Canon XL1 3CCD manual How it works, Features

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Camera

The Canon XL1 3CCD Digital Video

Camcorder

The Canon XL1 camera was the most advanced camera when it was released in the early 1990s. Since then it has been overtaken by other cameras but still performs well because of its various modes. The beauty of this camera is the ease with which variables can be manipulated. Cameras before the XL1 did not allow this level of manipulation of functionality and as such this camera is extremely useful for the television journalist.

How it works

Basically the Canon camcorder records in a string of alternating lines. This refers to its resolutions which is 530 horizontal lines

Features

The beauty of the Canon is its interchangeable lens system: this means that you can change from a normal lens, to a wide angle lens, or even to a lens from a normal camera. By so doing you can choose the lens which best suits your situation. The wide angle lens is best used for establishing shots while the normal lens will be used most of the time.

The Canon XL1 has a Super Range Optical Image Stabiliser which is an advancement on previous stabilisers. This can be done by sliding the small switch on the left of the camera and is useful for shots where there may be vibration. It is however useful to turn off the stabiliser when you specifically want a shaky shot (such as in our sequence).

The view‐finder is advanced in that you can use either your left or right eye and it is quite open to repositioning. The viewfinder consists just of an eye‐piece however, and does not have the handy pull‐out screen of the Panasonic. This takes some getting used to but the picture in the eye‐piece can be adjusted.

The Canon XL1 has an optical 16X zoom lens which is highly sensitive

The Canon XL1 has 3 shooting modes:

1.NORMAL Æ this is the most commonly used mode and is good for movement

2.DIGITAL Æ this allows you to take still images

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Contents How it works FeaturesCool stuff to play with and use Page Tips & Terminology Depth of Field Focus Composition Tip Video Audio Control HardwareRCA XLR Audio Paths Video PathsRifle Mic SoundMaking the Mic Stereo Shure MixerDigital Audio Recording XL1 Audio GuideDigital audio modes on the XL1 Digital FeaturesProcedure Lighting Page NEW Terms Tips Video Compression CompressionDVD Formats Features of CompressionInternet Formats FundamentalsMobile Devices Human SensesTypes of Compression HOW Compression WorksColour Modes Frame Types and CompressionColour Depths Colour Sampling Sample Used Sufficient for Audio CompressionBIT Depth DVD, DATChannels Page Page Signal Formats and Cables Page ANALOG‐TO‐DV Converters Digital formats Choosing the right capture codec Exporting video Understanding preprocessing Deinterlacing video Scaling Encoding Page Adjusting the frame rate Negotiating Frame Dropping Choosing a compression format Windows media players Windows media audio Wma codecs RealMedia Video Codecs PNG IMA Extras