Canon XL1 3CCD manual Sound, Rifle Mic

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SOUND

The audio pathway between the camera and its various input/output devices is as follows:

input

ÎMic Æ XLR cable Æ shure mixer Æ

Îoutput device (camera)

output

In Æ

camera

 

Æout (cans)

There are four different types of mic which we will use:

1.Stereo mic (this is the mic fitted to the front of the camera)

2.Rifle mic

3.Lapel

4.Sennheiser hand‐held mic

Rifle Mic

A rifle mic is directional and so named because of its shape. A rifle mic is best used in situations where there is background noise and one wants to focus on one specific sound.

To get optimum sound it is good to use the rifle mic in conjunction with the shure mixer, in the following way:

camera

Shure mixer

Rifle mic

A green cable runs between the camera and the shure mixer and a yellow cable runs between the mixer and the rifle mic.

The headphones then plug into the headphone jack of the shure mixer (use the big jack and not the small one as it is more reliable)

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Contents How it works FeaturesCool stuff to play with and use Page Tips & Terminology Depth of Field Focus Composition Tip Video Audio Control HardwareRCA XLR Audio Paths Video PathsRifle Mic SoundMaking the Mic Stereo Shure MixerDigital Audio Recording XL1 Audio GuideDigital audio modes on the XL1 Digital FeaturesProcedure Lighting Page NEW Terms Tips Video Compression CompressionDVD Formats Features of CompressionInternet Formats FundamentalsMobile Devices Human SensesTypes of Compression HOW Compression WorksColour Modes Frame Types and CompressionColour Depths Colour Sampling Sample Used Sufficient for Audio CompressionBIT Depth DVD, DATChannels Page Page Signal Formats and Cables Page ANALOG‐TO‐DV Converters Digital formats Choosing the right capture codec Exporting video Understanding preprocessing Deinterlacing video Scaling Encoding Page Adjusting the frame rate Negotiating Frame Dropping Choosing a compression format Windows media players Windows media audio Wma codecs RealMedia Video Codecs PNG IMA Extras