Chapter 4. Effect Settings

LO-FI

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Parameter

Value

Description

 

 

 

 

 

 

 

 

 

 

 

Intentionally degrades the sound quality for creative

 

 

Release

0–100

Time from when the volume

 

 

 

 

falls below the threshold lev-

purposes.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

el until the compressor effect

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

no longer applies

Parameter

 

Value

Description

 

 

Gain

-60– +12

Output volume of compres-

 

 

 

 

 

 

 

 

(dB)

sor

Fs Rate

 

OFF, 1/2–1/32

Sample rate

 

 

 

 

 

 

 

 

 

 

 

[F3 (M EQ)]

 

 

Bit

 

OFF, 15–1

Number of bits in data

 

 

 

 

 

 

 

 

 

 

 

Type

SHELV

SHELVE:

BPF Cutoff

 

0–100

Cutoff frequency of the

 

 

 

 

BPF (Band Pass Filter)

 

 

 

(Shelving),

Entire range above/below

 

 

 

 

 

 

 

 

 

PEAK

the selected frequency range

BPF Mix

 

0–127

Amount of mixing the

 

 

 

 

 

 

 

(MID: fixed

is boosted/cut

 

 

 

sound that goes through

 

 

 

 

 

 

 

 

 

to “PEAK”)

PEAK:

 

 

 

the BPF

 

 

 

 

 

 

 

 

 

 

The vicinity of the selected

 

 

 

 

 

 

 

 

 

 

RING MOD

 

 

 

 

 

 

 

 

frequency range is boosted/

 

 

 

 

 

 

 

 

cut

Applies amplitude modulation (AM) to the input signal,

 

 

Q

0.5–8.0

Width of the frequency

 

 

 

(only when

range

producing bell-like sounds.

 

 

 

 

 

 

 

 

 

 

 

 

Type is set

A higher Q narrows the af-

 

 

 

 

 

 

 

 

 

to “PEAK”)

fected area.

 

 

 

 

 

 

 

 

Freq (Fre-

20–1k

Point at which the boost/cut

Parameter

 

Value

Description

 

 

 

 

quency)

(LOW), 20–

will occur

 

 

 

 

 

 

 

 

Freq

 

0–127

Frequency at which

 

 

 

 

 

16K (MID),

 

 

 

 

modulation is applied

 

 

 

 

 

 

 

 

 

 

1k–16k

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

(HIGH)

 

 

 

 

 

 

 

 

 

Gain

-12– +12

Amount of boost/cut

Master Effects [MASTER

 

 

 

 

 

COMP/EQ]

 

 

 

 

 

 

 

 

A stereo compressor (limiter)/three-band equalizer provides

 

 

The sound may be distorted in a certain setting.

 

 

 

 

 

final audio touches to the total sound of the TD-20. Can be

 

 

 

 

 

used for each kit and/or all kits.

 

 

 

 

 

You can use the master effect on “per kit” basis, or as a

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

global one (p. 81).

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

1.Press [MASTER COMP/EQ].

[MASTER COMP/EQ] lights.

2.Press [F2], [F3], or [CURSOR] to select the parameter.

3.Use [+/-] or [VALUE] to adjust the setting.

4.Press [F1] to turn the master effects on.

Parameter

Value

Description

 

 

[F2 (M COMP)]

 

Threshold

-60–0 (dB)

Volume level at which com-

 

 

pression begins

Ratio

1:1–100:1

Compression ratio

Attack

0–100

Time from when the volume

 

 

goes up the threshold level

 

 

until the compressor effect

 

 

applies

Chapter 4

[EFFECTS]

 

 

43

Page 42 Page 44
Page 43
Image 43
Roland TD-20 owner manual Master Effects Master, Press Master COMP/EQ, Shelve, Peak
Page 42 Page 44

TD-20 specifications

Roland has long been a leader in digital percussion instruments, and their range of electronic drum kits showcases both innovation and quality. Among the various models, the TD-12, TMC-6, TD-3, TD-8, and TD-20 stand out, each offering unique features and technologies that cater to a wide array of drummers.

The Roland TD-12 represents a balance of sophistication and ease of use. Equipped with advanced digital trigger technology, it provides an authentic drumming experience with highly responsive pads. The TD-12 also features a robust selection of sounds, including a broad array of kits and customizable options. The unit supports USB connectivity for easy integration with DAWs, making it popular among studio musicians.

The TMC-6 is an advanced trigger-to-MIDI interface designed for drummers who want to trigger sounds from external sources. It allows for quick and seamless connectivity with drum pads, triggering samples or other instruments in real time. The TMC-6 boasts multiple trigger inputs, adjustable sensitivity, and customizable MIDI outputs, making it an excellent tool for live performances and studio recordings.

Moving to the TD-3, this model is known for its affordability while still offering quality and versatility. It comes loaded with a variety of preset kits, making it beginner-friendly. The TD-3 also includes a wide range of onboard effects, allowing drummers to manipulate and enhance their sound with ease.

The TD-8 is a slightly more advanced option, featuring enhanced sound quality with its advanced digital trigger technology. It offers an extensive library of drum, percussion, and even ethnic sounds that can be customized extensively. With features like velocity-sensitive pads and adjustable triggering, the TD-8 is ideal for both live performances and practice sessions.

Lastly, the TD-20 stands as a flagship model known for its professional-grade features. Its expanded sound library and unprecedented sound editing capabilities allow users to fine-tune their kits to suit their playing styles. The TD-20 features advanced wave technology, providing superior audio quality and dynamics. Additionally, its Multi-Effects Processing enhances live performance, allowing drummers to shape their sound in real time.

In summary, Roland’s TD series and TMC-6 midi interface encapsulate innovation in electronic drumming, catering to both beginners and professionals through their diverse range of features, sounds, and adaptability. Whether for studio use, live performance, or practice, these instruments continue to shape the electronic percussion landscape.
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