Main
FCC INFORMATION (U.S.A.)
NEDERLAND THE NETHERLANDS
IMPORTANT
Explanation of Graphical Symbols
IMPORTANT SAFETY INSTRUCTIONS
CAUTION
WARNING
iv
Important Information
Cautions
Warnings
Operating Notes
Exclusion of Certain Responsibility
Interference
Page
vii
About this Owners Manual
Installing the 01V96
Conventions Used in this Manual
Contents
Page
Page
1
1 Welcome
Page
Control Surface & Rear Panel 13
Control Surface & Rear Panel
32313029282726252423222120191817 STEREO
13 14 15 16
2 Control Surface & Rear Panel
Control Surface
SOLO SOLO ON ON
LAYER
EQUALIZER
14
AD Input Section
To processors input
Connect to INSERT jack
13 14 15 16
Monitor Out & Headphones Section
A
B
C
D
16
Channel Strip Section
A
B
C
ST IN Section
A
B
C
D
18
DISPLAY ACCESS Section
9J K L
A
B
LAYER Section
A
B
C
Display Section
20
SELECTED CHANNEL Section
SCENE MEMORY Section
A
B
C
USER DEFINED KEYS Section
22
Data Entry Section
A
B
C
Rear Panel
PHANTOM +48V
A B C
AD Output Section
A
24
B
421 53
C
Digital I/O Section
MIDI/Control Section
A
B
SLOT Section
A
Installing an Optional Card
3 Operating Basics
About the Display
A
B
C
Selecting Display Pages
Display Interface
Rotary Controls & Faders
Buttons
Parameter Boxes
30
Conrmation Messages
Title Edit Window
Selecting Layers
Selecting Channels
Selecting Fader Modes
Metering
A
B
Page
Page
Connections and Setup 37
4 Connections and Setup
Guitar
This chapter explains how to connect and set up your 01V96.
Connections
Conguring an analog 24-channel mixing system
Conguring a recording system with a hard disk recorder
HDR (Hard Disk Recorder)
WORD CLOCK IN connector
TO HOST USB port
WORD CLOCK OUT
Conguring a recording system that uses a DAW (Digital Audio Workstation)
WORD CLOCK IN connector
TO HOST USB port
WORD CLOCK OUT
Audio interface
Wordclock Connections and Settings
About Wordclock
Wordclock Connections
Wordclock Connections and Settings 41
External device
Specifying the Wordclock Source
13 1415 16
Digital I/O card
Digital audio signal + Wordclock signal
Page
Input and Output Patching
Patching Input Channels
44
Patching Omni Outs
Page
Page
Tutorial 47
Tutorial
Microphone
ADAT IN connector
5 Tutorial
Connections and Setup
Headphone amplier
MONITOR OUT
Hard disk recorder
Page
Initial Track Recording
Setting the Input Levels
50
Pairing Channels
Routing Signals
A
B
C
Page
54
Adjusting the Monitoring Level
Page
56
EQing the Input Signals
Compressing the Input Signals
Page
Recording
60
Overdubbing to Other Tracks
Setting the Input Levels
Routing Signals
Adjusting the Monitoring Level
62
Recording
Mixing Recorded Tracks into Stereo (Mixdown) 63
Tutorial
32313029282726252423222120191817 STEREO
Mixing Recorded Tracks into Stereo (Mixdown)
Connecting and Setting Up the Master Recorder
2 Press the DISPLAY ACCESS [PATCH] button repeatedly until the Patch | In Patch page appears.
SOLO SOLO ON ON
LAYER
64
Adjusting the Track Mix Balance
Page
66
Using the Internal Effects
Page
68
Recording to the Master Recorder
6 Analog I/O & Digital I/O
Analog Inputs & Outputs
Input Section
70
Output Section
Digital Inputs & Outputs
Digital I/O Connectors
SLOT
Converting Sampling Rates of Signals Received at I/O Card Inputs
Monitoring Digital Input Channel Status
F
Dithering Digital Outputs
Setting the Transfer Format for Higher Sampling Rates
Page
7 Input Channels
About Input Channels
Input Channels
78
ST IN Channels 14
Setting the Input Channels from the Display
Switching the Signal Phase
A
B
80
Delaying Input Channels
A
B
C
Gating Input Channels
82
Compressing Input Channels
E
F
G
Attenuating Input Channels
84
EQing Input Channels
Panning Input Channels
A
B
86
Routing Input Channels
Viewing Input Channel Settings
Page
B
C
D
E
F
Setting the Input Channels from the Control Surface
Setting Input Channel Levels and Panning the Channels
Input Channels 132
ST IN Channels 14
EQing Input Channels
Pairing Input Channels
Pairing Channels by Using the [SEL] Buttons
Pairing Input Channels Using the Display
A
B
Naming Input Channels
1 2
Page
Page
8 Bus Outs
About Stereo Out
Bus Out 18
Setting the Stereo Out and Bus Out 18 from the Display
Attenuating the Stereo Out and Bus Out
Delaying the Stereo Out and Bus Outs
Page
Routing Bus Out 18 Signals to the Stereo Bus.
102
Viewing the Stereo Out and Bus Out Settings
Page
104
Setting the Stereo Out and Bus Out 18 from the Control Surface
Setting the Levels
EQing and Balancing the Stereo Out and Bus Outs
Pairing Buses or Aux Sends
B
A
Attenuating Output Signals
Naming the Stereo Out and Bus Outs
Page
9 Aux Outs
Aux Out 18
110
Setting Aux Out 18 from the Display
Attenuating Aux Outs
Delaying Aux Outs
Page
Viewing Aux Out Settings
Viewing the Compressor and EQ Settings
Viewing Faders and On/Off Parameters
Setting Aux Out 18 from the Control Surface
Setting Levels
EQ settings
Setting Aux Send Levels
Setting Send Levels from the Display
Page
Page
Page
Viewing Aux Send Settings for Multiple Channels
A
B
C
Page
Panning Aux Sends
A
B
C
Copying Channel Fader Positions to Aux Sends
10 Input & Output Patching
Input Patching
122
Input Patching
Output Patching
124
Changing the Signal Path to the ADAT OUT Connector, Slot, or OMNI OUT connectors
A
B
C
Patching Direct Outs
A
B
Page
Insert Patching
Individual Insert Patching
A
B
C
Viewing and Changing Insert In Patch
Page
11 Monitoring
Monitor
132
Monitor and Solo Setup
E
F
G
H
Using the Monitor
134
Using the Solo Function
12 Surround Pan
Using Surround Pan
About Surround Pan
Setting Up and Selecting Surround Pan Modes
A
B
C
Page
Page
Setting Up and Selecting Surround Pan Modes 139
Surround Pan
Surround Pan Recording
Surround Pan Monitoring
Surround Panning
E
F
6
G
H
Page
Page
Page
B
C
13 Grouping Channels & Linking Parameters
Grouping & Linking
Using Fader Groups and Mute Groups
Page
Linking EQ and Compressor Parameters
Page
Page
14 Internal Effects
About the Internal Effects
SELECT
Using Effects Processors via Aux Sends
1 3 2
A
B
C
Page
Inserting the Internal Effects into Channels
Editing Effects
F
G
About Plug-Ins
Page
15 Scene Memories
About Scene Memories
What is Stored in a Scene?
About Scene Numbers
Storing and Recalling Scenes
Storing and Recalling Scenes Using the SCENE MEMORY Buttons
164
Storing and Recalling Scenes Using the Scene Memory Page
G H
Auto Scene Memory Update
166
Fading Scenes
Fading Input Channels
A
B
C
Fading Output Channels
Recalling Scenes Safely
Sorting Scenes
1 2
Page
16 Libraries
About the Libraries
General Library Operation
A
B
C
D
Using Libraries
Channel Library
A
B
C
174
Input Patch Library
Output Patch Library
Effects Library
Page
The following tables list the preset effects programs in the Effects library: Reverbs
Delays
Modulation-based Effects
Guitar Effects Dynamic Effects
Combination Effects
Others
Gate Library
180
Compressor Library
The following table lists the preset memories in the Compressor library:
182
EQ Library
A
B
C
The following table lists the preset memories in the EQ library:
Page
17 Remote Control
About Remote Function
REMOTE (Remote Layer)
Machine Control
186
Pro Tools Remote Layer
The 01V96 features Remote Layer target especially designed for controlling Pro Tools.
Connections and Conguring Pro Tools
Conguring Windows Computers
1Connect the 01V96 TO HOST USB port to a USB port on your PC using a USB cable.
Page
188
Conguring the 01V96
Display
C
D
E
Channel Display mode ( [F3] button)
Meter Display mode ( [F4] button)
192
Control Surface Operation
Channel Strip section
FADER MODE Section
DISPLAY ACCESS section
Display section
Data Entry section
USER DEFINED KEYS section
Page
Pro Tools Remote Layer 195
Selecting Channels
Setting Channel Levels
196
Muting Channels
Panning Channels
Soloing Channels
Conguring Sends AE as Pre or Post
Setting Send Levels
Muting Sends AE
Panning Sends AE
Flip Mode
198
Assigning Plug-ins to Pro Tools Channels
Editing Plug-ins
200
Bypassing Plug-ins
Scrub & Shuttle
Automation
Nuendo Remote Layer
Conguring Computers
Conguring the 01V96
Other DAW Remote Layer
Conguring Computers
MIDI Remote Layer
MIDI IN
1Connect the 01V96s MIDI OUT port to the MIDI IN port of the MIDI device.
Using the MIDI Remote Function
Page
MIDI Remote Layer 205
D
Foot switch
MIDI keyboard
Assigning MIDI Messages to Channel Controls
MIDI INMIDI OUTMIDI IN
Page
When SW is assigned:
When SW is not assigned:
Machine Control Function
MMC-supported machine
MIDI INMIDI IN MIDI OUT
A
B
C
D
18 MIDI
MIDI & the 01V96
212
MIDI Port Setup
Selecting a Port for MIDI Message Transfer
A
B
C
D
214
Selecting MIDI Messages for Transmission and Reception
E
F
G
Assigning Scenes to Program Changes for Remote Recall
Assigning Parameters to Control Changes for Real-time Control
Page
Page
Assigning Parameters to Control Changes for Real-time Control 219
MIDI
Page
Controlling Parameters by Using Parameter Changes
Transmitting Parameter Settings via MIDI (Bulk Dump)
Page
Page
19 Other Functions
Changing the Input and Output Channel Names
Changing the Input Channel Names
226
Changing the Output Channel Names
Setting Preferences
Prefer1 page
Page
228
Prefer2 page
A
B
C
Creating a Custom Layer by Combining Channels (User Assignable Layer)
Using the Oscillator
Using the User Dened Keys
A
B
C
D
Page
Using Operation Lock
A
B
C
Cascading Consoles
Cascading Consoles 235
Other Functions
01V96 (Slave) 01V96 (Master)
OUT IN ADAT OUT
MIDI IN/OUT
Page
Page
Checking the Battery and the System Version
Initializing the 01V96
Calibrating the Faders
USER DEFINED KEYS 241
Appendix A: Parameter Lists
USER DEFINED KEYS
Page
USER DEFINED KEYS Initial Assignments 243
USER DEFINED KEYS Initial Assignments
Input Patch Parameters
Page
Initial Input Patch Settings 245
Initial Input Patch Settings
EFFECT TYPE
CHANNEL EFFECT IN PATCH
CASCADE IN PATCH
CHANNEL NAME
Output Patch Parameters 247
Output Patch Parameters
Page
Initial Output Patch Settings 249
Initial Output Patch Settings
DIRECT OUT
SLOT
ADAT OUT
OMNI OUT
User Dened Remote Layer Initial Bank Settings
Bank 1 (GM Vol & Pan)
User Defined Remote Layer Initial Bank Settings 251
Bank 2 (GM Vol & Effect 1)
Bank 3 (XG Vol & Pan)
User Defined Remote Layer Initial Bank Settings 253
Bank 4 (Nuendo VST Mixer)
Effects Parameters
REVERB HALL, REVERB ROOM, REVERB STAGE, REVERB PLATE
One input, two output early reections.
One input, two output hall, room, stage, and plate reverb simulations, all with gates.
EARLY REF.
GATE REVERB, REVERSE GATE
One input, two output early reections with gate, and early reections with reverse gate.
Two input, two output basic stereo delay.
MONO DELAY
One input, two output basic repeat delay.
MOD. DELAY
One input, two output basic repeat delay with modulation.
One input, two output 3-tap delay (left, center, right).
DELAY LCR
ECHO
Two input, two output stereo delay with crossed feedback loop.
Two input, two output chorus effect.
CHORUS
FLANGE
Two input, two output ange effect.
Two input, two output symphonic effect.
SYMPHONIC
PHASER
Two input, two output 16-stage phaser.
Two input, two output autopanner.
AUTO PAN
TREMOLO
Two input, two output tremolo effect.
One input, two output high-quality pitch shifter.
HQ. PITCH
DUAL PITCH
Two input, two output pitch shifter.
One input, two output rotary speaker simulator.
ROTARY
RING MOD.
Two input, two output ring modulator.
One input, two output distortion effect.
MOD. FILTER
Two input, two output modulation lter.
AMP SIMULATE
One input, two output guitar amp simulator.
Two input, two output dynamically controlled lter.
DYNA. FILTER
DYNA. FLANGE
Two input, two output dynamically controlled anger.
Two input, two output dynamically controlled phaser.
DYNA. PHASER
REV+CHORUS
One input, two output reverb and chorus effects in parallel.
One input, two output reverb and chorus effects in series.
REV->CHORUS
REV+FLANGE
One input, two output reverb and anger effects in parallel.
One input, two output reverb and anger effects in series.
REV->FLANGE
REV+SYMPHO.
One input, two output reverb and symphonic effects in parallel.
One input, two output reverb and symphonic effects in series.
REV->SYMPHO.
REV->PAN
One input, two output reverb and autopan effects in parallel.
One input, two output delay and early reections effects in parallel.
DELAY+ER.
DELAY->ER.
One input, two output delay and early reections effects in series.
DELAY+REV
One input, two output delay and reverb effects in parallel.
One input, two output delay and reverb effects in series.
DELAY->REV
DIST->DELAY
One input, two output distortion and delay effects in series.
Two input, two output 3-band multi-lter (24 dB/octave).
MULTI FILTER
FREEZE
One input, one output basic sampler.
Two input, two output stereo reverb.
ST REVERB
M.BAND DYNA.
Preset EQ Parameters
Preset EQ Parameters 275
Page
Preset EQ Parameters 277
Preset Gate Parameters
Preset Compressor Parameters
Preset Compressor Parameters (fs = 44.1 kHz) 279
Page
Preset Compressor Parameters (fs = 44.1 kHz) 281
Page
Appendix B: Specications
General Spec
Input Gain=Min.
Rs=150
Page
Page
EQ Parameters
Gate Parameters
Comp Parameters
Libraries
Analog Input Spec 289
Analog Input Spec
Analog Output Specs
Digital Input Spec Digital Output Spec
I/O SLOT Spec
Each I/O SLOT accepts a Digital interface card. SLOT1 has a serial interface.
CONTROL I/O Spec
Dimensions
Appendix C: MIDI
Scene Memory to Program Change Table
Initial Parameter to Control Change Table
CHANNEL1
CHANNEL2
CHANNEL3
CHANNEL4
CHANNEL5
CHANNEL6
CHANNEL7
CHANNEL8
CHANNEL9
CHANNEL10
CHANNEL11
CHANNEL12
CHANNEL13
CHANNEL14
CHANNEL15
CHANNEL16
MIDI Data Format
1. DATA FORMAT
1.4.2.2 PARAMTER CHANGE
1.1 CHANNEL MESSAGE 1.2 SYSTEM COMMON MESSAGE 1.3 SYSTEM REALTIME MESSAGE 1.4 EXCLUSIVE MESSAGE
1.4.1 Real Time System Exclusive
2.4 PROGRAM CHANGE (Cn)
2.5 TIMING CLOCK (F8)
2.6 ACTIVE SENSING (FE)
2.7 SYSTEM RESET (FF)
2.8 SYSTEM EXCLUSIVE MESSAGE (F0)
2.8.2.2 Scene memory bulk dump request format (compress)
2.8.2.3 Setup memory bulk dump format
2.8.2.4 Setup memory bulk dump request format
2.8.2.5 User Dened MIDI Remote bulk dump format
2.8.2.6 User Dened MIDI Remote bulk dump request format
2.8.2.7 User Dened Keys bulk dump format
2.8.2.8 User Dened Keys bulk dump request format
2.8.2.12 Control change table bulk dump request format
2.8.2.9 User Assignable Layer bulk dump format
2.8.2.10 User Assignable Layer bulk dump request format
2.8.2.13 Program change table bulk dump format
2.8.2.14 Program change table bulk dump request format
2.8.2.15 Equalizer library bulk dump format
2.8.2.16 Equalizer library bulk dump request format
2.8.2.17 Compressor library bulk dump format
2.8.2.18 Compressor library bulk dump request format
2.8.2.19 Gate library bulk dump format
2.8.2.20 Gate library bulk dump request format
2.8.2.21 Effect library bulk dump format
2.8.2.22 Effect library bulk dump request format
2.8.2.24 Channel library bulk dump request format
2.8.2.25 Input patch library bulk dump format
2.8.2.26 Input patch library bulk dump request format
2.8.2.27 Output patch library bulk dump format
2.8.2.28 Output patch library bulk dump request format
2.8.2.29 Plug-in effect card bulk dump format
2.8.2.30 Plug-in effect card bulk dump request format
2.8.3 PARAMETER CHANGE 2.8.3.1 Basic behavior
2.8.3.1.1 Parameter change basic format
2.8.3.1.2 Parameter Change basic format (Universal format)
2.8.3.1.5 Parameter Address
2.8.3.2 Parameter change (Edit buffer)
2.8.3.6 Parameter change (Setup memory)
2.8.3.3 Parameter request (Edit buffer)
2.8.3.4 Parameter change (Patch data)
2.8.3.11 Parameter request (Cascade data)
2.8.3.12 Parameter change (Function call: Library store / recall)
2.8.3.13 Parameter change (Function call response: Library store/recall)
2.8.3.14 Parameter change (Function call: title)
2.8.3.15 Parameter request (Function call: title)
2.8.3.16 Parameter change (Function call response: title)
2.8.3.17 Parameter change (Function call: Scene/Library Clear)
2.8.3.18 Parameter change (Function call response: Scene/Library Clear)
2.8.3.19 Parameter change (Function call: attribute)
2.8.3.20 Parameter request (Function call: attribute)
2.8.3.21 Parameter change (Function call response: attribute)
2.8.3.22 Parameter change (Function call: link)
2.8.3.23 Parameter request (Function call: link)
2.8.3.24 Parameter change (Function call response: link)
2.8.3.26 Parameter change (Function call Event: Effect )
2.8.3.27 Parameter change (Sort Table)
2.8.3.28 Parameter request (Sort Table)
2.8.3.29 Parameter change (Key remote)
2.8.3.30 Parameter change (Remote Meter)
2.8.3.31 Parameter request (Remote Meter)
2.8.3.32 Parameter change (Remote Time Counter)
2.8.3.33 Parameter request (Remote Time Counter)
Appendix D: Options
Rack Mounting the 01V96 Using RK1 Rack Mount Kit
324
Index
Symbols
Numerics
A
B
E
F
G
H
I
326
L
M
N
O
Q
R
S
328
T
U
V
W
Page
Page
01V96 Block Diagram
INPUT (1...32)
When 96kHz FX3,4 cannot be used.
CASCADE SELECT
x 2
01V96 Level Diagram
Analog
Digital
Analog
DigitalAnalog
NORTH AMERICA
OCEANIA
CENTRAL & SOUTH AMERICA
EUROPE AFRICA MIDDLE EAST