Roland JUNO-G - page 112

112

Editing a Song (Audio Track)

Refer to p. 109.

You can move the SONG RECORDER TRACK A1–A4 sliders to

adjust the volume (track level) of each audio track.

Viewing a List of Markers (Marker

List)

Using the Sliders to Control the

Mixer

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Contents

Main As of December 10, 2005 (ROLAND) Information Owners Manual distributor in your country as shown below. 04232578 2MP MIDDLE EAST NORTH AMERICA ASIA Page IMPORTANT NOTES Additional Precautions Repairs and Data Maintenance Before Using Cards Copyright Handling CD-ROMs Contents Page Page Page Main Features Panel Descriptions Front Panel 1 2 3 4 5 6 7 Panel Descriptions Panel Descriptions Rear Panel 1 2 3 4 5 Getting Ready Connections Getting Ready Turning On/Off the Power Turning Off the Power Adjusting the Display Contrast (LCD Contrast) Listening to the Demo Songs Various Performance Features Control Pedal Hold Pedal Transpose Octave Shift Overview of the JUNO-G LFO (Low Frequency Oscillator) Envelope TVA (Time Variant Amplifier) TVF (Time Variant Filter) Part Performances Rhythm Sets Patches Patch Tone 4 Tone 3 Tone 2 Tone 1 LAYER/SPLIT MIXER About Memory Temporary Memory About the Onboard Effects How Effects Units Work in Different Modes About the Song Recorder What Is a Track? What Is a Song? About Audio Track Recording Where Samples are Stored Preset Memory User Memory Basic Operation of the JUNO-G Performance Mode MIXER screen PERFORM PLAY screen Moving the Cursor Assigning a Name Changing a Value Playing in Patch Mode Patch/Rhythm Set Group About the PATCH PLAY Screen EXP (Wave Expansion Board installed in EXP Slot) Selecting Patches in the Main Screen Selecting Patches by Category Using the Category Group Buttons to Select Patches Selecting Patches from the List Selecting Patches by Category Auditioning a Patch or Rhythm Set (Phrase Preview) Transposing the Keyboard in Octave Units (Octave Shift) Transposing the Keyboard in Semitone Steps (Transpose) Selecting the Tones That Will Sound (Tone On/Off) Playing Percussion Instruments Adjusting the Volume Balance between the Keyboard Performance and the Rhythm Pattern Creating a Patch You can use the six SOUND MODIFY knobs to edit the sound in real time. Applying vibrato, wah, or tremolo (LFO) Selecting the tone to edit Editing in a Graphic Display (Zoom Edit) Viewing and editing all parameters (PRO EDIT) Using the SOUND MODIFY Knobs to Change the Value Copying Patch (Tone) Settings Saving Patches Youve The Compare Function += One-shot Waveform and Loop Waveform Tips for Using an Acoustic Instruments Waveform GENERAL Stretched Tuning Functions of Patch Parameters Settings Common to the Entire Patch Changing How a Tone Is Sounded (Structure) MODIFY Booster Ring Modulator PORTAMENTO You can use the note number to control the way each Tone is played. KEY RANGE CONTROL Portamento Start: NOTEPortamento Start: PITCH Modifying Waveforms/Pitch/Pitch Envelope WAVE PITCH Phrase Loop Realtime Time Stretch FXM Modifying the Brightness of a Sound with a Filter (TVF/TVF Envelope) Pitch Envelope TVF ENVELOPE LPF BPF Adjusting the Volume (TVA/TVA Envelope) TVF Envelope UPR ALL Level Key Key TVA ENVELOPE TVA Envelope Matrix Control Settings/Miscellaneous Settings MISC Tone Delay Mode: OFFD Tone Delay Modulating Sounds/Output How to Apply the LFO Apply the LFO gradually after the key is released Apply the LFO immediately when the key is pressed, and then gradually begin to decrease the effect Apply the LFO gradually after the key is pressed Setting Effects for a Patch (Effects/MFX/MFX Control/Chorus/Reverb) Creating a Rhythm Set 10. Editing the way that tone (brightness) will change Editing the way that the volume will change Viewing and editing all parameters (PRO EDIT) Copying Rhythm Tone Settings Using the SOUND MODIFY Knobs to Change the Value Initializing Rhythm Set Settings One-shot Waveform and Loop Waveform += Saving Rhythm Sets Youve The Compare Function Functions of Rhythm Set Parameters Settings Common to the Entire Rhythm Set Modifying Waveforms/Pitch/Pitch Envelope Phrase Loop FXM WAVE MIX Parameters Pitch Envelope Modifying the Brightness of a Sound with a Filter (TVF/TVF Envelope) Resonance HPF PKG TVA PARAMETER Adjusting the Volume (TVA/TVA Envelope) TVF Envelope Output Settings (OUTPUT) Setting Effects for a Patch (Effects/MFX/MFX Control/Chorus/Reverb) Playing in Performance Mode Displaying PART MIXER Screen MIXER screen PLAY screen Selecting Favorite Performances Selecting a Performance Selecting Performances from the List Using the PLAY Screen Selecting the Sound for a Part Selecting a Part Combining and Playing Sounds Together (Layer) About the keyboard switch Selecting the Rhythm Set Playing Different Sounds in Different Areas of the Keyboard (Split) Selecting the Sound for a Part Using the MIXER Screen Selecting a Part Editing the Part Settings Silencing the Playback of a Specific Part (Mute) Creating a Performance Initializing Performance Settings Adjusting the Parameters of Each Part Functions of Parameters of Each Part (Performance Parameters) [F3 (PITCH)] ] - [F2 (VIBRATO)] [PAGE [F4 (OUTPUT)] ] - [F1 (OFFSET)] Coarse Tune and Octave Shift [PAGE ] - [F5 (S.TUNE)] [PAGE ] - [F3 (KEYBORD)] ] - [F4 (KEY MOD)] Calculating the Number of Voices Being Used MIDI Settings Just Temperament (Tonic of C) Equal Temperament Arabian Scale Settings for the D Beam and the Controller Control Switch Settings [F1 (CTRL SW)] Modifying the Sound in Real Time D Beam Controller The usable range of the D Beam controller SOLO SYNTH ACTIVE EXPRESSION ASSIGNABLE Press [EXIT] to return to the previous screen. If you want to save the settings, press [F6 (WRITE)]. A screen like the following appears. Control Pedal Control Pedal Settings Playing Arpeggios Playing Arpeggios When Using a Hold Pedal Arpeggio Settings About Arpeggio Styles STEP HIGH Creating an Arpeggio Style (Arpeggio Style Edit) Using the VALUE Dial or [INC] [DEC] to Input Values Saving the Styles You Have Using the Chord Memory Function Changing the order in which notes are sounded About the Chord Memory Function Creating Your Own Chord Forms Saving the Chord Forms You Have Created (Write) Playing Rhythms When you have finished selecting a Rhythm group, press [EXIT]. Using the Rhythm Function Playing Rhythm Rhythm Pattern Settings Creating a Rhythm Pattern (Rhythm Pattern Edit) Step-recording Using the VALUE Dial or [INC] [DEC] to Input Values Saving the Rhythm Pattern You Have Created (Write) Creating a Rhythm Group (Rhythm Group Edit) Saving the Rhythm Group You Have Created (Write) Creating a List of Frequently Used Patches, Performances, or Songs (Live Setting) Registering a Sound Recalling Sounds Playing Back a Song Loading and Playing a Song (Load Play) 1. 2. Various Playback Methods Fast-Forward and Rewind During Playback Playing Back with a Specific Instrument Muted (MIDI Track Mute) Changing the Playback Tempo of a Song Playing Back a Song Repeatedly (Loop Play) Using the D Beam Controller to Start/Stop Song Playback Playing Back Correctly from the Middle of the Song (MIDI Update) Recording a Song (MIDI Track) Patch/Rhythm set Overview of the Recording Process Step Recording (p. 92) Realtime Recording (p. 88) Recording Your Performance as You Play It (Realtime Recording) Recording Tempo Changes in a Song (Tempo Recording) Loop Recording and Punch-In Recording Recording the Rhythm Pattern Playback to MIDI Track Using Auto Punch-In Recording Correct the Timing of Your Playing as You Record (Recording Quantize) * Realtime Erase can be executed only if the Recording Mode is set to MIX. Selecting the Sequencer Data that will Be Recorded (Recording Select) Erasing Unwanted Data While You Record (Realtime Erase) Recording Arpeggios Aligned to the Measures of the Song Recorder Auditioning Sounds or Phrases While Recording (Rehearsal Function) Inputting Data One Step at a Time (Step Recording) Inputting Notes and Rests You can use the function buttons to perform the following operations. Moving the display region Moving the input location Inputting a Chord The Relation between Note Value Length and Gate Time Editing a Song (MIDI Track) Naming a marker Deleting a marker Moving to marker locations Assigning a marker Specifying the Area of a Song that will Repeat (Loop Points) Aligning a Songs Timing (Quantize) Preview Function Press [F6 (EXEC)]. * To cancel, press [F5 (CANCEL)]. Press [F6 (EXEC)]. A message will ask you for confirmation. * Here is a list of quantize templates. When Quantize Type is TEMPLATE When Quantize Type is GRID When Quantize Type is SHUFFLE Rate: Editing Sequencer Data Over the Specified Range (Track Edit) Basic Operation for Track Editing Copying Phrases (Copy) Erasing Unwanted Performance Data (Erase) Deleting Unwanted Measures (Delete) Editing Individual Items of Sequencer Data (Micro Edit) Editing Sequencer Data (Basic Procedure in the Microscope) If You Want to Lower the Bass Sound One Octave... Sequencer Data Handled by a MIDI Track Data Handled by the Tempo Track Inserting Sequencer Data (Create) Viewing Sequencer Data (View Select) Data Handled by the Beat Track Erasing Sequencer Data (Erase) Moving Sequencer Data (Move) Copying Sequencer Data (Copy) Changing the Tempo Midway Through the Song Changing the Time Signature Midway Through the Song Assigning a Name to a Song (Song Name) Recording a Song (Audio Track) Input Effect Setup Settings Before You Record Audio via the AUDIO INPUT Jacks Recording an Audio Track (SOLO/RE-SAMPLING) Combining Multiple Audio Tracks into One Track (AUDIO MERGE) Recording the Rhythm Pattern Playback to Audio Track 10. Editing a Song (Audio Track) Items in the AUDIO TRACK Editing Audio Tracks (AUDIO TRACK Screen) Copying a Sample Event (Copy) Erasing Audio Tracks (Clear) Muting Audio Tracks (Mute) Deleting the Selected Sample Event from an Audio Track (Delete) Viewing a List of Markers (Marker List) Naming an Audio Track (Track Name) Unloading a Sample (Unload Sample) Combining the Contents of the Tracks into One Audio Track (Mixdown) Zooming In and Zooming Out in the Display Adjusting the Chorus and Reverb Adjusting the Volume and Pan Items in the AUDIO MIXER Muting Audio Tracks (Mute) Controlling the Audio Track Settings Controlling the Audio Tracks (AUDIO MIXER screen) Page Saving/Loading a Song (Save/Load) Data Saved Together with a Song Basic Procedure Saving a Song (Save) Saving a Song as an SMF File (Save as SMF) Loading a Song (Load) Basic Procedure Loading a Song with Samples (Load Song+Smpls) Loading a song (Load Song) Loading Samples (Load all Samples) Deleting a Song (Delete Song) Editing a Audio Phrase (Sample) Loading all Samples Sample List Unloading a Sample Deleting a Sample Importing an Audio File (Import Audio) Press [F4 (EDIT)] or [ENTER] to access the SAMPLE EDIT screen. Sample Edit Magnifying/Shrinking the Waveform Display (Zoom In/Out) Setting the Start/End Points of the Sample Removing Unwanted Portions of a Sample (TRUNCATE) About the beat Boosting or Limiting the High- frequency Range of the Sample (EMPHASIS) AMP Maximizing the Volume of a Sample (NORMALIZE) Procedure for Dividing a Sample Stretching or Shrinking a Sample (TIME STRETCH) Dividing a Sample into Notes (CHOP) Auditioning the Divided Samples Joining Two or More Samples (COMBINE) When you have finished inputting the name, press [F6 (WRITE)]. Saving a Sample (Write) Adding Effects Making Effect Settings Turning Effects On and Off Applying Effects in Patch Mode Specifying How the Sound Will Be Output (Routing) (p. 125). Applying Effects in Performance Mode Specifying How the Sound Will Be Output (Routing) 12 13 When Patch or Rhythm Set Settings Are Selected Making Multi-Effects Settings (MFX13) Making Multi-Effects Settings (MFX Control) Specifying the Multi-Effects Structure (MFX Structure) Multi-Effects Control Multi-Effects Parameters 01: EQUALIZER Low Boost 05: SUPER FILTER Boosts the volume of the lower range, creating powerful lows. This is a filter with an extremely sharp slope. The cutoff frequency can be varied cyclically. 4-Band EQ 4-Band EQ Spectrum Spectrum 06: STEP FILTER Auto Wah Cyclically controls a filter to create cyclic change in timbre. 08: AUTO WAH 09: HUMANIZER R in R out Overdrive The phaser effect will be varied gradually. 12: STEP PHASER 13: MULTI STAGE PHASER Step Ring Mod Infinite Phaser 2-Band EQ 16: STEP RING MODULATOR 14: INFINITE PHASER 17: TREMOLO R Auto Pan 20: SLICER This uses a 16-step sequence to vary the panning of the sound. 21: ROTARY Rotary 23: CHORUS 22: VK ROTARY 24: FLANGER Flanger 26: HEXA-CHORUS 25: STEP FLANGER 27: TREMOLO CHORUS 3D Flanger 3D Chorus Tremolo Chorus 30: 3D FLANGER 31: 3D STEP FLANGER 3D Step Flanger 33: 2BAND FLANGER 32: 2BAND CHORUS 34: 2BAND STEP FLANGER Distortion Overdrive Distortion 38: VS DISTORTION 39: GUITAR AMP SIMULATOR Pre Amp Speaker 42: GATE 41: LIMITER Specifications for each Speaker Type 43: DELAY Long Delay 45: SERIAL DELAY A delay that provides a long delay time. 44: LONG DELAY 46: MODULATION DELAY 1 Stereo location of each delay This effect has four delays. 48: 4TAP PAN DELAY 49: MULTI TAP DELAY Rev. Delay Multi Tap Delay 51: SHUFFLE DELAY 50: REVERSE DELAY 52: 3D DELAY Direct Level Echo Level 3D Delay C R 56: LOFI NOISE Radio Compressor Noise Gen. In addition to a Lo-Fi effect, this effect also generates radio noise. 59: TELEPHONE 2Voice Pitch Shifter 62: 2VOICE PITCH SHIFTER A stereo pitch shifter. 60: PHONOGRAPH 63: STEP PITCH SHIFTER Balance D Balance W 65: GATED REVERB Adds reverberation to the sound, simulating an acoustic space. 66: OVERDRIVE Distortion Distortion Flanger Distortion 72: ENHANCER Delay DELAY 75: CHORUS FLANGER 76: FLANGER Syn. Resonance Delay 78: SYMPATHETIC RESONANCE DELAY 3-Band When Using 3D Effects About the STEP RESET function * The JUNO-Gs Chorus effect unit can also be used as a stereo delay unit. note: Making Chorus Settings Making Reverb Settings Mastering Effect About THRESHOLD (Thresh) and RATIO Settings Common to All Modes (System Function) System Information How to Make System Function Settings Functions of System Parameters System Menu [F1 (GENERAL)] System Menu [F2 (KBD/CTRL)] [F3 (CTRL)] JUNO-G JUNO-G (External) System Menu [F3 (MIDI)] System Control Using the Local Switch Connecting the JUNO-G to an external sequencer [F2 (TX)] [F4 (MMC MTC)] [F3 (RX)] MIDI Clock and MTC System Menu [F4 (METRO/SYNC)] System Menu [F5 (D BEAM)] Types of MTC Non-Drop Format and Drop Format [F2 (ASSIGN)] [F3 (ATV EXP)] [F4 (SYNTH)] Data Management Functions/ Reset to Factory Settings (Factory Reset) UTILITY MENU screen Backing Up User Data (User Backup) File-Related Functions (File Utility) Basic Procedure AUDIO_IMPORT TMP Copying a File (Copy) Deleting a File (Delete) Moving a File (Move) Initializing a Memory Card (Card Format) Connecting to Your Computer via USB Using MIDI Mode About USB Functions Exiting Storage Mode Canceling USB Communication Importing an Audio File (Import Audio) Exchanging MIDI Messages with Your Computer (MIDI Mode) Before Installing the Driver You must set the USB Mode of the JUNO-G to MIDI mode. (p. 167) Caution when disconnecting the USB cable Using JUNO-G Editor/Librarian In the JUNO-G Editor CD CD-ROM, open the ReadMe(English). System Requirements (Windows) /Librarian JUNO-G Editor System Requirements (Mac OS) About V-LINK Turning the V-LINK ON/OFF What is V-LINK? Connection Example V-LINK Settings (V-LINK SETUP) Installing the Wave Expansion Board Cautions When Installing a Wave Expansion Board How to Install a Wave Expansion Board Checking the Installed Wave Expansion Board Expanding the Memory Precautions for Expanding Memory How to Expand the Memory Checking that memory is installed correctly Using a Memory Card Before Using the Memory Card Writing data to the card Installing the PC Card Protector memory card Troubleshooting Issues Related to Sound Problems Concerning the Entire JUNO-G Issues Related to Effects Issues Related to Saving Data Issues Related to Song Recorder Page Page Issues Related to MIDI and External Devices Issues Related to Audio Recording Issues Related to a Memory Card Error Messages Performance List USER (User Group) PRST (Preset Group) Patch List PR-A (Preset A Group) PR-B (Preset B Group) PR-C (Preset C Group) PR-D (Preset D Group) PR-E (Preset E Group) PR-F (Preset F Group) Voice: number of voice LSB: Bank Select LSB (CC#32), MSB (CC#0) is all 121 PC: Program Change Number Rhythm Set List PRST (Preset Group) USER (User Group) GM (GM2 Group) Page Page Page Page Page Page PC: Program Change Number Bank Select MSB is all 120, LSB is all 0 PC: Program Change Number Bank Select MSB is all 120, LSB is all 0 Waveform List Waveform List Waveform List Arpeggio Style List * Arpeggio Styles are common between Preset Group and User Group. Recommended number of notes to press Rhythm Group List * Rhythm Groups are common between Preset Group and User Group. Rhythm Pattern List Rhythm Pattern List About MIDI MIDI OUT Connector MIDI IN Connector MIDI Implementation 1. Data Reception (Sound Generator Section) Control Change Polyphonic Key Pressure Note on Page RPN MSB/LSB (Controller number 100, 101) Effect 3 (Chorus Send Level) (Controller number 93) Effect 1 (Reverb Send Level) (Controller number 91) Pitch Bend Change Channel Pressure Program Change System Realtime Message Channel Mode Messages Chorus Parameters Reverb Parameters Master Coarse Tuning Global Parameter Control Universal Realtime System Exclusive Messages Key-based Instrument Controllers Scale/Octave Tuning Adjust Controller Channel Pressure Data set 1 (DT1) Data Request 1 (RQ1) Data Transmission Control Change Note on Note off 2. Data Transmission (Sound Generator Section) System Exclusive Messages Channel Mode Messages System Exclusive Messages Channel Mode messages 3.1 Messages recorded during recording 3. Data Reception (Sequencer Section) 3.2 Messages not recorded during recording System Common messages 3.3 Messages acknowledged for synchronization Channel mode messages System Common Messages 4.2 Soft Thru setting 4.1 Messages transmitted during playing 4.3 Messages that are generated and transmitted 4.3.1 Messages Appearing When Synchronizing with Other Devices Arpeggio Rhythm Patch System Mastering System Common Setup Rhythm Group Performance Common System Controller System External Input Performance Common Chorus Performance Common MFX Performance Part Performance MIDI Performance Common Reverb Arpeggio Pattern Arpeggio Common Performance Controller Performance Zone Chord Pattern Patch Common Rhythm Group Patch Common MFX Patch Common Reverb Patch Common Chorus Patch Tone Patch TMT (Tone Mix Table) Rhythm Common MFX Rhythm Common Rhythm Common Chorus Rhythm Tone Rhythm Common Reverb Page 5.2 GS (Model ID = 42H) Part Parameter Common Parameter System Parameter <Example4> What is the nibbled expression of the decimal value 1258? <Example1> What is the decimal expression of 5AH? Decimal and Hexadecimal Table <Example2> What is the decimal expression of the value 12 34H given as hexadecimal for each 7 bits? How to calculate the checksum <Example4> B3 64 00 65 00 06 0C 26 00 64 7F 65 7F <Example3> EA 00 28 <Example2> CE 49 Example of an Exclusive Message and Calculating a Checksum <Example> Setting CHORUS TYPE of PERFORMANCE COMMON to DELAY (DT1) Bank Select and Program Change Correspondence Chart Group Number Bank Select Program MIDI Implementation Chart MIDI Implementation Chart (Song Recorder (MIDI TRACK) Section) Model JUNO-G MIDI Implementation Chart Specifications Others Song Recorder Section Sound Generator Section Index B A Numerics D F E G H I J L K N O P Q R S T U V Z W NOTICE AVIS FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT DECLARATION OF CONFORMITY Compliance Information Statement 2 As of December 10, 2005 (ROLAND) Information Owners Manual distributor in your country as shown below. 04232578 2MP MIDDLE EAST NORTH AMERICA ASIA