Chapter 2. Drum Instrument Settings [INST]

MIDI Settings for Each Pad [F3 (MIDI)]

Tx Channel: CH1–CH16, GLOBAL

MIDI transmit channel for each pad.

GLOBAL: Transmits on the same channel as the drum kit part (p. 74).

Note No.: 0 (C -)–127 (G 9), OFF

OFF: Note messages are not transmitted.

Gate Time: 0.1–8.0 (s)

See the column.

Position Ctrl: OFF, ON

This can be set for trigger inputs SNARE (Head, Rim), TOM (Rim), RIDE (Bow), and AUX (Rim).

This turns the changing of the sound by strike position/ rim shot nuance ON or OFF.

SNARE (Head):

Strike position

SNARE (Rim):

Rim shot nuance

TOM (Rim):

Rim shot nuance

RIDE (Bow):

Strike position

AUX (Rim):

Rim shot nuance

MIDI Note Numbers transmitted by Hi-Hat [F4 (HH MIDI)]

Open (Bow):

Bow shot of open hi-hat

Closed (Bow):

Bow shot of closed hi-hat

Open (Edge):

Edge shot of open hi-hat

Closed (Edge):

Edge shot of closed hi-hat

Pedal:

Pedal hi-hat (Foot closed)

Note No.: 0 (C -)–127 (G 9), OFF

OFF: Note messages are not transmitted.

Gate: 0.1–8.0 (s)

See the column.

MIDI Note Number transmitted by Brush Sweep/Cross Stick [F5 (BR MIDI)]

Brush Note No.: 0 (C -)–127 (G 9), OFF

OFF: Note messages are not transmitted.

XStick Note No.: 0 (C -)–127 (G 9), OFF

OFF: Note messages are not transmitted.

When Setting Multiple Pads to the Same Note Number

When the note number is set to be more than one pad received, the instrument assigned to the pad with the lowest TRIGGER INPUT number is played. When note numbers for the head and rim are duplicated, the head instrument is played.

An asterisk (*) appears at the right of the note number for TRIGGER INPUTS that are not sounded.

Example:

Note number “38 (D 2)” is set for the head and rim of TRIGGER INPUT 2 (SNARE) and the head of TRIGGER INPUT 3 (TOM 1). In this case, when Note Number “38” is received, the instrument assigned to the head of TRIGGER INPUT 2 (SNARE) is played.

About the Gate Time

Percussion sound modules normally produce sound only in response to “Note on” messages, and ignore “Note off” messages. However general-purpose sound modules or samplers do receive the note-off messages that are transmitted and respond by turning off the sound.

For example, if you are triggering a “loop” in a sampler, or other sounds then the gate time parameter is very important. With the factory defaults (preset values), the transmitted gate time is set to the minimum value.

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Roland TD-20 Midi Settings for Each Pad F3 Midi, Midi Note Numbers transmitted by Hi-Hat F4 HH Midi, About the Gate Time
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TD-20 specifications

Roland has long been a leader in digital percussion instruments, and their range of electronic drum kits showcases both innovation and quality. Among the various models, the TD-12, TMC-6, TD-3, TD-8, and TD-20 stand out, each offering unique features and technologies that cater to a wide array of drummers.

The Roland TD-12 represents a balance of sophistication and ease of use. Equipped with advanced digital trigger technology, it provides an authentic drumming experience with highly responsive pads. The TD-12 also features a robust selection of sounds, including a broad array of kits and customizable options. The unit supports USB connectivity for easy integration with DAWs, making it popular among studio musicians.

The TMC-6 is an advanced trigger-to-MIDI interface designed for drummers who want to trigger sounds from external sources. It allows for quick and seamless connectivity with drum pads, triggering samples or other instruments in real time. The TMC-6 boasts multiple trigger inputs, adjustable sensitivity, and customizable MIDI outputs, making it an excellent tool for live performances and studio recordings.

Moving to the TD-3, this model is known for its affordability while still offering quality and versatility. It comes loaded with a variety of preset kits, making it beginner-friendly. The TD-3 also includes a wide range of onboard effects, allowing drummers to manipulate and enhance their sound with ease.

The TD-8 is a slightly more advanced option, featuring enhanced sound quality with its advanced digital trigger technology. It offers an extensive library of drum, percussion, and even ethnic sounds that can be customized extensively. With features like velocity-sensitive pads and adjustable triggering, the TD-8 is ideal for both live performances and practice sessions.

Lastly, the TD-20 stands as a flagship model known for its professional-grade features. Its expanded sound library and unprecedented sound editing capabilities allow users to fine-tune their kits to suit their playing styles. The TD-20 features advanced wave technology, providing superior audio quality and dynamics. Additionally, its Multi-Effects Processing enhances live performance, allowing drummers to shape their sound in real time.

In summary, Roland’s TD series and TMC-6 midi interface encapsulate innovation in electronic drumming, catering to both beginners and professionals through their diverse range of features, sounds, and adaptability. Whether for studio use, live performance, or practice, these instruments continue to shape the electronic percussion landscape.
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