DigiTech RP1000 owner manual Wahs, Compressors, Noise Gates

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Section Five - RP1000 Effects Descriptions

Wahs

Wah is an effect controlled by an Expression Pedal making the guitar sound as if it’s saying “Wah.”

DigiTech® Wah

DigiTech’s Full range Wah sweeps the entire spectrum of audible frequencies giving you the most range of tone from the wah pedal.

Dunlop® Crybaby™ Wah:

This Wah pedal is the more “traditional” sounding Wah pedal that you will have heard in the 60’s to the 80’s guitar solos.This Wah sweeps the lower to mid range of the audible spectrum.

Vox® Clyde McCoy™ Wah

This Wah pedal was the “original” and was designed to try to emulate the sound of a muted trumpet. Clyde McCoy was a trumpet player that had asked Vox for a device that could make an instrument sound like his muted trumpet.This Wah has a “thinner” tone and sweeps more of the upper end of the audible spectrum.

Compressors

A Compressor is used to increase sustain, tighten up guitars, and prevent the signal from clipping the input of other effects. It sets a maximum boundary for the strength of a signal.

Boss® CS-2 Compressor/Sustainer

The CS-2 compresses high-input signals while boosting low-input signals, giving you smooth and long sustain without degrading the quality of the original sound.

DigiTech Compressor

The DigiTech Compressor compresses high-input signals while boosting low-input signals, giving you smooth and long sustain without degrading the quality of the original sound and also allows you to adjust the tone of the compression.

MXR® Dynacomp

The MXR® Dynacomp will compress the high-input signals and boost the low-input signals while adding its unique voicing that has become popular with many players for leads, clean chicken picking, and simple boosts.

Noise Gates

A Noise Gate is used to control the volume of an audio signal. In its most simple form, a noise gate allows a signal to pass through only when it is above a set threshold.When this happens, the gate is ‘open’. If the signal falls below the threshold no signal is allowed to pass (or the signal is substantially attenuated) and the gate is ‘closed’.

DigiTech Silencer Noise Gate

This noise gate allows you to reduce line noise or audio signal when that signal goes below the set threshold. Depending on how you set the parameters (Threshold,Attack Time, Release, and Attenuation) you can make the audio transition cut your signal at very low noise volumes or high noise volumes.

DigiTech Auto Swell Gate:

This noise gate will also let you set the threshold of the noise floor but instead of a strict feel of “opening and closing” the gate, you get more of an auto volume swell effect making it a smooth- er transition between the open and closed positions.

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Contents Owner’s Manual Page Table of Contents Warranty Getting Acquainted Preset Mode and Pedalboard ModeIncluded Items About the RP1000Tuner Amp/Cabinet BypassTone Library Knob Effects Library KnobCreate Your Sound in Three Easy Steps EditTMEditor/Librarian PresetsAmp Gain/Effect Parameter Knob Amp Level/Effect Parameter KnobFront Panel Guided Tour of the RP1000Tone Library Knob Knobs 1-6 From left to rightEffects Library Knob Effects Level KnobBank Up/Down Footswitches Master Volume Knob13 -10 / Effects Footswitches Looper ButtonRear Panel Making Connections Getting StartedAmp Loop Stomp LoopMono Amp Connection SetupsStereo Amps MixerReturn Amp Loop with Pre-Amp In LineAmp Loop and Stomp Loop Amp Loop using Guitar Amp’s Pre AmpStudio Setup Computer and Personal Monitors Applying Power Preset Mode and Pedalboard ModeAmp/Cabinet Bypass Editing/Creating PresetsEditing Amp/Cabinet Models Press the Store button again to save the changes Storing/Copying/Naming a PresetAbout the Effects Block DiagramEffect Definitions WahDistortion EditTM Distortion Knob GainAmplifier Gbsn1x12 Based on a ‘60 Gibson GA- 40 Jensen Speaker Chorus Noise Gate/Auto SwellChorus/FX Chorus Knob FlangerFlanger Knob DepthPhaser Knob PhaserVibrato viBRaTo Rotary Speaker RotaryTremolo/Panner VibroPan vibropanUnicord Uni-VibeTMunovibe DOD FX25 fx25 env Envelope Filter eNvfiltrAutoYa Auto YA YaYa ya yaSample Hold smplhold Step Filter stepfltrDigiTech Whammy wHammy WhammyTMHarmony Pitch Shifting harmony Pitch Shift PitCHDetune DetUNe Boss OC-2 OctaverTM octaver DelayDelay Knob Reverb Knob ReverbReverb Types LFOs Footswitch AssignExpression Pedal Factory Reset Expression UpdateWah Min/Max Expression Pedal CalibrationLooper Preset LevelBypass Page Tuner USB SetupPage Noise Gates WahsCompressors Flanger Chorus Stompbox ModelsPitch PhasersTremolo Vibrato / RotaryEnvelope / Special DelaysDistortions ReverbsBoss MT-2 Metal Zone Boss DS-1 DistortionBoss OD-1 Overdrive Boss SD-1 OverdriveAmps ‘65 Fender Blackface Deluxe Reverb ‘77 Marshall Master Volume’59 Gibson GA-40 ‘69 Hiwatt Custom 100 DR103DigiTech Bright Clean DigiTech Blackbass ’65 Blackface preamp w/ Bassman powerampDigiTech Clean Tube ’95 Matchless ChieftainDigiTech GSP2101TM Artist Clean Tube DigiTech Tweedface Tweed preamp w/Blackface powerampDigiTech Crunch DigiTech DarkmetalCabinets 4x12 ‘07 Mesa/Boogie Rectifier w/Celestion Vintage 30’s 4x12 ‘96 VHT Slant w/ Celestion Vintage 30’s2x12 DigiTech Bright 4x12 DigiTech Alt RockSpecifications Effects Library Tone LibraryWindows Software Requirements Mac Software RequirementsDigiTech South Sandy Parkway Sandy, Utah PH 801 FAX 801