Playing Methods, Pad PD-125/105, Hi-Hat VH-12

Playing Methods

Pad (PD-125/105)

Head Shot

Hit only the head of the pad. With certain snare sounds, playing position will change

the nuance of the sound.	Head

Rim Shot

Strike the head and the rim of the pad simultaneously.

		Head
		Rim
	Cross Stick
	Only strike the rim of the pad.
	Depending on the instrument	Rim
	Depending on the instrument
	assigned to the rim you can
	play rim shots and/or cross	Rim
	stick sounds.	Rim
	stick sounds.

*To play the cross stick, be sure that you only strike the rim of the pad. Placing your hand on the head of the pad might prevent the cross stick sound from being played properly.

Change the Nuance of the Rim Shot

With certain snare and tom sounds, slight changes in the way you play rim shots changes the nuance.

Normal Rim Shot

(Open Rim Shot)

Strike the head and rim

simultaneously.

Head

Rim

Shallow Rim Shot

Simultaneously strike the head near the rim and the rim itself.

Head

Rim

Hi-Hat (VH-12)

Open/Closed

The hi-hat tone changes smoothly and continuously from open to closed in response to how far the pedal is pressed. You can also play the foot closed sound (playing the hi-hat with the pedal completely pressed down) and foot splash sound (playing the hi-hat with the pedal fully pressed and then instantly opening it).

Pressure

When you strike the hi-hat while pressing on the pedal with the hi-hat closed, you can then change the closed tone in response to the pressure you place on the pedal.

Bow Shot

This playing method involves striking the middle area of the top hi-hat. It corresponds to the sound of the “head-side” of the connected trigger input.

Edge Shot

This playing method involves striking the edge of the top hi- hat with the shoulder of the stick. When played as shown in the figure, the “rim-side” sound of the connected trigger input is triggered.

Edge sensor

*Do not strike the bottom hi-hat or the underside of the top hi- hat.

TD-20 specifications

Roland has long been a leader in digital percussion instruments, and their range of electronic drum kits showcases both innovation and quality. Among the various models, the TD-12, TMC-6, TD-3, TD-8, and TD-20 stand out, each offering unique features and technologies that cater to a wide array of drummers.

The Roland TD-12 represents a balance of sophistication and ease of use. Equipped with advanced digital trigger technology, it provides an authentic drumming experience with highly responsive pads. The TD-12 also features a robust selection of sounds, including a broad array of kits and customizable options. The unit supports USB connectivity for easy integration with DAWs, making it popular among studio musicians.

The TMC-6 is an advanced trigger-to-MIDI interface designed for drummers who want to trigger sounds from external sources. It allows for quick and seamless connectivity with drum pads, triggering samples or other instruments in real time. The TMC-6 boasts multiple trigger inputs, adjustable sensitivity, and customizable MIDI outputs, making it an excellent tool for live performances and studio recordings.

Moving to the TD-3, this model is known for its affordability while still offering quality and versatility. It comes loaded with a variety of preset kits, making it beginner-friendly. The TD-3 also includes a wide range of onboard effects, allowing drummers to manipulate and enhance their sound with ease.

The TD-8 is a slightly more advanced option, featuring enhanced sound quality with its advanced digital trigger technology. It offers an extensive library of drum, percussion, and even ethnic sounds that can be customized extensively. With features like velocity-sensitive pads and adjustable triggering, the TD-8 is ideal for both live performances and practice sessions.

Lastly, the TD-20 stands as a flagship model known for its professional-grade features. Its expanded sound library and unprecedented sound editing capabilities allow users to fine-tune their kits to suit their playing styles. The TD-20 features advanced wave technology, providing superior audio quality and dynamics. Additionally, its Multi-Effects Processing enhances live performance, allowing drummers to shape their sound in real time.

In summary, Roland’s TD series and TMC-6 midi interface encapsulate innovation in electronic drumming, catering to both beginners and professionals through their diverse range of features, sounds, and adaptability. Whether for studio use, live performance, or practice, these instruments continue to shape the electronic percussion landscape.

Roland TD-20 Playing Methods, Pad PD-125/105, Hi-Hat VH-12, Change the Nuance of the Rim Shot

Models: TD-20