+15 dB Gain of the high range
18 Balance #2 0–100 D100:0W–
D0:100W
Volume balance between the
direct sound (D) and the e ect
sound (W)
19 Level 0–127 0–127 Output Level