FOCUS Enhancements FS-2/2E manual Menu Items, Sub-Menu Available, Soft Keys, Record Menu

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FS-2/2E FUNCTIONS

To enter the FS-2/2E MAIN MENU, press the MENU key or soft key 1 (MENU) while in Stop mode. The following MENU SCREEN appears:

RECORD MODE

CONTROL MODE

PLAY MODE

PLAY FROM

EXITSEL

Menu Items

The four line list indicates the currently highlighted menu item. Push soft key 3 (under the symbol) to see more selections. To scroll up through the menu, press SHIFT + soft key 3.

Sub-Menu Available

The symbol at the end of a line indicates a menu item that has a sub-menu available. Press the SEL Soft Key, to display the sub-menu.

Soft Keys

EXIT -- Press EXIT to return to the FS-2/2E MAIN MENU screen.

SEL -- Press SEL to select the current menu item. If a sub-menu is available, it will open.

Scroll Arrow -- The or symbol allows you to scroll up or down through menu items.

Record Menu

The FS-2/2E RECORD MENU allows you to enable different record functions.

Select the mode. by pressing SEL to open the sub menu.

Press EXIT to exit back to the menu screen.

Once you select a particular mode in the Record Mode menu, the FS-2/2E remains in that mode until select a different mode.

Available items in the RECORD MENU are:

NORMAL REC

RETRO DISK RETRO CACHE LOOP RECORD STILL

TIME LAPSE

NOTE: When an inserted or attached HDD is nearly full, in some record sessions, the HDD time remaining may display “001min” remaining. If you press RECORD, the FS-2/2E sometimes displays NO SPACE LEFT. Focus Enhancements advises that when a disk drive is close to being full, you make sure other disk drives are readily available in order to avoid lost footage.

Normal Record

This is the standard and default record mode. When you press REC, the FS-2/2E begins standard recording. Press the REC once to put the FS-2/2E into REC PAUSE mode. Press it again to put the FS-2/2E into RECORD mode.

Press STOP once to pause your recording. To STOP the recording session entirely, press STOP once again. Use the REC button to restart the recording.

Retro Disk

RETRO DISK Record constantly buffers video in a loop to a determined amount of space on the hard- disk drive so that when record is triggered, a retro time period can be added to the beginning of any clip. You can select the RETRO DISK value to close the available disk drive space.

RETRO DISK

HDD AVAIL:

183 MIN

RETRO TIME:

15 MIN

EXIT

Set RETRO TIME by pressing the and buttons. Time is selectable in one minute increments.

FS-2 and FS-2E Studio DTE Disk Recorders User Guide

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Part Number: MANL-0927-03

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Contents FS-2/2E Studio DTE ReleaseContacting Focus Enhancements Office Hours Telephone Fax AddressImportant Safety Instructions Information to UserGrounding or Polarization Part Number MANL-0927-03 Part Number MANL-0927-03 Part Number MANL-0927-03 Table of Contents Introduction Table of Contents Using the FS-2/2E PAL/NTSCTable of Contents Reference Recorder? What is a DTE DiskWhat is the FireStore FS-2/2E?Package Contents Basic ApplicationsReceiving, Unpacking, and Inspecting Installation Site Requirements Mounting in a 19 Electronics RackInserting the Internal 3.5 IDE Drive Using External Disk Drives Physical Features Rear Connection Panel Introduction Setting Up the FS-2/2E Setting the Time and Date Formatting the DriveReplacing the Power Module Fuse ForwardEdit/Utility/Input Buttons Edit Function KeysUtility Function Keys Input Source Selection KeysLCD Menu Soft Keys Transport Control KeysForward Search Key Welcome To FIRESTORE2-E Please WaitLCD Display No Disk Detected MenuTimecode/User Bit Display Mode Volume NumberPlay/Record Status Symbol Record/Play Status IndicatorTimecode or User Bit Value Current Disk VolumeAvailable Space on Volume Folder DisplayFS-2/2E Menus and Functions COMPOSITE, Component Network Setup Audio in Levels TC ModeDISABLE, PAUSE/UNPAUSE, INDEX/NEW FILE, REC Snapshot USER/PASSWORD View IP InfoSoft Keys Menu ItemsSub-Menu Available Record MenuRetro Cache Loop Record StillLocal Control Mode MenuTime Lapse RemoteAV/C Play Mode Menu Track List Play From Mode MenuPlaylist Menu Play ListNew OpenSave EditExitnext Delete ITEM?Insert Item Clip Info HDDHDD Bypass Internal HDDDelete List Record Format Menu Setup MenuSET DATE&TIME OS Version # OS Upgrade PAL/NTSC Exitsel Set Date & TimeOS Upgrade OS Version #Ntsc PAL Exit Upgrade System Firmware Exit YESUpgrade will Erase Current CONTINUE? Exit YES RS422 RemoteComposite Video Component SDI Exitsel TC ModeAudio Input Audio In LevelsDROP/NON Drop Exit SELTC Set TC Delay FS-2E only On Screen DisplayFF/RW Hi Res GPI Port BacklightStop Output Folder Pref Audio CorrectPreferences Analog OutNetwork Setup Dhcp Disabled Not Connected Next USERFS2 Paswdfocus Exit Save NextFTP Telnet WEB Exitsel Video Out Adj Utilities MenuRef Video Compnt LevelOrganize Clip Organize PinnOrganize Organize Keep CLIPS? Exit YES noDelete Clip Format DiskPartition Repair Factory ResetDiagnostic File NameUsing the FS-2/2E Using the FS-2/2EHow to Make a Recording How to PlaybackHow to Put Recorded Clips on a Computer System Mounting FireWire Disk Drives Windows XP, 2000, 98SE and ME Using the FS-2/2E Mounting FireWire Disk Drives Macintosh Dismounting FireWire Disk Drives Macintosh Creating a PlaylistHow to Mark Scenes Disk Connecting the FS-2/2E to a NetworkCounter Menu Disp ShftTechnical Specifications ReferenceComponent Y, Pr, Pb 3 x BNC in, 3 x BNC out Headphone Output 1 x 1/4 TRS jack w/ level control Balanced OutputsSNR RPMShuttle Speed Parameters Supported RS422 CommandsFS-2/2E LCD Display Modes Jog Speed ParametersCustom Commands AutoCOMPONENT-SMPTE Reference Index FS-2 and FS-2E Studio DTE Disk Recorders User Guide FS-2 and FS-2E Studio DTE Disk Recorders User Guide FS-2 and FS-2E Studio DTE Disk Recorders User Guide

FS-2/2E specifications

FOCUS Enhancements FS-2/2E is a comprehensive video monitoring and recording solution designed for professionals in the broadcast and production industries. This advanced device serves as both a video converter and a monitoring tool, providing users with the flexibility and functionality needed for high-quality video workflows.

One of the standout features of the FS-2/2E is its ability to handle a wide range of video formats and resolutions. Supporting both SD and HD formats, including 1080i and 720p, the FS-2/2E ensures compatibility with various production environments. Additionally, it supports multiple input sources, including composite, component, and SDI connections, allowing for seamless integration with different video equipment.

The FS-2 model comes equipped with a powerful processing engine, which provides real-time up-conversion and down-conversion capabilities. This technology is crucial for ensuring that video content maintains the highest quality regardless of the output format or equipment used. The FS-2E variant further enhances this functionality, offering additional features tailored for more specialized applications.

One of the key characteristics of the FS-2/2E is its robust frame-rate conversion. This feature is indispensable when dealing with projects that require a smooth and consistent playback experience across varying source formats. The unit can automatically adjust frame rates, significantly enhancing the viewing experience while minimizing artifacts commonly associated with conversion processes.

In addition to these technical capabilities, the FS-2/2E also boasts a user-friendly interface. Its intuitive controls allow operators to easily navigate settings and adjustments, making it accessible for both seasoned professionals and newcomers to the industry. This ease of use is complemented by comprehensive monitoring options, including waveform and vector scope displays, which provide vital feedback for video quality management.

Another noteworthy aspect of the FS-2/2E is its rugged and portable design. Built to withstand the demands of on-location production, the unit is compact yet durable, making it an ideal companion for video professionals working in the field. With its combination of high functionality, versatile format support, and user-centered design, the FOCUS Enhancements FS-2/2E continues to be a valuable asset for anyone involved in video production and broadcasting.
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