Patch
number
Patch name Foot switch 1 Foot switch 2 Foot switch 3 Foot switch 4 Expression pedal

Demo

01 SlapSolo
WAH : Splitter AMP : G-Krueger MOD : ST-Chorus DLY : Delay Volume
Typical slap solo sound of the eighties, using short delay. Chorus mix ratio can be adjusted by
moving the expression pedal horizontally. Pressing foot switch 1 i n manual mode turns the
"Splitter" effect on, to emphasize the slap pull.
MOD:ST-Chorus:Mix
02 Detune
WAH : Tremolo AMP : Tube Pre MOD : Detune REV : Hall Vo lume
Detune chorus sound to make the bass stand out i n an ensemble. Effective for ballads and solos.
DLY:Delay:Mix
03 Synthtic
WAH : Octave AMP : S ansAmp MOD : A-Re sonance DLY : Delay Volume
Synth bass type patch using "Octave" and "Auto Resonance". Suitable for funky bass lines with
a powerful attack.
AMP:SansAmp:Gain
04 UP 2oct
CMP : M Comp AMP : MXR D.I+ MOD : Z-MonoPitch DLY : Delay MOD:Z-MonoPitch:Pd lPosi V
Distortion sound using the dedicated expression peda l effect "Z-MonoPitch". Allows you to use
the expression pedal for whammy pedal type play.
MOD:Z-MonoPitch:PdlPosi H
11 FunkyWah
CMP : Limiter AMP : WalterWds MOD : Chorus DLY : Delay Volume
Auto wah sound with a solid bottom. Great for percussive play with mute or ghost notes.
WAH:AutoWah :Resonanc e
12 Basic CP
WAH : AutoWah AMP : Walt erWds MOD : Chorus DLY : Delay Volume
All-rounder compression sound that gives the bass sound a tight, glossy feel. Delay m ix ratio
can be adjusted by moving the expression pedal horizonta lly. Useful for any kind of playing
style, including ngering, picking, and slap.
DLY:Delay:Mix
13 60sFzWah
CMP : M Comp AMP : FuzzFace MOD : Flange r DLY : Delay WAH:PedalVox:Fr equency
This patch combines the “PedalVox” effect modeled on Vox pedals with the “Fuzz Face”
effect. Move the expression pedal horizontally for more radica l distortion.
AMP:FuzzFace:Gain
14 Drum'nBs
WAH : Octave AMP : TS9 MOD : Chorus REV : Hall Volume
Ultra low note patch using "Octave". The slight chorus is the secret ingredient.
WAH:Octave :OctLvl
21 Defret12
WAH : Defret AMP : Aguilar MOD : MonoPitch REV : Hall Volu me
This patch simulates the characterist ic attack sound of a fretless bass. Move the expression
pedal horizontally to add a one-oct ave higher sound component for a wider spread, great for
melodious playing.
MOD:MonoPitch:Balance
22 AnalogPD
CMP : Compressor AMP : Mo noSyn MOD : PitchShift DLY : AnalogD elay Vol ume
Pad sound using "Analog Delay". By moving the expression pedal horizontally, you can add
a one-octave higher sound component for a wider spread. Suitable for play using the volume
pedal or tapping.
MOD:PitchShift:Balance
23 Dis.JET
CMP : Compressor AMP : B igMuff MOD : X-Flanger DLY : Delay M OD:X-Fla nger:X- Fade
Jet anger sound with radical distortion. Make the anger wail by moving the expression pedal
vertically, and add delay with a horizontal movement.
DLY:Delay:Mix
24 FunkySyn
WAH : AutoWah AMP : V-Syn MOD : MonoPitch REV : E/Re ection Volume
Sharp and funky synthesizer pat ch enhanced by resonance and light doubli ng that gives the sound body.
WAH:AutoWah :Resonanc e

Category

31 ROCK
CMP : Limiter AMP : AmpegSVT MOD : Ch orus DLY : Delay Volume
"Ampeg SVT" patch in the style of the famous rock amp. The limiter that evens out th e picking
attack sound is the key.
AMP:AmpegSVT:Gain
32 POPS
CMP : M Comp AMP : Aguilar MOD : Chorus DLY : Delay Volume
Basic sound for laying down a bottom line in pop music. Compatible with all playing st yles,
including ngering, picking, and slap.
(MOD:Chorus:Rate)
33 JAZZ
WAH : Defret AMP : Polytone M OD : Air DLY : Delay Volum e
Use of the "Polytone Mini Brute III" makes th is a great patch for playing Jazz. Pressing foot
switch 1 in manual mode turns on "Defret" for fret less bass sound.
MOD:Air:Re ex

Category

34 METAL
CMP : Limiter AMP : Har tke MOD : Co mbFilter DLY : SOS Volum e
Heavy metal patch with a strident sound that emphasiz es the pick attack. Pressing foot switch
3 in manual mode turns on the "CombFilter" for an even stro nger metallic tone. Move the
expression pedal horizontally to vary the emphasi zed frequency.
(MOD:CombFilter:Frequency)
41 REGGAE
WAH : AutoWah AMP : AmpegS VT MOD : Chorus DLY : Delay Volum e
Strong bass patch for Reggae and Dub.
(WAH:AutoWah:Resonance)
42 Old R+B
WAH : AutoWah AMP : Am pegB15 MOD : Vibe DLY : Delay Volum e
Sixties R&B type patch using the Ampeg B15 much beloved by James Jamerson.
(MOD:Vibe:Depth)
43 N.O.funk
WAH : AutoWah AMP : AmpegS VT MOD : Chorus DLY : Delay Volum e
New Orleans Funk sound with a clear, wide tone range. Goo d for ngering or slap play.
(MOD:Chorus:Rate)
44 60'sROCK
CMP : Compressor AMP : Amp egSVT MOD : Cho rus DLY : Delay Volume
A patch that simulates the bass sound of 1960s Rock.
AMP:AmpegSVT:Gain

Modeling

51 Q-TRON
CMP : M Comp AMP : Trace MOD : Chorus DLY : Delay Volume
Patch modeled on the Electro-Harmonix Q -Tron. Suitably light mix of original sound makes
the patch easy to use.
WAH:A-Reso nance:Se nse
52 ODB-3
WAH : X-Phaser AMP : ODB-3 M OD : Chorus DLY : Delay Volume
Patch modeled on the Boss ODB-3. Strong distortion is great for solos.
(WAH:X-Phaser:X-Fade)
53 SANSAMP
CMP : M Comp AMP : SansAmp MOD : Flanger DLY : Delay Volume
Patch modeled on the Sansamp Bass Driver DI preferred by many bassists. Light d istortion is
just right for some Rock styles, and compression makes the patch easy to use.
AMP:SansAmp:Gain
54 BigMuff
CMP : Compressor AMP : B igMuff MOD : Chorus DLY : Delay Volume
Patch modeled on the Electro-Harmonix Big Muff, with its t rademark radical distor tion sound.
AMP:BigMuff:Gain
61 OctaBass
CMP : M Comp AMP : Trace MOD : Chorus DLY : Delay Volume
Patch modeled on the EBS OctaBass. One-octave lower sound component provides an i ntimiate
club feel.
(MOD:Chorus:Rate)
62 CHORUS
WAH : X-Vibe AMP : TubePre MOD : Detune DLY : Delay Volume
Basic chorus sound with limited modulation. Suitable for all gen res.
(WAH:X-Vibe:X-Fade)
63 FLANGER
CMP : M Comp AMP : BigMuff MOD : Flanger DLY : Delay Volume
Flanger sound that starts to pulsate when you push th e pedal. Great for highlighti ng a phrase.
MOD:Flanger:Depth
64 PHASER
CMP : M Comp AMP : BigMuff MOD : ModDe lay DLY : ReverseDelay Volume
Phaser sound with a solid foundation. Enjoy smart play with a breezy feel.
WAH:4Stag ePhaser: Rate
71 ENVELOPE
CMP : Limiter AMP : AmpegSVT MOD : Ch orus DLY : Delay Volume
Versatile Funk sound using a mix of eighties style auto wah and origi nal sound.
WAH:AutoWah :Sense
72 Aguilar
CMP : M Comp AMP : Aguilar MOD : Chorus DLY : Delay Volume
Powerful and clean sounding bass patch modeled on the Agui lar. (This patch is suitable for line output .)
(MOD:Chorus:Rate)
73 SuperBs
WAH : Octave AMP : SuperBass MOD : Flan ger REV : A rena Volume
This patch is characterized by the t ypical overdrive sound of the Marshall 1992 Super Bass,
which is also great for solos. (This patch is suitable for line out put.)
(MOD:Flanger:Depth)
74 Hartke
CMP : Compressor AMP : Hart ke MOD : B endChorus DLY : Delay Volum e
Patch modeled on the combination of a Hartke HA3500 with t he 4.5XL aluminum-cone
speaker cabinet. Straight sound brings out the u mistakable punch of the aluminum con e. (This
patch is suitable for line output.)
(MOD:BendChorus:Depth)
81 SVT
CMP : Compressor AMP : Amp egSVT MOD : Cho rus DLY : Delay Volume
Patch modeled on the combination of the Ampeg all-tube a mp SVT with the 810E cabinet. The gutsy
sound of this bass amp is one of the mainstays of Rock. (Thi s patch is suitable for line output.)
AMP:AmpegSVT:Gain
82 G-Kruger
CMP : DualComp AMP : G-Krueger MOD : AutoF ilter REV : ModernSprin g Volume
Patch modeled on the combination of the Gallien Kr ueger 800RB with the 410RBH cabinet.
The solid sound packs a punch. (This patch is suitable for li ne output.)
(MOD:AutoFilter:Sense)
83 PolyTone
WAH : Defret AMP : Polytone MOD : Detune REV : Room Volume
Patch modeled on the "Polytone Mini Brute III" favored by Jazz musicia ns for its distinctive
midrange character. Pressing foot switch 1 in manual mode turns on "Defret" for fretless bass
sound. (This patch is suitable for line output.)
AMP:Polytone:Gain
84 WalterWD
CMP : Compressor AM P : WalterWds MOD : Chorus DLY : Delay Volume
Patch modeled on the combination of the Walter Woods M300 with the Bag End S-12B cabinet.
The Walter Woods can be used with various instrument s, but in this patch, the EQ is optimi zed
for bass. (This patch is suitable for line output.)
(MOD:Chorus:Rate)
91 RecBass
WAH : AutoWah AMP : Bas sman MOD : Ch orus DLY : Delay Volume
Patch with slight compression for recording. By changing the head amp, you can re cord with
your preferred bass ampli er. Here, the standard sound of the Fender Bassman is selected. (This
patch is suitable for line output.)
AMP:Bassman:Gain
* Shaded modul es: Effects are set t o Off when patch is ca lled.
* Expressio n pedal setting ite ms are listed in the or der module name : ef fect type name : par ameter name.
* The [ ] symbol in the table de notes a vertical dir ection setting , and the [ ] symbol a horizontal dir ection setting.
* For expression pedal s etting items, effe cts enclosed in bracke ts () can be switched o n by pressing switches 1 – 4 , or
by fully depressing t he pedal.
B9.1ut-Patchlist-E-1
Continued overleaf