Canon XL1 3CCD manual Fundamentals, Internet Formats, Mobile Devices, Human Senses

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Can be either NTSC or PAL CD‐ROM FORMATS

Not so popular anymore because of the web

Higher bandwidth than web video

Capable of DVD quality on fast computers

INTERNET FORMATS

Less bandwidth so every bit of data has to count

Web video can use either real‐time streaming mode or progressive‐download mode

Real‐time requires specialised streaming server software and are limited in quality by the bandwidth available between the server and the end user.

Progressive‐download files load from standard web servers, and may take a long time to download, but may also provide higher and more reliable video and audio quality.

MOBILE DEVICES

These devices have small screens and slow processors, even compared to a laptop computer, but the ability to play video back on extremely small and lightweight devices can have great value.

Most compressed video formats can be played on some mobile devices, including Adobe® Flash® Video, MPEG‐4, Microsoft® Windows Media, and RealMedia. Dedicated mobile formats, like Kinoma, are also available.

There are no universal formats or settings for mobile devices. Instead, content has to be optimized for a small class of devices or even a particular model. When the optimization is successful, the results can be great.

The Fundamentals

HUMAN SENSES

Limitations in our senses of sight and hearing make compression possible

Compression technologies take advantage of the strengths and weaknesses of human senses by reducing data that isn’t likely to be perceived.

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Contents Features How it worksCool stuff to play with and use Page Tips & Terminology Depth of Field Focus Composition Tip Hardware Video Audio ControlRCA XLR Video Paths Audio PathsSound Rifle MicShure Mixer Making the Mic StereoXL1 Audio Guide Digital Audio RecordingDigital Features Digital audio modes on the XL1Procedure Lighting Page NEW Terms Tips Compression Video CompressionFeatures of Compression DVD FormatsFundamentals Internet FormatsMobile Devices Human SensesHOW Compression Works Types of CompressionFrame Types and Compression Colour ModesColour Depths Colour Sampling Audio Compression Sample Used Sufficient forDVD, DAT BIT DepthChannels Page Page Signal Formats and Cables Page ANALOG‐TO‐DV Converters Digital formats Choosing the right capture codec Exporting video Understanding preprocessing Deinterlacing video Scaling Encoding Page Adjusting the frame rate Negotiating Frame Dropping Choosing a compression format Windows media players Windows media audio Wma codecs RealMedia Video Codecs PNG IMA Extras