Canon XL1 3CCD manual HOW Compression Works, Types of Compression

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HOW COMPRESSION WORKS

Fundamentally, compression works by summarizing a sequence of images and sounds as efficiently as possible. Video that has been compressed doesn’t provide an identical representation of the source file back to the user—the data rates would be far too high.

Instead, the encoded files describe the important details of the content as tersely as possible while still providing a reproduction that, to the human sensory system, provides the experience of the original as accurately as possible.

A matched pair of a compressor and a decompressor, better known as a codec, performs the compression.

ÆA compressor is part of the encoding process, reducing the amount of data required to store the video.

ÆA decompressor works on the receiving end, decoding the compressed data so that it can be presented to the viewer.

It’s important that the pair be matched because the decoder (decompressor) needs to understand the encoder’s (compressor’s) summary of the data.

TYPES OF COMPRESSION

Video codecs can use spatial compression, temporal compression, or a combination of both.

Spatial Compression

ÆIntraframe

ÆAffects only a single frame at a time

ÆMakes random access to any point in the video and editing easy

ÆFinds redundancy within a frame (eg. similar colours or areas that look like other areas) and encodes these similar areas by reference, rather than by a literal description for each and every pixel

ÆBased on Discrete Cosine Transformation (DCT) technique which are good with smooth gradations, but struggle with random details or sharp edges at lower bit rates Æ can cause visible degredation of the image = artifacts, ‐‐ such as ringing (halo or smudge) and blocking (smooth edges become blocky)

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Contents How it works FeaturesCool stuff to play with and use Page Tips & Terminology Depth of Field Focus Composition Tip Video Audio Control HardwareRCA XLR Audio Paths Video PathsRifle Mic SoundMaking the Mic Stereo Shure MixerDigital Audio Recording XL1 Audio GuideDigital audio modes on the XL1 Digital FeaturesProcedure Lighting Page NEW Terms Tips Video Compression CompressionDVD Formats Features of CompressionInternet Formats FundamentalsMobile Devices Human SensesTypes of Compression HOW Compression WorksColour Modes Frame Types and CompressionColour Depths Colour Sampling Sample Used Sufficient for Audio CompressionBIT Depth DVD, DATChannels Page Page Signal Formats and Cables Page ANALOG‐TO‐DV Converters Digital formats Choosing the right capture codec Exporting video Understanding preprocessing Deinterlacing video Scaling Encoding Page Adjusting the frame rate Negotiating Frame Dropping Choosing a compression format Windows media players Windows media audio Wma codecs RealMedia Video Codecs PNG IMA Extras