Using Pads/Pedal as Controllers F3 Control

Chapter 2. Drum Instrument Settings [INST]

Using Pads/Pedal as Controllers [F3 (CONTROL)]

1.Press [INST] - [F3 (CONTROL)].

2.Strike a pad.

The settings screen for the struck pad appears. You can select by using [TRIG SELECT].

3.Press [F1]–[F5] and [CURSOR (up/down)] to select the parameter.

4.Use [+/-] or [VALUE] to adjust settings.

5.When finished, press [EXIT] to return to the “INST” screen.

Parameter	Value	Description

[F1 (PATTERN)]
Pad Pattern	OFF, P 1–100,	Refer to Playing a Pattern
	U 101–200	by Hitting a Pad (Pad Pat-
Pad Ptn Ve-	OFF, ON	tern) [F1 (PATTERN)] (p.
locity		35).
Tap Ptn	OFF, 1–8
Mute Grp
[F2 (PDLBEND)]

Pedal Bend	-24–0– +24	Refer to Changing the
Range		Pitch with the Hi-Hat Ped-
		al [F2 (PDLBEND)] (p. 35).
[F3 (MIDI)]

Tx Channel	CH1–CH16,	Refer to MIDI Settings for
	GLOBAL	Each Pad [F3 (MIDI)] (p.
Note No.	0 (C -)–127	36).
	(G9), OFF
Gate Time	0.1–8.0 (s)
Position	OFF, ON
Ctrl Sw
[F4 (HH MIDI)]

Note No.	0 (C -)–127	Refer to MIDI Note Num-
	(G9), OFF	bers transmitted by Hi-
Gate	0.1–8.0 (s)	Hat [F4 (HH MIDI)] (p. 36).
[F5 (BR MIDI)]

Brush Note	0 (C -)–127	Refer to MIDI Note Num-
No.	(G9), OFF	ber transmitted by Brush
XStick Note	0 (C -)–127	Sweep/Cross Stick [F5
No.	(G9), OFF	(BR MIDI)] (p. 36).

Playing a Pattern by Hitting a Pad (Pad Pattern) [F1 (PATTERN)]

This function starts playback of a pattern when a pad is struck. This function provides a very convenient way to use patterns during a live performance.

If different patterns have been assigned to two or more pads, striking another pad while a pattern is playing back will cause pattern playback to switch to the newly selected pattern.

*Performances using the Pad Pattern function cannot be recorded to sequencers.

Pad Pattern: OFF, P 1–100, U 101–200

Selects the played back pattern when the pad is struck.

* If all pads are set to “OFF,” icon appears.

Pad Ptn Velocity: OFF, ON

OFF:

The pattern plays back at the velocity set for the pattern, regardless of the strength with which the pad is struck.

ON:

The pattern plays back with the velocity changing in response to the strength with which the pad is struck.

Tap Ptn Mute Grp: OFF, 1–8

In Tap playback (p. 58), if one sound (pattern) is set to play before the previous sound (pattern) has finished playing, this setting allows you to either have the previous sound stop and the subsequent sound start playing or have the two sounds layered.

Patterns set to the same number:

The previous sound stops while in progress, and the subsequent sound (pattern) starts playing.

Patterns set to the different numbers:

The previous sound continues to play to the end, while the subsequent sound (pattern) is superimposed on it.

Changing the Pitch with the Hi-Hat Pedal [F2 (PDLBEND)]

This setting allows you use the hi-hat pedal as a pitch bender for sounds assigned to any pad or rim.

Specified in semitone steps.

Pedal Bend Range: -24–0– +24

2	[INST]
Chapter	[INST]

TD-20 specifications

Roland has long been a leader in digital percussion instruments, and their range of electronic drum kits showcases both innovation and quality. Among the various models, the TD-12, TMC-6, TD-3, TD-8, and TD-20 stand out, each offering unique features and technologies that cater to a wide array of drummers.

The Roland TD-12 represents a balance of sophistication and ease of use. Equipped with advanced digital trigger technology, it provides an authentic drumming experience with highly responsive pads. The TD-12 also features a robust selection of sounds, including a broad array of kits and customizable options. The unit supports USB connectivity for easy integration with DAWs, making it popular among studio musicians.

The TMC-6 is an advanced trigger-to-MIDI interface designed for drummers who want to trigger sounds from external sources. It allows for quick and seamless connectivity with drum pads, triggering samples or other instruments in real time. The TMC-6 boasts multiple trigger inputs, adjustable sensitivity, and customizable MIDI outputs, making it an excellent tool for live performances and studio recordings.

Moving to the TD-3, this model is known for its affordability while still offering quality and versatility. It comes loaded with a variety of preset kits, making it beginner-friendly. The TD-3 also includes a wide range of onboard effects, allowing drummers to manipulate and enhance their sound with ease.

The TD-8 is a slightly more advanced option, featuring enhanced sound quality with its advanced digital trigger technology. It offers an extensive library of drum, percussion, and even ethnic sounds that can be customized extensively. With features like velocity-sensitive pads and adjustable triggering, the TD-8 is ideal for both live performances and practice sessions.

Lastly, the TD-20 stands as a flagship model known for its professional-grade features. Its expanded sound library and unprecedented sound editing capabilities allow users to fine-tune their kits to suit their playing styles. The TD-20 features advanced wave technology, providing superior audio quality and dynamics. Additionally, its Multi-Effects Processing enhances live performance, allowing drummers to shape their sound in real time.

In summary, Roland’s TD series and TMC-6 midi interface encapsulate innovation in electronic drumming, catering to both beginners and professionals through their diverse range of features, sounds, and adaptability. Whether for studio use, live performance, or practice, these instruments continue to shape the electronic percussion landscape.

Roland TD-20 Using Pads/Pedal as Controllers F3 Control, Press Inst F3 Control Strike a pad

Models: TD-20