80 DGX-620/520, YPG-625/525 Owner’s Manual

Style (Auto-accompaniment) Functions

■Recognized Standard Chords● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●

All chords in the chart are “C-root” chords.

* These chords are not shown in the Dictionary function.
Chord Name/[Abbreviation] Normal Voicing Chord (C) Display
Major [M] 1 - 3 - 5 C
Add ninth [(9)] 1 - 2 - 3 - 5 C9
Sixth [6] 1 - (3) - 5 - 6 C6
Sixth ninth [6(9)] 1 - 2 - 3 - (5) - 6 C69 *
Major seventh [M7] 1 - 3 - (5) - 7 or
1 - (3) - 5 - 7 CM7
Major seventh ninth [M7(9)] 1 - 2 - 3 - (5) - 7 CM79 *
Major seventh add sharp eleventh [M7(#11)] 1 - (2) - 3 - #4 - 5 - 7 or
1 - 2 - 3 - #4 - (5) - 7 CM7#11 *
Flatted fifth [(b5)] 1 - 3 - b5C
b5 *
Major seventh flatted fifth [M7b5] 1 - 3 - b5 - 7 CM7b5 *
Suspended fourth [sus4] 1 - 4 - 5 Csus4
Augmented [aug] 1 - 3 - #5Caug
Major seventh augmented [M7aug] 1 - (3) - #5 - 7 CM7aug *
Minor [m] 1 - b3 - 5 Cm
Minor add ninth [m(9)] 1 - 2 - b3 - 5 Cm9
Minor sixth [m6] 1 - b3 - 5 - 6 Cm6
Minor seventh [m7] 1 - b3 - (5) - b7Cm7
Minor seventh ninth [m7(9)] 1 - 2 - b3 - (5) - b7Cm79
Minor seventh add eleventh [m7(11)] 1 - (2) - b3 - 4 - 5 - (b7) Cm711 *
Minor major seventh [mM7] 1 - b3 - (5) - 7 CmM7
Minor major seventh ninth [mM7(9)] 1 - 2 - b3 - (5) - 7 CmM79 *
Minor seventh flatted fifth [m7b5] 1 - b3 - b5 - b7Cm7b5
Minor major seventh flatted fifth [mM7b5] 1 - b3 - b5 - 7 CmM7b5 *
Diminished [dim] 1 - b3 - b5Cdim
Diminished seventh [dim7] 1 - b3 - b5 - 6 Cdim7
Seventh [7] 1 - 3 - (5) - b7 or
1 - (3) - 5 - b7C7
Seventh flatted ninth [7(b9)] 1 - b2 - 3 - (5) - b7C7b9
Seventh add flatted thirteenth [7(b13)] 1 - 3 - 5 - b6 - b7C7b13
Seventh ninth [7(9)] 1 - 2 - 3 - (5) - b7C79
Seventh add sharp eleventh [7(#11)] 1 - (2) - 3 - #4 - 5 - b7 or
1 - 2 - 3 - #4 - (5) - b7C7#11
Seventh add thirteenth [7(13)] 1 - 3 - (5) - 6 - b7C713
Seventh sharp ninth [7(#9)] 1 - #2 - 3 - (5) - b7C7#9
Seventh flatted fifth [7b5] 1 - 3 - b5 - b7C7b5 *
Seventh augmented [7aug] 1 - 3 - #5 - b7C7aug
Seventh suspended fourth [7sus4] 1 - 4 - (5) - b7C7sus4
Suspended second [sus2] 1 - 2 - 5 C sus2 *
C
C(9)
C6
(9)
C6
CM7
CM7
(9)
CM7
(#11)
C(b5)
CM7
(b5)
Csus4
Caug
CM7aug
Cm
(9)
Cm
Cm6
Cm7
Cm7
(9)
Cm7
(11)
CmM7
CmM7
(9)
Cm7
(b5)
CmM7
(b5)
Cdim
Cdim7
C7
C7
(b9)
C7
(b13)
(9)
C7
(#11)
C7
(13)
C7
(#9)
C7
C7b5
C7aug
C7sus4
Csus2
• Notes in parentheses can be omitted.• Playing two same root keys in the adjacent octaves produces accompa-niment based only on the root.•A perfect fifth (1 + 5) produces accompaniment based only on the root and fifth which can be used with both major and minor chords.• The chord fingerings listed are all in “root” position, but other inversions can be used—with the following exceptions: m7, m7b5, 6, m6, sus4, aug, dim7, 7b5, 6(9), sus2.
NOTE
•Inversion of the 7sus4 and m7(11) chords are not recognized if the notes shown in parentheses are omitted.• The auto accompaniment will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh).•Two-note fingerings will produce a chord based on the previously played chord.
NOTE