Main
As of December 10, 2005 (ROLAND)
Information
Owners Manual
distributor in your country as shown below.
04232578 2MP
MIDDLE EAST NORTH AMERICA
ASIA
Page
IMPORTANT NOTES
Additional Precautions
Repairs and Data
Maintenance
Before Using Cards
Copyright
Handling CD-ROMs
Contents
Page
Page
Page
Main Features
Panel Descriptions
Front Panel
1 2
3 4 5 6 7
Panel Descriptions
Panel Descriptions
Rear Panel
1 2 3 4 5
Getting Ready
Connections
Getting Ready
Turning On/Off the Power
Turning Off the Power
Adjusting the Display Contrast (LCD Contrast) Listening to the Demo Songs
Various Performance Features
Control Pedal
Hold Pedal
Transpose
Octave Shift
Overview of the JUNO-G
LFO (Low Frequency Oscillator)
Envelope
TVA (Time Variant Amplifier)
TVF (Time Variant Filter)
Part
Performances
Rhythm Sets
Patches
Patch
Tone 4 Tone 3 Tone 2 Tone 1
LAYER/SPLIT MIXER
About Memory
Temporary Memory
About the Onboard Effects
How Effects Units Work in Different Modes
About the Song Recorder
What Is a Track?
What Is a Song?
About Audio Track Recording
Where Samples are Stored
Preset Memory User Memory
Basic Operation of the JUNO-G
Performance Mode
MIXER screen
PERFORM PLAY screen
Moving the Cursor
Assigning a Name
Changing a Value
Playing in Patch Mode
Patch/Rhythm Set Group
About the PATCH PLAY Screen
EXP (Wave Expansion Board installed in EXP Slot)
Selecting Patches in the Main Screen
Selecting Patches by Category
Using the Category Group Buttons to Select Patches
Selecting Patches from the List
Selecting Patches by Category
Auditioning a Patch or Rhythm Set (Phrase Preview)
Transposing the Keyboard in Octave Units (Octave Shift)
Transposing the Keyboard in Semitone Steps (Transpose)
Selecting the Tones That Will Sound (Tone On/Off)
Playing Percussion Instruments
Adjusting the Volume Balance between the Keyboard Performance and the Rhythm Pattern
Creating a Patch
You can use the six SOUND MODIFY knobs to edit the sound in real time.
Applying vibrato, wah, or tremolo (LFO)
Selecting the tone to edit
Editing in a Graphic Display (Zoom Edit)
Viewing and editing all parameters (PRO EDIT)
Using the SOUND MODIFY Knobs to Change the Value
Copying Patch (Tone) Settings
Saving Patches Youve
The Compare Function
+=
One-shot Waveform and Loop Waveform
Tips for Using an Acoustic Instruments Waveform
GENERAL
Stretched Tuning
Functions of Patch Parameters
Settings Common to the Entire Patch
Changing How a Tone Is Sounded (Structure)
MODIFY
Booster
Ring Modulator
PORTAMENTO
You can use the note number to control the way each Tone is played.
KEY RANGE
CONTROL
Portamento Start: NOTEPortamento Start: PITCH
Modifying Waveforms/Pitch/Pitch Envelope
WAVE PITCH
Phrase Loop
Realtime Time Stretch
FXM
Modifying the Brightness of a Sound with a Filter (TVF/TVF Envelope)
Pitch Envelope
TVF ENVELOPE
LPF BPF
Adjusting the Volume (TVA/TVA Envelope)
TVF Envelope
UPR ALL
Level Key Key
TVA ENVELOPE
TVA Envelope
Matrix Control Settings/Miscellaneous Settings
MISC
Tone Delay Mode: OFFD
Tone Delay
Modulating Sounds/Output
How to Apply the LFO
Apply the LFO gradually after the key is released
Apply the LFO immediately when the key is pressed, and then gradually begin to decrease the effect
Apply the LFO gradually after the key is pressed
Setting Effects for a Patch (Effects/MFX/MFX Control/Chorus/Reverb)
Creating a Rhythm Set
10.
Editing the way that tone (brightness) will change
Editing the way that the volume will change
Viewing and editing all parameters (PRO EDIT)
Copying Rhythm Tone Settings
Using the SOUND MODIFY Knobs to Change the Value
Initializing Rhythm Set Settings
One-shot Waveform and Loop Waveform
+=
Saving Rhythm Sets Youve
The Compare Function
Functions of Rhythm Set Parameters
Settings Common to the Entire Rhythm Set
Modifying Waveforms/Pitch/Pitch Envelope
Phrase Loop
FXM
WAVE MIX Parameters
Pitch Envelope
Modifying the Brightness of a Sound with a Filter (TVF/TVF Envelope)
Resonance HPF PKG
TVA PARAMETER
Adjusting the Volume (TVA/TVA Envelope)
TVF Envelope
Output Settings (OUTPUT)
Setting Effects for a Patch (Effects/MFX/MFX Control/Chorus/Reverb)
Playing in Performance Mode
Displaying PART MIXER Screen
MIXER screen
PLAY screen
Selecting Favorite Performances
Selecting a Performance
Selecting Performances from the List
Using the PLAY Screen
Selecting the Sound for a Part
Selecting a Part
Combining and Playing Sounds Together (Layer)
About the keyboard switch
Selecting the Rhythm Set
Playing Different Sounds in Different Areas of the Keyboard (Split)
Selecting the Sound for a Part
Using the MIXER Screen
Selecting a Part
Editing the Part Settings
Silencing the Playback of a Specific Part (Mute)
Creating a Performance
Initializing Performance Settings
Adjusting the Parameters of Each Part
Functions of Parameters of Each Part (Performance Parameters)
[F3 (PITCH)]
] - [F2 (VIBRATO)]
[PAGE
[F4 (OUTPUT)]
] - [F1 (OFFSET)]
Coarse Tune and Octave Shift
[PAGE
] - [F5 (S.TUNE)]
[PAGE
] - [F3 (KEYBORD)]
] - [F4 (KEY MOD)]
Calculating the Number of Voices Being Used
MIDI Settings
Just Temperament (Tonic of C)
Equal Temperament
Arabian Scale
Settings for the D Beam and the Controller
Control Switch Settings [F1 (CTRL SW)]
Modifying the Sound in Real Time
D Beam Controller
The usable range of the D Beam controller
SOLO SYNTH
ACTIVE EXPRESSION
ASSIGNABLE
Press [EXIT] to return to the previous screen.
If you want to save the settings, press [F6 (WRITE)].
A screen like the following appears.
Control Pedal
Control Pedal Settings
Playing Arpeggios
Playing Arpeggios
When Using a Hold Pedal
Arpeggio Settings
About Arpeggio Styles
STEP
HIGH
Creating an Arpeggio Style (Arpeggio Style Edit)
Using the VALUE Dial or [INC] [DEC] to Input Values
Saving the Styles You Have
Using the Chord Memory Function
Changing the order in which notes are sounded
About the Chord Memory Function
Creating Your Own Chord Forms
Saving the Chord Forms You Have Created (Write)
Playing Rhythms
When you have finished selecting a Rhythm group, press [EXIT].
Using the Rhythm Function
Playing Rhythm
Rhythm Pattern Settings
Creating a Rhythm Pattern (Rhythm Pattern Edit)
Step-recording
Using the VALUE Dial or [INC] [DEC] to Input Values
Saving the Rhythm Pattern You Have Created (Write)
Creating a Rhythm Group (Rhythm Group Edit)
Saving the Rhythm Group You Have Created (Write)
Creating a List of Frequently Used Patches, Performances, or Songs (Live Setting)
Registering a Sound
Recalling Sounds
Playing Back a Song
Loading and Playing a Song (Load Play)
1. 2.
Various Playback Methods
Fast-Forward and Rewind During Playback
Playing Back with a Specific Instrument Muted (MIDI Track Mute)
Changing the Playback Tempo of a Song
Playing Back a Song Repeatedly (Loop Play)
Using the D Beam Controller to Start/Stop Song Playback
Playing Back Correctly from the Middle of the Song (MIDI Update)
Recording a Song (MIDI Track)
Patch/Rhythm set
Overview of the Recording Process
Step Recording (p. 92)
Realtime Recording (p. 88)
Recording Your Performance as You Play It (Realtime Recording)
Recording Tempo Changes in a Song (Tempo Recording)
Loop Recording and Punch-In Recording
Recording the Rhythm Pattern Playback to MIDI Track
Using Auto Punch-In Recording
Correct the Timing of Your Playing as You Record (Recording Quantize)
* Realtime Erase can be executed only if the Recording Mode is set to MIX.
Selecting the Sequencer Data that will Be Recorded (Recording Select)
Erasing Unwanted Data While You Record (Realtime Erase)
Recording Arpeggios Aligned to the Measures of the Song Recorder
Auditioning Sounds or Phrases While Recording (Rehearsal Function)
Inputting Data One Step at a Time (Step Recording)
Inputting Notes and Rests
You can use the function buttons to perform the following operations.
Moving the display region
Moving the input location
Inputting a Chord
The Relation between Note Value Length and Gate Time
Editing a Song (MIDI Track)
Naming a marker
Deleting a marker
Moving to marker locations
Assigning a marker
Specifying the Area of a Song that will Repeat (Loop Points)
Aligning a Songs Timing (Quantize)
Preview Function
Press [F6 (EXEC)].
* To cancel, press [F5 (CANCEL)].
Press [F6 (EXEC)].
A message will ask you for confirmation.
*
Here is a list of quantize templates.
When Quantize Type is TEMPLATE
When Quantize Type is GRID
When Quantize Type is SHUFFLE
Rate:
Editing Sequencer Data Over the Specified Range (Track Edit)
Basic Operation for Track Editing
Copying Phrases (Copy)
Erasing Unwanted Performance Data (Erase)
Deleting Unwanted Measures (Delete)
Editing Individual Items of Sequencer Data (Micro Edit)
Editing Sequencer Data (Basic Procedure in the Microscope)
If You Want to Lower the Bass Sound One Octave...
Sequencer Data Handled by a MIDI Track
Data Handled by the Tempo Track
Inserting Sequencer Data (Create)
Viewing Sequencer Data (View Select)
Data Handled by the Beat Track
Erasing Sequencer Data (Erase)
Moving Sequencer Data (Move)
Copying Sequencer Data (Copy)
Changing the Tempo Midway Through the Song
Changing the Time Signature Midway Through the Song
Assigning a Name to a Song (Song Name)
Recording a Song (Audio Track)
Input Effect Setup Settings
Before You Record Audio via the AUDIO INPUT Jacks
Recording an Audio Track (SOLO/RE-SAMPLING)
Combining Multiple Audio Tracks into One Track (AUDIO MERGE)
Recording the Rhythm Pattern Playback to Audio Track
10.
Editing a Song (Audio Track)
Items in the AUDIO TRACK
Editing Audio Tracks (AUDIO TRACK Screen)
Copying a Sample Event (Copy)
Erasing Audio Tracks (Clear)
Muting Audio Tracks (Mute)
Deleting the Selected Sample Event from an Audio Track (Delete)
Viewing a List of Markers (Marker List)
Naming an Audio Track (Track Name)
Unloading a Sample (Unload Sample)
Combining the Contents of the Tracks into One Audio Track (Mixdown)
Zooming In and Zooming Out in the Display
Adjusting the Chorus and Reverb
Adjusting the Volume and Pan
Items in the AUDIO MIXER
Muting Audio Tracks (Mute)
Controlling the Audio Track Settings
Controlling the Audio Tracks (AUDIO MIXER screen)
Page
Saving/Loading a Song (Save/Load)
Data Saved Together with a Song
Basic Procedure
Saving a Song (Save)
Saving a Song as an SMF File (Save as SMF)
Loading a Song (Load)
Basic Procedure
Loading a Song with Samples (Load Song+Smpls)
Loading a song (Load Song)
Loading Samples (Load all Samples)
Deleting a Song (Delete Song)
Editing a Audio Phrase (Sample)
Loading all Samples
Sample List
Unloading a Sample
Deleting a Sample
Importing an Audio File (Import Audio)
Press [F4 (EDIT)] or [ENTER] to access the SAMPLE EDIT screen.
Sample Edit
Magnifying/Shrinking the Waveform Display (Zoom In/Out)
Setting the Start/End Points of the Sample
Removing Unwanted Portions of a Sample (TRUNCATE)
About the beat
Boosting or Limiting the High- frequency Range of the Sample (EMPHASIS)
AMP
Maximizing the Volume of a Sample (NORMALIZE)
Procedure for Dividing a Sample
Stretching or Shrinking a Sample (TIME STRETCH)
Dividing a Sample into Notes (CHOP)
Auditioning the Divided Samples
Joining Two or More Samples (COMBINE)
When you have finished inputting the name, press [F6 (WRITE)].
Saving a Sample (Write)
Adding Effects
Making Effect Settings
Turning Effects On and Off
Applying Effects in Patch Mode
Specifying How the Sound Will Be Output (Routing)
(p. 125).
Applying Effects in Performance Mode
Specifying How the Sound Will Be Output (Routing)
12 13
When Patch or Rhythm Set Settings Are Selected
Making Multi-Effects Settings (MFX13)
Making Multi-Effects Settings (MFX Control)
Specifying the Multi-Effects Structure (MFX Structure)
Multi-Effects Control
Multi-Effects Parameters
01: EQUALIZER
Low Boost
05: SUPER FILTER
Boosts the volume of the lower range, creating powerful lows.
This is a filter with an extremely sharp slope. The cutoff frequency can be varied cyclically.
4-Band EQ 4-Band EQ
Spectrum Spectrum
06: STEP FILTER
Auto Wah
Cyclically controls a filter to create cyclic change in timbre.
08: AUTO WAH
09: HUMANIZER
R in R out
Overdrive
The phaser effect will be varied gradually.
12: STEP PHASER
13: MULTI STAGE PHASER
Step Ring Mod
Infinite Phaser 2-Band EQ
16: STEP RING MODULATOR
14: INFINITE PHASER
17: TREMOLO
R
Auto Pan
20: SLICER
This uses a 16-step sequence to vary the panning of the sound.
21: ROTARY
Rotary
23: CHORUS
22: VK ROTARY
24: FLANGER
Flanger
26: HEXA-CHORUS
25: STEP FLANGER
27: TREMOLO CHORUS
3D Flanger
3D Chorus
Tremolo Chorus
30: 3D FLANGER
31: 3D STEP FLANGER
3D Step Flanger
33: 2BAND FLANGER
32: 2BAND CHORUS
34: 2BAND STEP FLANGER
Distortion
Overdrive
Distortion
38: VS DISTORTION
39: GUITAR AMP SIMULATOR
Pre Amp Speaker
42: GATE
41: LIMITER
Specifications for each Speaker Type
43: DELAY
Long Delay
45: SERIAL DELAY
A delay that provides a long delay time.
44: LONG DELAY
46: MODULATION DELAY
1
Stereo location of each delay
This effect has four delays.
48: 4TAP PAN DELAY
49: MULTI TAP DELAY
Rev. Delay
Multi Tap Delay
51: SHUFFLE DELAY
50: REVERSE DELAY
52: 3D DELAY
Direct Level
Echo Level
3D Delay C
R
56: LOFI NOISE
Radio
Compressor
Noise Gen.
In addition to a Lo-Fi effect, this effect also generates radio noise.
59: TELEPHONE
2Voice Pitch Shifter
62: 2VOICE PITCH SHIFTER
A stereo pitch shifter.
60: PHONOGRAPH
63: STEP PITCH SHIFTER
Balance D
Balance W
65: GATED REVERB
Adds reverberation to the sound, simulating an acoustic space.
66: OVERDRIVE
Distortion
Distortion
Flanger
Distortion
72: ENHANCER
Delay
DELAY
75: CHORUS
FLANGER
76: FLANGER
Syn. Resonance
Delay
78: SYMPATHETIC RESONANCE
DELAY
3-Band
When Using 3D Effects
About the STEP RESET function
* The JUNO-Gs Chorus effect unit can also be used as a stereo delay unit.
note:
Making Chorus Settings
Making Reverb Settings
Mastering Effect
About THRESHOLD (Thresh) and RATIO
Settings Common to All Modes (System Function)
System Information
How to Make System Function Settings
Functions of System Parameters
System Menu [F1 (GENERAL)]
System Menu [F2 (KBD/CTRL)]
[F3 (CTRL)]
JUNO-G JUNO-G
(External)
System Menu [F3 (MIDI)]
System Control
Using the Local Switch
Connecting the JUNO-G to an external sequencer
[F2 (TX)]
[F4 (MMC MTC)]
[F3 (RX)]
MIDI Clock and MTC
System Menu [F4 (METRO/SYNC)]
System Menu [F5 (D BEAM)]
Types of MTC
Non-Drop Format and Drop Format
[F2 (ASSIGN)]
[F3 (ATV EXP)] [F4 (SYNTH)]
Data Management Functions/ Reset to Factory Settings (Factory Reset)
UTILITY MENU screen
Backing Up User Data (User Backup)
File-Related Functions (File Utility)
Basic Procedure
AUDIO_IMPORT
TMP
Copying a File (Copy)
Deleting a File (Delete)
Moving a File (Move)
Initializing a Memory Card (Card Format)
Connecting to Your Computer via USB
Using MIDI Mode
About USB Functions
Exiting Storage Mode
Canceling USB Communication
Importing an Audio File (Import Audio)
Exchanging MIDI Messages with Your Computer (MIDI Mode)
Before Installing the Driver
You must set the USB Mode of the JUNO-G to MIDI mode. (p. 167)
Caution when disconnecting the USB cable
Using JUNO-G Editor/Librarian
In the JUNO-G Editor CD CD-ROM, open the ReadMe(English).
System Requirements (Windows)
/Librarian
JUNO-G Editor
System Requirements (Mac OS)
About V-LINK
Turning the V-LINK ON/OFF
What is V-LINK?
Connection Example
V-LINK Settings (V-LINK SETUP)
Installing the Wave Expansion Board
Cautions When Installing a Wave Expansion Board
How to Install a Wave Expansion Board
Checking the Installed Wave Expansion Board
Expanding the Memory
Precautions for Expanding Memory
How to Expand the Memory
Checking that memory is installed correctly
Using a Memory Card
Before Using the Memory Card
Writing data to the card Installing the PC Card Protector
memory card
Troubleshooting
Issues Related to Sound
Problems Concerning the Entire JUNO-G
Issues Related to Effects
Issues Related to Saving Data
Issues Related to Song Recorder
Page
Page
Issues Related to MIDI and External Devices
Issues Related to Audio Recording
Issues Related to a Memory Card
Error Messages
Performance List
USER (User Group) PRST (Preset Group)
Patch List
PR-A (Preset A Group)
PR-B (Preset B Group)
PR-C (Preset C Group)
PR-D (Preset D Group)
PR-E (Preset E Group)
PR-F (Preset F Group)
Voice: number of voice LSB: Bank Select LSB (CC#32), MSB (CC#0) is all 121 PC: Program Change Number
Rhythm Set List
PRST (Preset Group) USER (User Group) GM (GM2 Group)
Page
Page
Page
Page
Page
Page
PC: Program Change Number Bank Select MSB is all 120, LSB is all 0
PC: Program Change Number Bank Select MSB is all 120, LSB is all 0
Waveform List
Waveform List
Waveform List
Arpeggio Style List
* Arpeggio Styles are common between Preset Group and User Group.
Recommended number of notes to press
Rhythm Group List
* Rhythm Groups are common between Preset Group and User Group.
Rhythm Pattern List
Rhythm Pattern List
About MIDI
MIDI OUT Connector
MIDI IN Connector
MIDI Implementation
1. Data Reception (Sound Generator Section)
Control Change
Polyphonic Key Pressure
Note on
Page
RPN MSB/LSB (Controller number 100, 101)
Effect 3 (Chorus Send Level) (Controller number 93)
Effect 1 (Reverb Send Level) (Controller number 91)
Pitch Bend Change
Channel Pressure
Program Change
System Realtime Message
Channel Mode Messages
Chorus Parameters
Reverb Parameters
Master Coarse Tuning
Global Parameter Control
Universal Realtime System Exclusive Messages
Key-based Instrument Controllers
Scale/Octave Tuning Adjust
Controller
Channel Pressure
Data set 1 (DT1)
Data Request 1 (RQ1)
Data Transmission
Control Change
Note on
Note off
2. Data Transmission (Sound Generator Section)
System Exclusive Messages
Channel Mode Messages
System Exclusive Messages
Channel Mode messages
3.1 Messages recorded during recording
3. Data Reception (Sequencer Section)
3.2 Messages not recorded during recording
System Common messages
3.3 Messages acknowledged for synchronization
Channel mode messages
System Common Messages
4.2 Soft Thru setting
4.1 Messages transmitted during playing
4.3 Messages that are generated and transmitted
4.3.1 Messages Appearing When Synchronizing with Other Devices
Arpeggio
Rhythm
Patch
System Mastering
System Common
Setup
Rhythm Group
Performance Common
System Controller
System External Input
Performance Common Chorus
Performance Common MFX
Performance Part
Performance MIDI
Performance Common Reverb
Arpeggio Pattern
Arpeggio Common
Performance Controller
Performance Zone
Chord Pattern
Patch Common
Rhythm Group
Patch Common MFX
Patch Common Reverb
Patch Common Chorus
Patch Tone
Patch TMT (Tone Mix Table)
Rhythm Common MFX
Rhythm Common
Rhythm Common Chorus
Rhythm Tone
Rhythm Common Reverb
Page
5.2 GS (Model ID = 42H)
Part Parameter
Common Parameter
System Parameter
<Example4> What is the nibbled expression of the decimal value 1258?
<Example1> What is the decimal expression of 5AH?
Decimal and Hexadecimal Table
<Example2> What is the decimal expression of the value 12 34H given as hexadecimal for each 7 bits?
How to calculate the checksum
<Example4> B3 64 00 65 00 06 0C 26 00 64 7F 65 7F
<Example3> EA 00 28
<Example2> CE 49
Example of an Exclusive Message and Calculating a Checksum
<Example> Setting CHORUS TYPE of PERFORMANCE COMMON to DELAY (DT1)
Bank Select and Program Change Correspondence Chart
Group Number Bank Select Program
MIDI Implementation Chart
MIDI Implementation Chart
(Song Recorder (MIDI TRACK) Section) Model JUNO-G
MIDI Implementation Chart
Specifications
Others
Song Recorder Section
Sound Generator Section
Index
B
A
Numerics
D
F
E
G
H
I
J
L
K
N
O
P
Q
R
S
T
U
V
Z
W
NOTICE AVIS
FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT
DECLARATION OF CONFORMITY Compliance Information Statement
2
As of December 10, 2005 (ROLAND)
Information
Owners Manual
distributor in your country as shown below.
04232578 2MP
MIDDLE EAST NORTH AMERICA
ASIA
