DigiTech RP1000 ’95 Matchless Chieftain, ‘96 Matchless HC30, ’74 Orange or, ’99 Peavey 5150

Page 50

’95 Matchless™ Chieftain

A beautifully full amp tone with plenty of character. The Chief is a really great amp to use for putting a slightly different color in your musical palette.

‘96 Matchless HC30

The perfect Class A crunch tone with tight responsive low end. This is right at home with coun- try, blues, and rock

’74 Orange™ OR 120

This often overlooked amp from a great British amp company was used by greats like Jimmy and Frank Zappa. No wonder the great Orange is making a comeback.

’99 Peavey® 5150® II

Designed in conjunction with Eddie Van Halen by Peavey®, this amp offers gain for days.

’88 Randall® HT-100

A vintage solid state amp that ushered in a new metal generation. This was the amp Dimebag used in the earlier Pantera days.

’84 Roland® JC-120

This solid state combo was synonymous with the sparkling clean sounds of the 80’s.

‘88 Soldano SLO-100

Considered one of the first “boutique” amp companies, the SLO 100 is a pure gain head’s dream. Smooth distortion with incredible sustain, this amp is amazing.

’67 Sunn® 100S

Used by Pete Townshend in the late ‘60s US tour, these amps offered tons of headroom which certainly delivered the SPLs The Who loved.

‘62 Vox® AC15

The first great Vox® amp. A single 12” version of its more famous 30 Watt big brother, this amp has much of the same character to offer.

‘63 Vox AC30 Top Boost

The quintessential amp that defined both Brian May’s and Edge’s sound. Just crank this amp up and get some of the most awesome growl you will ever hear from an amp.

DigiTech® Blackbass – ’65 Blackface preamp w/ Bassman poweramp

What happens when you combine the cleaner input stage of Blackface and connect it to the gritty poweramp of a Bassman? You get an experimental amp that works perfect for blues, rock- a-billy, country and rock.You’ll want to drive this hard.

DigiTech Blues

A perfect combination of clarity and grit.The Blues amp cuts through but doesn’t get too muddy as the gain is turned up.

DigiTech Bright Clean

A perfect clean combo amp structure, the amp is bright yet cleaner than most. Great for jazz, surf, country, clean rock and metal.

DigiTech Brownsound - Hot rodded 80’s stack tone

The Brownsound is a hot-rodded Marshall® tone of the early ‘80s made famous by a wild, finger- tapping guitarist.

DigiTech Chunk

Thicker than a Marshall®, the Chuck gives you lots of gain with plenty of low end that doesn’t get in your way.

DigiTech Clean Tube

The Clean Tube is a very clean tube combo tone with just the right amount of 2nd harmonics.

46

Image 50
Contents Owner’s Manual Page Table of Contents Warranty Included Items Preset Mode and Pedalboard ModeGetting Acquainted About the RP1000Tone Library Knob Amp/Cabinet BypassTuner Effects Library KnobAmp Gain/Effect Parameter Knob EditTMEditor/Librarian PresetsCreate Your Sound in Three Easy Steps Amp Level/Effect Parameter KnobGuided Tour of the RP1000 Front PanelEffects Library Knob Knobs 1-6 From left to rightTone Library Knob Effects Level Knob13 -10 / Effects Footswitches Master Volume KnobBank Up/Down Footswitches Looper ButtonRear Panel Amp Loop Getting StartedMaking Connections Stomp LoopConnection Setups Mono AmpMixer Stereo AmpsAmp Loop with Pre-Amp In Line ReturnAmp Loop using Guitar Amp’s Pre Amp Amp Loop and Stomp LoopStudio Setup Computer and Personal Monitors Preset Mode and Pedalboard Mode Applying PowerAmp/Cabinet Bypass Editing/Creating PresetsEditing Amp/Cabinet Models Storing/Copying/Naming a Preset Press the Store button again to save the changesEffect Definitions Block DiagramAbout the Effects WahDistortion Distortion Knob Gain EditTMAmplifier Gbsn1x12 Based on a ‘60 Gibson GA- 40 Jensen Speaker Chorus Noise Gate/Auto SwellChorus/FX Flanger Knob FlangerChorus Knob DepthVibrato viBRaTo PhaserPhaser Knob Rotary Speaker RotaryTremolo/Panner VibroPan vibropanUnicord Uni-VibeTMunovibe AutoYa Auto YA Envelope Filter eNvfiltrDOD FX25 fx25 env YaYa ya yaDigiTech Whammy wHammy Step Filter stepfltrSample Hold smplhold WhammyTMHarmony Pitch Shifting harmony Pitch Shift PitCHDetune DetUNe Boss OC-2 OctaverTM octaver DelayDelay Knob Reverb Knob ReverbReverb Types LFOs Footswitch AssignExpression Pedal Wah Min/Max Expression UpdateFactory Reset Expression Pedal CalibrationLooper Preset LevelBypass Page USB Setup TunerPage Noise Gates WahsCompressors Chorus Stompbox Models FlangerPhasers PitchVibrato / Rotary TremoloDelays Envelope / SpecialReverbs DistortionsBoss OD-1 Overdrive Boss DS-1 DistortionBoss MT-2 Metal Zone Boss SD-1 OverdriveAmps ’59 Gibson GA-40 ‘77 Marshall Master Volume‘65 Fender Blackface Deluxe Reverb ‘69 Hiwatt Custom 100 DR103DigiTech Clean Tube DigiTech Blackbass ’65 Blackface preamp w/ Bassman powerampDigiTech Bright Clean ’95 Matchless ChieftainDigiTech Crunch DigiTech Tweedface Tweed preamp w/Blackface powerampDigiTech GSP2101TM Artist Clean Tube DigiTech DarkmetalCabinets 2x12 DigiTech Bright 4x12 ‘96 VHT Slant w/ Celestion Vintage 30’s4x12 ‘07 Mesa/Boogie Rectifier w/Celestion Vintage 30’s 4x12 DigiTech Alt RockSpecifications Windows Software Requirements Tone LibraryEffects Library Mac Software RequirementsDigiTech South Sandy Parkway Sandy, Utah PH 801 FAX 801