Canon XL1 3CCD manual

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Sensor: This is for use with the remote control and allows you to control the camera remotely…very useful if you are shooting on your own

Tally lamp: this is a tricksy little button which allows you to turn off the red button at the front of the camera that shows its recording so that whoever you’re filming cannot see it. This can be used to your advantage

The Mic attenuator (Mic Att on the camera) is used to either pump up or down certain sounds depending on what you want to come out. This is called ‘pumping’. It’s very good for doing a standupper or reporting from loud areas, such as warzones

In record mode there’s also long play and short play options. Basically what this does is allow you to lengthen your tape. This decision must always be made at the beginning of a shoot though because if you switch halfway through your tape will be useless. Short play is the normal mode and gives you the best quality. It isn’t advisable to use long play but in situations where you may only have one tape the long play setting can increase your tape capacity by one‐third. This does however lower the resolution.

A/F = Auto Focus: if you’re in manual this will auto focus for you.

N/D Filter = Neutral Density Filter: this automatically chops down how much light the iris accepts through the lens; it decides itself when it needs to be used (the sun light will flash to tell you).

Spotlight: This is useful for shooting in situations where you are shooting a spotlight. By using this you can shoot whatever is under the spotlight and this will smooth out the potential over‐ contrast.

Picture Search: This is a useful little tool to check out your last shots

Audio Monitor Switch: This allows a readout on the VU reader which tells you if you’re over‐ modulating, etc.

W/B is supposed to override the Auto setting

White balance: this allows you to set the whites in your recording. There are three settings which can be changed with a round dial which you push in to select.

On the left is the lightbulb switchy which is really useful for indoor light

Then there’s the sunlight switch which is useful outdoors

The last switch is negotiable

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Contents How it works FeaturesCool stuff to play with and use Page Tips & Terminology Depth of Field Focus Composition Tip Video Audio Control HardwareRCA XLR Audio Paths Video PathsRifle Mic SoundMaking the Mic Stereo Shure MixerDigital Audio Recording XL1 Audio GuideDigital audio modes on the XL1 Digital FeaturesProcedure Lighting Page NEW Terms Tips Video Compression CompressionDVD Formats Features of CompressionHuman Senses FundamentalsInternet Formats Mobile DevicesTypes of Compression HOW Compression WorksColour Modes Frame Types and CompressionColour Depths Colour Sampling Sample Used Sufficient for Audio CompressionBIT Depth DVD, DATChannels Page Page Signal Formats and Cables Page ANALOG‐TO‐DV Converters Digital formats Choosing the right capture codec Exporting video Understanding preprocessing Deinterlacing video Scaling Encoding Page Adjusting the frame rate Negotiating Frame Dropping Choosing a compression format Windows media players Windows media audio Wma codecs RealMedia Video Codecs PNG IMA Extras