Tascam 2488neo Setting the tempo

TASCAM 2488neo 25

4 − Recording

The 2488neo has an internal metronome that can play a

click according to the metronome settings or tempo map

settings. The initial setting is a si mple metronome mode

(free metronome mode).

Use the following procedures to set the metronome to 2/4

time with a tempo of = 100.

1 Press and hold the CLICK key. The CLICK indica-

tor lights orange and the FREE METRONOME

screen appears.

2 Use the cursor keys or JOG/ DATA dial to make the

settings below.

TEMPO œ 100

TIME SIG. œ 2/4

3 Press the HOME key to return to the home screen.

Setting the tempo

Contents

Main IMPORTANT SAFETY PRECAUTIONS 2 WARNING: TO PREVENT FIRE OR SHOCK HAZARD, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE. For U.S.A. Declaration of Conform ity IMPORTANT SAFETY INSTRUCTIONS 4 Safety Information 1 Introductions ............................... 8 2 Setting up and basic knowledge ................................. 12 3 Names and functions of the 2488neo .....................................17 4 Recording ...................................24 5 Mixer .......................................... 29 7 Recorder.....................................4 4 8 Mastering and CD recorder ......69 9 Reformatting ............................. 79 10 File import/export ................... 81 16 FAQ ......................................... 122 11 Backup and restoration ..........87 12 Tempo and MIDI ...................... 91 8 Main features of the 2488neo About Copyright, Trademark and Liability Supplied accessories About this Owner's Manual Manual conventions Precautions and notes for placement and use Beware of condensation Never use a stabilizer or printable discs Handling of compact discs About finalizing About CD-R and CD-RW discs Setting up the 2488neo Basic knowledge Shutdown Reformatting TASCAM partitions on page 80). Hard disk and partitions Selecting the active partition Songs Screen Some general notes on using the 2488neo SHIFT key Top panel Input channel section Effects section Assigning mic Linking Track mixer section Monitor Section LCD display section Access indicator section Utility sect ion Screen operation section Locate section Channel section Mark/Title sectio n Mark functions on page 51 for details. Mixdown and Mastering section Transport keys Transport section Front panel 123 4 56 Routing section Other keys Rear panel 12 34567 89 0q w 24 Setting up your first song New song Setting the tempo Making the first recording Recording the guitar Page Lead line Example: assignment of inputs A and B to tracks 13 and 14 Example: assignment of input A to tracks 13 and 14 Inputs and assignments Digital input assignment Breaking assignments Checking assignments Saving and loading assignments (QUICK ROUTING) Channel functions Track channels and input channels EQ Low (L) 32 1.6k Mid (M) 32 18k High (H) 1.7k 18k Effect send Fader/pan Mute Linking channels Stereo bus functions Stereo EQ Stereo fader Stereo dynamics Direct output Sub mixer Monitoring Record source monitoring Monitor muting Monitor selection Mono monitoring Scene memories Scene recall Saving scenes Effect send on page 32). Settings insert effect modes Mic effects Assigning mic effects Selecting mic effects Saving mic effects in the library Editing mic effects Assigning the multi-effect Multi-effect Editing the multi-effect Using the multi-effect library Saving multi-effect settings Single effect Saving single effects Tuner First steps in recording (song management) Loading a song Creating a song Erasing a song Saving a song Reverting to the previously saved version of a song Copying songs Erasing unneeded audio data from songs unused. The procedure below explains how to erase unused audio data. Setting the playback position Return to zero (RTZ) Transport controls Protecting a song Last Recording Position (LRP) 48 Jog positioning PUNCH recording Fast forward and rewind Recording Skipping to marks Locating to the points Hands-free recording Undo recordings IN, OUT, TO and FROM points Setting the IN, OUT, TO and FROM points Active marks Inserting marks Mark functions Editing the IN, OUT, TO and FROM points Editing the active mark Skip between marks Using the mark list Bar Beat Hours Minutes Seconds Frames Sub-Frames Direct location Direct location (i) Direct location (ii) Auto punch operations Repeat Setting the repeat interval Rehearsing the punch Setting the punch points Checking the punch points Recording the punch Checking the take If you change your mind Bouncing tracks About track editing Track editing functions Entering the edit mode IN, OUT, TO and FROM COPY PA STE COPY FROM TO COPY INSERT MOVE PA STE CUT MOVE INSERT OPEN CLEAN OUT CLONE TRACK SILENCE UNDO and REDO Undoing and redoing actions An undo/redo example Virtual tracks Virtual tracks 1 2 3 4 5 6 7 8 The three best bass takes Drums 1 2 3 4 5 6 7 8 The best bass take Varispeed operations (pitch and SSA) Pitch SSA (Slow Speed Audition) Mixdown Recording the master track Checking the master Exiting master check mode Mastering procedures Ending mixdown mode Finishing the master track Using the mastering compressor Page Saving compressor settings Using the mastering EQ/noise shaper Settings the EQ Noise shaper Noise shaper setting ALL as the Src.Trk value (see CUT Trimming the master track Copying the master track Creating an audio CD Creating an audio CD using TAO Creating an audio CD using DAO Finalizing the disc Creating an audio CD using Live Writer CD EJECT Playing CDs CD-RW erase 9 Reformatting Reformatting the entire hard disk 9 Reformatting Reformatting TASCAM partitions Reformatting the FAT partition USB mode Closing the USB connection Opening the USB connection USB import (mono WAV files) USB import (stereo WAV files) USB import (SMF files) SMF playback on page 95. USB export (virtual tracks) Importing from CD (mono WAV files) Exporting master tracks Exporting to CD (virtual tracks) Backup Using USB for backup and restore 88 Restoring from CD Backing up Restoring Metronome Using the metronome Time signature setting Tempo map Setting the tempo MIDI synchronization can be INTERNAL (the 2488neo acts as the refers to the format of the MTC sent and allows you to select the offset of the 2488neo can be OFF, MTC or CLOCK. OFF and MTC SMF playback MIDI remote control Global preferences Mixer preferences Recorder preferences User words Block diagram TASCAM 2488neo 99 )x8Input( )x24 Track Mixer( Mixer Block Diagram 2488neo Page Specifications Audio connections Audio performance Physical specifications, etc. Dimensional drawing Library of mastering compressor presets Multiband compress Preset name Description Single band compressor Preset name Description MIDI Control/Program change message Mixer Control Change parameters Effect parameter change MIDI messages Mic effects Stereo dynamics processor Single effect sequence in the chain of which is given in the first col- umn of this table): Multi effect Page Page Effect MIDI Program Change messages Single effect (preset) Single effect (user) Multi effect (preset) Multi effect (user) Program Change Name shown on disp lay Effect component Preset mic effects Preset stereo dynamics effects Preset Multi effects Program Change Name shown on disp lay Effect component Program Change Preset single effects MIDI Implementation chart MMC Bit map commands Bit-map array of MMC commands Byte Bit7 Bit6 (40H) Bit5 (20H) Bit4 (10H) Bit3 (08H) Bit2 (04H) Bit1 (02H) Bit0 (01H) Bit-map array of Response/Information field Byte Bit7 Bit6 (40H) Bit5 (20H) Bit4 (10H) Bit3 (08H) Bit2 (04H) Bit1 (02H) Bit0 (01H) Warning and status messages Page Page Page Press Page No. Question Answer 2488neo TEAC CORPORATION