Amps

Fulltone® OCD Overdrive

Straddling the border of overdrive and distortion, the OCD produces amazing harmonics and drives any amp into oblivion.The overdrive is thicker than most yet clear letting every string and note come through.

Guyatone® Overdrive OD-2

The OD-2 is yet a different flavor of overdrive.The OD-2’s is transparent and does not get in the way when playing single notes or chords.

Ibanez® TS-9 Tube Screamer™

One of the most famous pedals ever created, the TS-9 has not only stood the test of time but can be found on nearly every pedal board.

Ibanez TS-808 Tube Screamer™

The predecessor to the famed TS-9 the TS-808 has spawned a whole boutique market around modifications to this classis design. If you want one of the standards in overdrive, this is it.

Modified Ibanez® TS-9

Take a TS-9, add more gain and modify the low end to produce a thicker, bluesier overdrive.

MXR® Distortion +

A classic pedal due to it’s simplicity. Just plug in an go.The Distortion + produces good honest distortion, perfect for driving a distorted amp.

Pro Co RAT™

Want gain? Want more gain? The Rat was one of the first pedals to take the gain to another dimension.The filter control gives the Rat it’s unique tones and flexibility. It is rumored that early Bay area thrash bands used it in conjunction with a Marshall® JCM800 to achieve their heavy tones.

Roger Mayer Octavia™

Designed in 1967, the Octavia was featured on “Purple Haze” and “Fire” by Jimi.

Voodoo® Lab Sparkle Drive®

The Sparkle Drive mixes a 808 tone with boosted clean to form a perfect device to drive amps.

’99 Carvin® Legacy VL-100

Steve Vai’s signature amp that he has been using since 1999. Custom tweaked tone to Steve’s specifications featuring an EL-34 tube output stage. Very smooth for soloing.

‘57 Fender® Tweed Champ®

The Tweed Champ is a straight ahead, growly amp with that is best suited for blues and garage music.The tone is nasely, distorts easy due to the low wattage but cuts through!

‘57 Fender Tweed Deluxe™

One of the most sought after amps ever made, this is a tone you can’t get enough of. This baby shows off its glory when pushed to the limits.

‘59 Fender Tweed Bassman®

This classic really roars with lots of bottom end. Great for blues riffs but equally great for driv- ing rock and roll rhythm guitar parts.

‘62 Fender Brownface Bassman®

From the era of the first tolex covered Fender® amps, this particular amp was used on the clas- sic Hendrix song “Voodoo Child”.

‘65 Fender Blackface Twin Reverb®

The benchmark for twin speaker combos. This great amp is one of the most recognizable clean tone on recordings for the last 40 years.