Canon XL1 3CCD manual Choosing a compression format

Page 47

Also, because the file is copied to users’ computers, they can pass the file among themselves, thereby reducing your bandwidth cost per viewer.

The drawback is that users can’t view any portion of the file until the download is complete.

ÆProgressive download files

During progressive download, a file is transmitted through standard web protocols such as FTP (File Transfer Protocol) or HTTP (HyperText Transfer Protocol), but users can view the part that has already been transmitted while the remainder is still downloading.

This format allows the clip to finish downloading while it is playing.

Not affected by the video and audio glitches associated with real‐time streaming. ‐ However, progressive download can’t provide reliable real‐time performance.

[the whole buffering thing]

Progressive download is the easiest, cheapest, and most forgiving type of web video to author and deploy.

ÆReal‐time streaming.

Offers the traditional experience of seeing the video after only a few seconds of buffering, but it risks image glitches, poor quality, and limiting the data rate to the bandwidth available to the client at the time of viewing.

But provides real‐time performance and random access to different parts of the file.

Choosing a compression format

Depending on the project, picking the correct format can be an easy or a difficult decision.

After you choose a format, you need to determine the versions of players that support the format.

Questions to ask when choosing a format:

Features

User base

Platforms

Windows media format

Image 47
Contents How it works FeaturesCool stuff to play with and use Page Tips & Terminology Depth of Field Focus Composition Tip Video Audio Control HardwareRCA XLR Audio Paths Video PathsRifle Mic SoundMaking the Mic Stereo Shure MixerDigital Audio Recording XL1 Audio GuideDigital audio modes on the XL1 Digital FeaturesProcedure Lighting Page NEW Terms Tips Video Compression CompressionDVD Formats Features of CompressionHuman Senses FundamentalsInternet Formats Mobile DevicesTypes of Compression HOW Compression WorksColour Modes Frame Types and CompressionColour Depths Colour Sampling Sample Used Sufficient for Audio CompressionBIT Depth DVD, DATChannels Page Page Signal Formats and Cables Page ANALOG‐TO‐DV Converters Digital formats Choosing the right capture codec Exporting video Understanding preprocessing Deinterlacing video Scaling Encoding Page Adjusting the frame rate Negotiating Frame Dropping Choosing a compression format Windows media players Windows media audio Wma codecs RealMedia Video Codecs PNG IMA Extras