Yamaha Mixing Console Surround Pan Recording

Setting Up and Selecting Surround Pan Modes 139

01V96—Owner’s Manual

Surround Pan

■Surround Pan Recording

To record surround pan movement to a digital MTR, route the Bus Outs to the ADAT OUT

channels or slot output channels that are connected to the digital MTR.

The following diagram illustrates an example of recording 5.1 Surround mode signals to a

digital MTR.

BUS1 (L)

BUS2 (R)

BUS3 (Ls)

BUS4 (Rs)

BUS5 (C)

BUS6 (LFE)

SURROUND

PAN

LFE LEVEL

SURROUND

PAN

LFE LEVEL

SURROUND

PAN

LFE LEVEL

8-TRACK DIGITAL

01V96

Input Channel 2

Digital MTR

Slot

Channel 1

Channel 2

Channel 3

Channel 4

Channel 5

Channel 6

MY8-TD etc.

Track 1

Track 2

Track 3

Track 4

Track 5

Track 6

Input Channel 1

Input Channel 3

Contents

Main FCC INFORMATION (U.S.A.) NEDERLAND THE NETHERLANDS IMPORTANT Explanation of Graphical Symbols IMPORTANT SAFETY INSTRUCTIONS CAUTION WARNING iv Important Information Cautions Warnings Operating Notes Exclusion of Certain Responsibility Interference Page vii About this Owners Manual Installing the 01V96 Conventions Used in this Manual Contents Page Page 1 1 Welcome Page Control Surface & Rear Panel 13 Control Surface & Rear Panel 32313029282726252423222120191817 STEREO 13 14 15 16 2 Control Surface & Rear Panel Control Surface SOLO SOLO ON ON LAYER EQUALIZER 14 AD Input Section To processors input Connect to INSERT jack 13 14 15 16 Monitor Out & Headphones Section A B C D 16 Channel Strip Section A B C ST IN Section A B C D 18 DISPLAY ACCESS Section 9J K L A B LAYER Section A B C Display Section 20 SELECTED CHANNEL Section SCENE MEMORY Section A B C USER DEFINED KEYS Section 22 Data Entry Section A B C Rear Panel PHANTOM +48V A B C AD Output Section A 24 B 421 53 C Digital I/O Section MIDI/Control Section A B SLOT Section A Installing an Optional Card 3 Operating Basics About the Display A B C Selecting Display Pages Display Interface Rotary Controls & Faders Buttons Parameter Boxes 30 Conrmation Messages Title Edit Window Selecting Layers Selecting Channels Selecting Fader Modes Metering A B Page Page Connections and Setup 37 4 Connections and Setup Guitar This chapter explains how to connect and set up your 01V96. Connections Conguring an analog 24-channel mixing system Conguring a recording system with a hard disk recorder HDR (Hard Disk Recorder) WORD CLOCK IN connector TO HOST USB port WORD CLOCK OUT Conguring a recording system that uses a DAW (Digital Audio Workstation) WORD CLOCK IN connector TO HOST USB port WORD CLOCK OUT Audio interface Wordclock Connections and Settings About Wordclock Wordclock Connections Wordclock Connections and Settings 41 External device Specifying the Wordclock Source 13 1415 16 Digital I/O card Digital audio signal + Wordclock signal Page Input and Output Patching Patching Input Channels 44 Patching Omni Outs Page Page Tutorial 47 Tutorial Microphone ADAT IN connector 5 Tutorial Connections and Setup Headphone amplier MONITOR OUT Hard disk recorder Page Initial Track Recording Setting the Input Levels 50 Pairing Channels Routing Signals A B C Page 54 Adjusting the Monitoring Level Page 56 EQing the Input Signals Compressing the Input Signals Page Recording 60 Overdubbing to Other Tracks Setting the Input Levels Routing Signals Adjusting the Monitoring Level 62 Recording Mixing Recorded Tracks into Stereo (Mixdown) 63 Tutorial 32313029282726252423222120191817 STEREO Mixing Recorded Tracks into Stereo (Mixdown) Connecting and Setting Up the Master Recorder 2 Press the DISPLAY ACCESS [PATCH] button repeatedly until the Patch | In Patch page appears. SOLO SOLO ON ON LAYER 64 Adjusting the Track Mix Balance Page 66 Using the Internal Effects Page 68 Recording to the Master Recorder 6 Analog I/O & Digital I/O Analog Inputs & Outputs Input Section 70 Output Section Digital Inputs & Outputs Digital I/O Connectors SLOT Converting Sampling Rates of Signals Received at I/O Card Inputs Monitoring Digital Input Channel Status F Dithering Digital Outputs Setting the Transfer Format for Higher Sampling Rates Page 7 Input Channels About Input Channels Input Channels 78 ST IN Channels 14 Setting the Input Channels from the Display Switching the Signal Phase A B 80 Delaying Input Channels A B C Gating Input Channels 82 Compressing Input Channels E F G Attenuating Input Channels 84 EQing Input Channels Panning Input Channels A B 86 Routing Input Channels Viewing Input Channel Settings Page B C D E F Setting the Input Channels from the Control Surface Setting Input Channel Levels and Panning the Channels Input Channels 132 ST IN Channels 14 EQing Input Channels Pairing Input Channels Pairing Channels by Using the [SEL] Buttons Pairing Input Channels Using the Display A B Naming Input Channels 1 2 Page Page 8 Bus Outs About Stereo Out Bus Out 18 Setting the Stereo Out and Bus Out 18 from the Display Attenuating the Stereo Out and Bus Out Delaying the Stereo Out and Bus Outs Page Routing Bus Out 18 Signals to the Stereo Bus. 102 Viewing the Stereo Out and Bus Out Settings Page 104 Setting the Stereo Out and Bus Out 18 from the Control Surface Setting the Levels EQing and Balancing the Stereo Out and Bus Outs Pairing Buses or Aux Sends B A Attenuating Output Signals Naming the Stereo Out and Bus Outs Page 9 Aux Outs Aux Out 18 110 Setting Aux Out 18 from the Display Attenuating Aux Outs Delaying Aux Outs Page Viewing Aux Out Settings Viewing the Compressor and EQ Settings Viewing Faders and On/Off Parameters Setting Aux Out 18 from the Control Surface Setting Levels EQ settings Setting Aux Send Levels Setting Send Levels from the Display Page Page Page Viewing Aux Send Settings for Multiple Channels A B C Page Panning Aux Sends A B C Copying Channel Fader Positions to Aux Sends 10 Input & Output Patching Input Patching 122 Input Patching Output Patching 124 Changing the Signal Path to the ADAT OUT Connector, Slot, or OMNI OUT connectors A B C Patching Direct Outs A B Page Insert Patching Individual Insert Patching A B C Viewing and Changing Insert In Patch Page 11 Monitoring Monitor 132 Monitor and Solo Setup E F G H Using the Monitor 134 Using the Solo Function 12 Surround Pan Using Surround Pan About Surround Pan Setting Up and Selecting Surround Pan Modes A B C Page Page Setting Up and Selecting Surround Pan Modes 139 Surround Pan Surround Pan Recording Surround Pan Monitoring Surround Panning E F 6 G H Page Page Page B C 13 Grouping Channels & Linking Parameters Grouping & Linking Using Fader Groups and Mute Groups Page Linking EQ and Compressor Parameters Page Page 14 Internal Effects About the Internal Effects SELECT Using Effects Processors via Aux Sends 1 3 2 A B C Page Inserting the Internal Effects into Channels Editing Effects F G About Plug-Ins Page 15 Scene Memories About Scene Memories What is Stored in a Scene? About Scene Numbers Storing and Recalling Scenes Storing and Recalling Scenes Using the SCENE MEMORY Buttons 164 Storing and Recalling Scenes Using the Scene Memory Page G H Auto Scene Memory Update 166 Fading Scenes Fading Input Channels A B C Fading Output Channels Recalling Scenes Safely Sorting Scenes 1 2 Page 16 Libraries About the Libraries General Library Operation A B C D Using Libraries Channel Library A B C 174 Input Patch Library Output Patch Library Effects Library Page The following tables list the preset effects programs in the Effects library: Reverbs Delays Modulation-based Effects Guitar Effects Dynamic Effects Combination Effects Others Gate Library 180 Compressor Library The following table lists the preset memories in the Compressor library: 182 EQ Library A B C The following table lists the preset memories in the EQ library: Page 17 Remote Control About Remote Function REMOTE (Remote Layer) Machine Control 186 Pro Tools Remote Layer The 01V96 features Remote Layer target especially designed for controlling Pro Tools. Connections and Conguring Pro Tools Conguring Windows Computers 1Connect the 01V96 TO HOST USB port to a USB port on your PC using a USB cable. Page 188 Conguring the 01V96 Display C D E Channel Display mode ( [F3] button) Meter Display mode ( [F4] button) 192 Control Surface Operation Channel Strip section FADER MODE Section DISPLAY ACCESS section Display section Data Entry section USER DEFINED KEYS section Page Pro Tools Remote Layer 195 Selecting Channels Setting Channel Levels 196 Muting Channels Panning Channels Soloing Channels Conguring Sends AE as Pre or Post Setting Send Levels Muting Sends AE Panning Sends AE Flip Mode 198 Assigning Plug-ins to Pro Tools Channels Editing Plug-ins 200 Bypassing Plug-ins Scrub & Shuttle Automation Nuendo Remote Layer Conguring Computers Conguring the 01V96 Other DAW Remote Layer Conguring Computers MIDI Remote Layer MIDI IN 1Connect the 01V96s MIDI OUT port to the MIDI IN port of the MIDI device. Using the MIDI Remote Function Page MIDI Remote Layer 205 D Foot switch MIDI keyboard Assigning MIDI Messages to Channel Controls MIDI INMIDI OUTMIDI IN Page When SW is assigned: When SW is not assigned: Machine Control Function MMC-supported machine MIDI INMIDI IN MIDI OUT A B C D 18 MIDI MIDI & the 01V96 212 MIDI Port Setup Selecting a Port for MIDI Message Transfer A B C D 214 Selecting MIDI Messages for Transmission and Reception E F G Assigning Scenes to Program Changes for Remote Recall Assigning Parameters to Control Changes for Real-time Control Page Page Assigning Parameters to Control Changes for Real-time Control 219 MIDI Page Controlling Parameters by Using Parameter Changes Transmitting Parameter Settings via MIDI (Bulk Dump) Page Page 19 Other Functions Changing the Input and Output Channel Names Changing the Input Channel Names 226 Changing the Output Channel Names Setting Preferences Prefer1 page Page 228 Prefer2 page A B C Creating a Custom Layer by Combining Channels (User Assignable Layer) Using the Oscillator Using the User Dened Keys A B C D Page Using Operation Lock A B C Cascading Consoles Cascading Consoles 235 Other Functions 01V96 (Slave) 01V96 (Master) OUT IN ADAT OUT MIDI IN/OUT Page Page Checking the Battery and the System Version Initializing the 01V96 Calibrating the Faders USER DEFINED KEYS 241 Appendix A: Parameter Lists USER DEFINED KEYS Page USER DEFINED KEYS Initial Assignments 243 USER DEFINED KEYS Initial Assignments Input Patch Parameters Page Initial Input Patch Settings 245 Initial Input Patch Settings EFFECT TYPE CHANNEL EFFECT IN PATCH CASCADE IN PATCH CHANNEL NAME Output Patch Parameters 247 Output Patch Parameters Page Initial Output Patch Settings 249 Initial Output Patch Settings DIRECT OUT SLOT ADAT OUT OMNI OUT User Dened Remote Layer Initial Bank Settings Bank 1 (GM Vol & Pan) User Defined Remote Layer Initial Bank Settings 251 Bank 2 (GM Vol & Effect 1) Bank 3 (XG Vol & Pan) User Defined Remote Layer Initial Bank Settings 253 Bank 4 (Nuendo VST Mixer) Effects Parameters REVERB HALL, REVERB ROOM, REVERB STAGE, REVERB PLATE One input, two output early reections. One input, two output hall, room, stage, and plate reverb simulations, all with gates. EARLY REF. GATE REVERB, REVERSE GATE One input, two output early reections with gate, and early reections with reverse gate. Two input, two output basic stereo delay. MONO DELAY One input, two output basic repeat delay. MOD. DELAY One input, two output basic repeat delay with modulation. One input, two output 3-tap delay (left, center, right). DELAY LCR ECHO Two input, two output stereo delay with crossed feedback loop. Two input, two output chorus effect. CHORUS FLANGE Two input, two output ange effect. Two input, two output symphonic effect. SYMPHONIC PHASER Two input, two output 16-stage phaser. Two input, two output autopanner. AUTO PAN TREMOLO Two input, two output tremolo effect. One input, two output high-quality pitch shifter. HQ. PITCH DUAL PITCH Two input, two output pitch shifter. One input, two output rotary speaker simulator. ROTARY RING MOD. Two input, two output ring modulator. One input, two output distortion effect. MOD. FILTER Two input, two output modulation lter. AMP SIMULATE One input, two output guitar amp simulator. Two input, two output dynamically controlled lter. DYNA. FILTER DYNA. FLANGE Two input, two output dynamically controlled anger. Two input, two output dynamically controlled phaser. DYNA. PHASER REV+CHORUS One input, two output reverb and chorus effects in parallel. One input, two output reverb and chorus effects in series. REV->CHORUS REV+FLANGE One input, two output reverb and anger effects in parallel. One input, two output reverb and anger effects in series. REV->FLANGE REV+SYMPHO. One input, two output reverb and symphonic effects in parallel. One input, two output reverb and symphonic effects in series. REV->SYMPHO. REV->PAN One input, two output reverb and autopan effects in parallel. One input, two output delay and early reections effects in parallel. DELAY+ER. DELAY->ER. One input, two output delay and early reections effects in series. DELAY+REV One input, two output delay and reverb effects in parallel. One input, two output delay and reverb effects in series. DELAY->REV DIST->DELAY One input, two output distortion and delay effects in series. Two input, two output 3-band multi-lter (24 dB/octave). MULTI FILTER FREEZE One input, one output basic sampler. Two input, two output stereo reverb. ST REVERB M.BAND DYNA. Preset EQ Parameters Preset EQ Parameters 275 Page Preset EQ Parameters 277 Preset Gate Parameters Preset Compressor Parameters Preset Compressor Parameters (fs = 44.1 kHz) 279 Page Preset Compressor Parameters (fs = 44.1 kHz) 281 Page Appendix B: Specications General Spec Input Gain=Min. Rs=150 Page Page EQ Parameters Gate Parameters Comp Parameters Libraries Analog Input Spec 289 Analog Input Spec Analog Output Specs Digital Input Spec Digital Output Spec I/O SLOT Spec Each I/O SLOT accepts a Digital interface card. SLOT1 has a serial interface. CONTROL I/O Spec Dimensions Appendix C: MIDI Scene Memory to Program Change Table Initial Parameter to Control Change Table CHANNEL1 CHANNEL2 CHANNEL3 CHANNEL4 CHANNEL5 CHANNEL6 CHANNEL7 CHANNEL8 CHANNEL9 CHANNEL10 CHANNEL11 CHANNEL12 CHANNEL13 CHANNEL14 CHANNEL15 CHANNEL16 MIDI Data Format 1. DATA FORMAT 1.4.2.2 PARAMTER CHANGE 1.1 CHANNEL MESSAGE 1.2 SYSTEM COMMON MESSAGE 1.3 SYSTEM REALTIME MESSAGE 1.4 EXCLUSIVE MESSAGE 1.4.1 Real Time System Exclusive 2.4 PROGRAM CHANGE (Cn) 2.5 TIMING CLOCK (F8) 2.6 ACTIVE SENSING (FE) 2.7 SYSTEM RESET (FF) 2.8 SYSTEM EXCLUSIVE MESSAGE (F0) 2.8.2.2 Scene memory bulk dump request format (compress) 2.8.2.3 Setup memory bulk dump format 2.8.2.4 Setup memory bulk dump request format 2.8.2.5 User Dened MIDI Remote bulk dump format 2.8.2.6 User Dened MIDI Remote bulk dump request format 2.8.2.7 User Dened Keys bulk dump format 2.8.2.8 User Dened Keys bulk dump request format 2.8.2.12 Control change table bulk dump request format 2.8.2.9 User Assignable Layer bulk dump format 2.8.2.10 User Assignable Layer bulk dump request format 2.8.2.13 Program change table bulk dump format 2.8.2.14 Program change table bulk dump request format 2.8.2.15 Equalizer library bulk dump format 2.8.2.16 Equalizer library bulk dump request format 2.8.2.17 Compressor library bulk dump format 2.8.2.18 Compressor library bulk dump request format 2.8.2.19 Gate library bulk dump format 2.8.2.20 Gate library bulk dump request format 2.8.2.21 Effect library bulk dump format 2.8.2.22 Effect library bulk dump request format 2.8.2.24 Channel library bulk dump request format 2.8.2.25 Input patch library bulk dump format 2.8.2.26 Input patch library bulk dump request format 2.8.2.27 Output patch library bulk dump format 2.8.2.28 Output patch library bulk dump request format 2.8.2.29 Plug-in effect card bulk dump format 2.8.2.30 Plug-in effect card bulk dump request format 2.8.3 PARAMETER CHANGE 2.8.3.1 Basic behavior 2.8.3.1.1 Parameter change basic format 2.8.3.1.2 Parameter Change basic format (Universal format) 2.8.3.1.5 Parameter Address 2.8.3.2 Parameter change (Edit buffer) 2.8.3.6 Parameter change (Setup memory) 2.8.3.3 Parameter request (Edit buffer) 2.8.3.4 Parameter change (Patch data) 2.8.3.11 Parameter request (Cascade data) 2.8.3.12 Parameter change (Function call: Library store / recall) 2.8.3.13 Parameter change (Function call response: Library store/recall) 2.8.3.14 Parameter change (Function call: title) 2.8.3.15 Parameter request (Function call: title) 2.8.3.16 Parameter change (Function call response: title) 2.8.3.17 Parameter change (Function call: Scene/Library Clear) 2.8.3.18 Parameter change (Function call response: Scene/Library Clear) 2.8.3.19 Parameter change (Function call: attribute) 2.8.3.20 Parameter request (Function call: attribute) 2.8.3.21 Parameter change (Function call response: attribute) 2.8.3.22 Parameter change (Function call: link) 2.8.3.23 Parameter request (Function call: link) 2.8.3.24 Parameter change (Function call response: link) 2.8.3.26 Parameter change (Function call Event: Effect ) 2.8.3.27 Parameter change (Sort Table) 2.8.3.28 Parameter request (Sort Table) 2.8.3.29 Parameter change (Key remote) 2.8.3.30 Parameter change (Remote Meter) 2.8.3.31 Parameter request (Remote Meter) 2.8.3.32 Parameter change (Remote Time Counter) 2.8.3.33 Parameter request (Remote Time Counter) Appendix D: Options Rack Mounting the 01V96 Using RK1 Rack Mount Kit 324 Index Symbols Numerics A B E F G H I 326 L M N O Q R S 328 T U V W Page Page 01V96 Block Diagram INPUT (1...32) When 96kHz FX3,4 cannot be used. CASCADE SELECT x 2 01V96 Level Diagram Analog Digital Analog DigitalAnalog NORTH AMERICA OCEANIA CENTRAL & SOUTH AMERICA EUROPE AFRICA MIDDLE EAST