Chapter 4. Effect Settings

FLANGER

Produces a metallic resonance that rises and falls somewhat

like a jet airplane taking off or landing.

Parameter

Value

Description

 

 

 

Delay

0–15.0 (ms)

Tone of the flanger

LFO Rate

1–128

Frequency of modulation

Depth

0–127

Depth of modulation

Feedback

-98–98 (%)

Amount of the flanger

 

 

sound that is fed back into

 

 

the effect (minus: inverts

 

 

the phase)

Phase

0–180

Spatial spread of the

 

 

sound

PHASER

Adds a phase-shifted sound to the original sound, producing

a swirling modulation.

Parameter

Value

Description

 

 

 

Freq

100–8000 (Hz)

Basic frequency at which

 

 

the sound will be modu-

 

 

lated

LFO Rate

1–128

Frequency of modulation

Depth

0–127

Depth of modulation

Resonance

0–127

Amount of feedback

CHORUS

Gives richness and spaciousness to the sound.

Parameter

Value

Description

 

 

 

Delay

8.0–30.0 (ms)

Tone of the chorus

LFO Rate

1–128

Frequency of modulation

Depth

0–127

Depth of modulation

Phase

0–180

Spatial spread of the

 

 

sound

ENHANCER

Controls the overtone structure of the high frequencies,

adding sparkle and brightness to the sound.

Parameter

Value

Description

 

 

 

Sens

0–127

Sensitivity of the enhancer

LF Level

0–127

Volume level of the low

 

 

frequency range of the di-

 

 

rect sound

PITCH SHIFT

Shifts the pitch of the original sound.

Parameter

Value

Description

 

 

 

Mode

1–5

Setting a higher value re-

 

 

sults in a slower response,

 

 

but steadier pitch.

Delay

0–100.0 (ms)

Time until the pitch-shift-

 

 

ed sound is heard

Coarse

-24–12

Amount of pitch shift

 

 

(semitone steps)

Fine

-100–100

Amount of pitch shift (2-

 

 

cent steps)

Feedback

-98–98 (%)

Amount of the pitch-shift-

 

 

ed sound that is fed back

 

 

into the effect (minus: in-

 

 

verts the phase)

OVERDRIVE

Creates a soft distortion similar to that produced by vacuum

tube amplifiers.

Parameter

Value

Description

 

 

 

Drive

0–127

Amount of distortion

HF Level

0–127

Level of high frequency

 

 

range

LF Bypass

OFF, ON

Bypass for the low fre-

 

 

quency range

 

 

When this is set to

 

 

“OFF,” the low frequen-

 

 

cy range also has a dis-

 

 

tortion sound.

Expanse

OFF, ON

Adding the spatial spread

 

 

of the sound

DISTORTION

Produces a more intense distortion than Overdrive.

Parameter

Value

Description

 

 

 

Gain

0–127

Amount of distortion

HF Level

0–127

Level of high frequency

 

 

range

LF Bypass

OFF, ON

Bypass for the low fre-

 

 

quency range

 

 

When this is set to

 

 

“OFF,” the low frequen-

 

 

cy range also has a dis-

 

 

tortion sound.

Expanse

OFF, ON

Adding the spatial spread

 

 

of the sound

42

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Image 42
Roland TD-20 owner manual Flanger
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TD-20 specifications

Roland has long been a leader in digital percussion instruments, and their range of electronic drum kits showcases both innovation and quality. Among the various models, the TD-12, TMC-6, TD-3, TD-8, and TD-20 stand out, each offering unique features and technologies that cater to a wide array of drummers.

The Roland TD-12 represents a balance of sophistication and ease of use. Equipped with advanced digital trigger technology, it provides an authentic drumming experience with highly responsive pads. The TD-12 also features a robust selection of sounds, including a broad array of kits and customizable options. The unit supports USB connectivity for easy integration with DAWs, making it popular among studio musicians.

The TMC-6 is an advanced trigger-to-MIDI interface designed for drummers who want to trigger sounds from external sources. It allows for quick and seamless connectivity with drum pads, triggering samples or other instruments in real time. The TMC-6 boasts multiple trigger inputs, adjustable sensitivity, and customizable MIDI outputs, making it an excellent tool for live performances and studio recordings.

Moving to the TD-3, this model is known for its affordability while still offering quality and versatility. It comes loaded with a variety of preset kits, making it beginner-friendly. The TD-3 also includes a wide range of onboard effects, allowing drummers to manipulate and enhance their sound with ease.

The TD-8 is a slightly more advanced option, featuring enhanced sound quality with its advanced digital trigger technology. It offers an extensive library of drum, percussion, and even ethnic sounds that can be customized extensively. With features like velocity-sensitive pads and adjustable triggering, the TD-8 is ideal for both live performances and practice sessions.

Lastly, the TD-20 stands as a flagship model known for its professional-grade features. Its expanded sound library and unprecedented sound editing capabilities allow users to fine-tune their kits to suit their playing styles. The TD-20 features advanced wave technology, providing superior audio quality and dynamics. Additionally, its Multi-Effects Processing enhances live performance, allowing drummers to shape their sound in real time.

In summary, Roland’s TD series and TMC-6 midi interface encapsulate innovation in electronic drumming, catering to both beginners and professionals through their diverse range of features, sounds, and adaptability. Whether for studio use, live performance, or practice, these instruments continue to shape the electronic percussion landscape.
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