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Settings Common to All Modes (System Function)

[F4 (USB)]

You must switch the USB Mode before you connect the JUNO-G to your computer via the USB cable. If you change this setting while the

JUNO-G is connected, the computer may fail to recognize it correctly.

For details on connections to your computer in each USB Mode, refer to p. 167.

[F1 (KBD)]

[F2 (PDL BND)]

Scale Tune for Patch Mode
The JUNO-G allows you to play the keyboard using temperaments other than equal temperament. The pitch is specified in one-cent units relative to the equal tempered pitch.
* One-cent is 1/100th of a semitone.
One set of Scale Tune settings can be created in Patch mode. In Performance mode, this can be set for each part of the performance (p. 66).
* In Patch mode, this is valid only for the keyboard part.
The selected scale applies to MIDI messages received from an external MIDI device.
Scale Tune
Switch
OFF, ON Turn this on when you wish to use a tuning scale other than equal temperament.
Patch Scale
Tune for C–B
-64– +63 Make scale tune settings for Patch mode.
Parameter Value Explanation
USB Mode STORAGE, MIDI Specifies the operating mode of the USB connector when the power is turned on.
STORAGE:
Storage mode. Select this if you want to transfer files.
MIDI:
MIDI mode. Select this if you want to exchange MIDI messages with a sequencer or other program.
* For details on switching the USB mode, refer to
Selecting the USB Operating Mode
(p. 167)
USB-MIDI
Thru
OFF, ON When USB Mode is set to “MIDI,” this switch specifies whether MIDI messages received at the MIDI connector will be retrans-
mitted from the MIDI OUT connector (ON) or not (OFF).
System Menu [F2 (KBD/CTRL)]
Parameter Value Explanation
Keyboard Velocity REAL, 1–127 Velocity value that will be transmitted when you play the keyboard
REAL:
Actual keyboard velocity will be transmitted.
1–127:
A fixed velocity value will be transmitted regardless of how you play.
Touch Sens LIGHT, MEDIUM,
HEAVY
Keyboard’s touch
LIGHT:
Light weight synthesizer keyboard like
MEDIUM:
Standard
HEAVY:
Acoustic piano simulation
Parameter Value Explanation
Pedal
Control Pedal Assign CC01–31, 33–95,
BEND UP,
BEND DOWN,
AFTERTOUCH,
OCT UP,
OCT DOWN,
START/STOP,
PUNCH IN/OUT,
TAP TEMPO,
PROG UP,
PROG DOWN,
FAVORITE UP,
FAVORITE DOWN,
ARP SW,
RHY START/STOP,
CHORD SW,
LIVE SET UP,
LIVE SET DOWN,
LOOP
Function of the pedal connected to the PEDAL CONTROL jacks
CC01–31, 33–95:
Controller numbers 1-31, 33-95
BEND UP:
The pitch will rise in semitone steps (maximum 4 octaves) each time you press the pedal.
BEND DOWN:
The pitch will fall in semitone steps (maximum 4 octaves) each time you press the pedal.
AFTERTOUCH:
Aftertouch
OCT UP:
Each pedal press raises the key range in octave steps (up to 3 octaves higher).
OCT DOWN:
Each pedal press lowers the key range in octave steps (up to 3 octaves lower).
START/STOP:
The song recorder will start/stop.
PUNCH IN/OUT:
Manual punch-in/out recording will start/stop.
TAP TEMPO:
Tap tempo (a tempo specified by the interval at which you press the pedal).
PROG UP:
The next sound number will be selected.
PROG DOWN:
The previous sound number will be selected.
FAVORITE UP:
The favorite patch/performance of the next number or bank will be selected.
FAVORITE DOWN:
The favorite patch/performance of the previous number or bank will be selected.
ARP SW:
Arpeggio/Rhythm function on/off
RHY START/STOP:
Rhythm pattern playback on/off
CHORD SW:
Chord memory function on/off
LIVE SET UP:
Switches to the next step within a Live Setting list.
LIVE SET DOWN:
Switches to the previous step within a Live Setting list.
LOOP:
Loop play on/off
Control Pedal Polarity STANDARD,
REVERSE
Selects the polarity of the pedal.
On some pedals, the electrical signal output by the pedal when it is pressed or released is the opposite of
other pedals. If your pedal has an effect opposite of what you expect, set this parameter to “REVERSE.” If
you are using a Roland pedal (that has no polarity switch), set this parameter to “STANDARD.”
Hold Pedal Polarity STANDARD,
REVERSE
Continuous Hold Pedal OFF, ON Determines whether the HOLD PEDAL jack will provide support for half-pedaling (ON), or not (OFF).
When this is set to support use of half-pedaling techniques, you can then connect an optional expression
pedal (DP-10, etc.), and employ pedal work to achieve even finer control in performances in which piano
tones are used.
Parameter Value Explanation
JUNO-G_e.book 159 ページ 2006年2月13日 月曜日 午後2時44分