240
MIDI Implementation

The Scale Tune Feature (address: 40 1x 40)

The scale tune feature allows you to finely adjust the individual pitch of the notes from C
through B. Though the settings are made while working with one octave, the fine
adjustments will affect all octaves. By making the appropriate Scale Tune settings, you can
obtain a complete variety of tuning methods other than equal temperament. As examples,
three possible types of scale setting are explained below.
* The scale tune value received by the part 1 is used in Patch mode and Piano mode.

Equal Temperament

This method of tuning divides the octave into 12 equal parts. It is currently the most widely
used form of tuning, especially in occidental music. On the JUNO-G, the default settings for
the Scale Tune feature produce equal temperament.

Just Temperament (Tonic of C)

The principal triads resound much more beautifully than with equal temperament, but this
benefit can only be obtained in one key. If transposed, the chords tend to become
ambiguous. The example given involves settings for a key in which C is the keynote.

Arabian Scale

By altering the setting for Scale Tune, you can obtain a variety of other tunings suited for
ethnic music. For example, the settings introduced below will set the unit to use the Arabian
Scale.

Example Settings

Note name Equal Temperament Just Temperament (Key-tone C) Arabian Scale
C0 0 -6
C# 0 -8 +45
D 0 +4 -2
Eb 0 +16 -12
E 0 -14 -51
F 0 -2 -8
F# 0 -10 +43
G 0 +2 -4
G# 0 +14 +47
A 0 -16 0
Bb 0 +14 -10
B 0 -12 -49
The values in the table are given in cents. Convert these values to hexadecimal, and transmit
them as Exclusive data.
For example, to set the tune (C-B) of the Part 1 Arabian Scale, send the following data:
F0 41 10 42 12 40 11 40 3A 6D 3E 34 0D 38 6B 3C 6F 40 36 0F 76 F7

ASCII Code Table

Patch Name and Performance Name, etc., of MIDI data are described the ASCII
code in the table below.

+——————+——————+——————++——————+——————+——————++——————+——————+——————+
| D | H | Char || D | H | Char || D | H | Char |
+——————+——————+——————++——————+——————+——————++——————+——————+——————+
| 32 | 20H | SP || 64 | 40H | @ || 96 | 60H | ` |
| 33 | 21H | ! || 65 | 41H | A || 97 | 61H | a |
| 34 | 22H | “ || 66 | 42H | B || 98 | 62H | b |
| 35 | 23H | # || 67 | 43H | C || 99 | 63H | c |
| 36 | 24H | $ || 68 | 44H | D || 100 | 64H | d |
| 37 | 25H | % || 69 | 45H | E || 101 | 65H | e |
| 38 | 26H | & || 70 | 46H | F || 102 | 66H | f |
| 39 | 27H | ` || 71 | 47H | G || 103 | 67H | g |
| 40 | 28H | ( || 72 | 48H | H || 104 | 68H | h |
| 41 | 29H | ) || 73 | 49H | I || 105 | 69H | i |
| 42 | 2AH | * || 74 | 4AH | J || 106 | 6AH | j |
| 43 | 2BH | + || 75 | 4BH | K || 107 | 6BH | k |
| 44 | 2CH | , || 76 | 4CH | L || 108 | 6CH | l |
| 45 | 2DH | — || 77 | 4DH | M || 109 | 6DH | m |
| 46 | 2EH | . || 78 | 4EH | N || 110 | 6EH | n |
| 47 | 2FH | / || 79 | 4FH | O || 111 | 6FH | o |
| 48 | 30H | 0 || 80 | 50H | P || 112 | 70H | p |
| 49 | 31H | 1 || 81 | 51H | Q || 113 | 71H | q |
| 50 | 32H | 2 || 82 | 52H | R || 114 | 72H | r |
| 51 | 33H | 3 || 83 | 53H | S || 115 | 73H | s |
| 52 | 34H | 4 || 84 | 54H | T || 116 | 74H | t |
| 53 | 35H | 5 || 85 | 55H | U || 117 | 75H | u |
| 54 | 36H | 6 || 86 | 56H | V || 118 | 76H | v |
| 55 | 37H | 7 || 87 | 57H | W || 119 | 77H | w |
| 56 | 38H | 8 || 88 | 58H | X || 120 | 78H | x |
| 57 | 39H | 9 || 89 | 59H | Y || 121 | 79H | y |
| 58 | 3AH | : || 90 | 5AH | Z || 122 | 7AH | z |
| 59 | 3BH | ; || 91 | 5BH | [ || 123 | 7BH | { |
| 60 | 3CH | < || 92 | 5CH | \ || 124 | 7CH | | |
| 61 | 3DH | = || 93 | 5DH | ] || 125 | 7DH | } |
| 62 | 3EH | > || 94 | 5EH | ^ ||——————+——————+——————+
| 63 | 3FH | ? || 95 | 5FH | _ |
+——————+——————+——————++——————+——————+——————+

D: decimal
H: hexadecimal
* “SP” is space.

Bank Select and Program Change Correspondence Chart

Patch

* The EXP group vary depending on the Wave Expansion Board you’ve installed. For
information about an SRX series board, refer to the Owner’s Manual that came with it.

Rhythm Set

* The EXP group vary depending on the Wave Expansion Board you’ve installed. For
information about an SRX series board, refer to the Owner’s Manual that came with it.

Performance

* To switch multitimbres, the external MIDI device’s transmit channel needs to be
matched up with the Performance Control Channel (SYSTEM/MIDI/GENERAL) of the
JUNO-G.

Group Number Bank Select Program

Number
MSB LSB

USER 001–128 87 0 1–128
129–256 87 1 1–128
CARD 001–128 87 32 1–128
129–256 87 33 1–128
PR-A 001–128 87 64 1–128
PR-B 001–128 87 65 1–128
PR-C 001–128 87 66 1–128
PR-D 001–128 87 67 1–128
PR-E 001–128 87 68 1–128
PR-F 001–128 87 69 1–128
GM(2) 001–256 121 0– 1–128
EXP (SRX-01)
(SRX-02)
:
001–
001–
:
93
93
:
0
1
:
1–
1–
:

Group Number Bank Select Program

Number
MSB LSB

USER 001–032 86 0 1–32
CARD 001–032 86 32 1–32
PRST 001–036 86 64 1–36
GM(2) 001–009 120 --- 1–57
EXP (SRX-01)
(SRX-02)
:
001–
001–
:
92
92
:
0
1
:
1–
1–
:

Group Number Bank Select Program

Number
MSB LSB

USER 01–64 85 0 1–64
CARD 01–64 85 32 1–64
PRST 01–64 85 64 1–64
JUNO-G_e.book 240 ページ 2006年2月13日 月曜日 午後2時44分