16 − FAQ
No. Question | Answer | ||
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1 | Is it possible | No, it is not. | |
same disc? | Only a single song can be backed up on one disc. | ||
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| How do I make the unit record MIDI data? | This unit cannot record MIDI data. | |
2 |
| However, you can copy an SMF (standard MIDI file) from a computer | |
| by USB and play it back (see “SMF playback” on page 95 for details). | ||
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3 | I cannot erase a scene memory. | Scene memories cannot be erased. Please overwrite them instead. | |
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| I cannot control the parameters of the internal | You can control the 4th stage of the internal | |
| effects with an expression pedal. | phaser, chorus, exciter, pitch shifter, tremolo, vibrato and wah). Press | |
4 |
| the MULTI key to open the MULTI EFFECT screen and select the | |
| fourth tab screen from the left. On this screen set the PEDAL param- | ||
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| eter to ON to allow control of an effect parameter with an expression | |
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| pedal (see (“Editing the | |
| I can hear the sound of the input source even | When an input is assigned to a channel, the signal from that input is | |
| during track playback. | always mixed in and can be heard. If you do not want to mix in the input | |
5 |
| sound, hold down the INPUT key of the input that the signal is on and | |
| press the SELECT key of the channel that this input is assigned to (it lights | ||
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| when you press the INPUT key). | |
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| The sound of effects seems different when the | The | |
6 | assigned input or channel is mono or stereo. | ||
| is assigned to a channel. | Check the stereo link status of the input and the channel. | |
| How do I record the | Assign the | |
7 |
| inputs. The two linked inputs are each assigned and recorded to | |
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| separate tracks. | |
| Even though I lowered a fader, I can still hear | Is the effect send switch set to “PRE”? The effect will be applied if | |
8 | just the reverb sound. | the effect send switch is set to “PRE” regardless of the fader position. | |
| Press the SEND key to open the EFFECT SEND screen and set the | ||
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| effect send to POST (see “Effect send” on page 32 for further details). | |
| When using multiple mics to record, sometimes | This can happen when the mics are out of phase. Press the FADER/ |
9the sound gets quieter when I raise the faders. PAN key to open the FADER/PAN screen where you can change the phase of input signals (see “Phase” on page 32 for further details.)
| I mixed down a track and burned it to a CD. | Commercial CDs are often mastered to maximize the level for a digital |
10 | When I listen to this CD on my home stereo, | recording. Moreover, compressors and other effects might have been |
| though, the level is lower than a commercial CD. used to increase the perceived level. You can use this unit’s mastering | |
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| compressor to increase the overall loudness of your track. |
| I do not understand how to use the “COPY | When IN, OUT and FROM points are set, this function allows a |
| FROM | section of audio to be copied in relation to the FROM and TO posi- |
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| tions while the relative positions of the IN, OUT and FROM points are |
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| maintained. (The FROM point does not even need to be set between |
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| the IN and OUT points). |
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| This function is convenient when, for example, you want to copy a |
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| recorded passage that overlaps bars so that it lines up with a bar. |
11 |
| For example, imagine that you want to copy the sound of some fire- |
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| works. You want to copy from the time that the fireworks are launched |
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| from the ground, but you want to align the moment that the fireworks |
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| explode to be on the first beat of a bar. To do this, set the IN point at |
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| the launch of the fireworks, the FROM point at the explosion, and the |
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| OUT point at the end of the sound. Then, set the TO point at the start |
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| of the bar to copy the entire clip so that the sound of the fireworks |
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| exploding occurs on the first beat of the bar. |
122 TASCAM 2488neo