Canon XL1 3CCD manual

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Generally understood to be the lowest quality video signal that you can use and is more appropriate for video delivery (broadcast) than as a source for content creation (video editing, DVD authoring, or encoding for the web).

The connectors common to composite video are RCA or Cinch for consumer equipment and BNC (Bayonet Neill‐Concelman.

As the quality of the RCA or BNC cable that is used increases, the noise and attenuation decreases.

• S‐Video:

Major advance in quality for consumer and professional video editors.

S‐Video splits the luma and chroma channels into two separate wire pairs, which eliminates generally half of the composite noise artifacts. The two chroma channels are still combined and still interfere with each other, leaving some noise in the signal.

While no longer considered true professional grade, it is a big improvement from composite and can be considered a good video capture minimum standard for editing and compression.

Mostly use a specific four‐pin connector on S‐Video cables. These cables are intended for short distances (usually 100 feet or less). Some types of professional and broadcast equipment use two BNC cables, one for luma and one for chroma, to carry S‐Video signals. This setup provides a connection that can be run farther and that can be locked into place to prevent the cable from falling out and losing the signal.

• Component analog:

Also known as YUV (Y for luminance, U for one chroma channel, and V for the other chroma channel) was the professional and broadcast standard for many years and it is still widely used today.

The luminance signal and the two color signals are all transmitted over their own dedicated cables. Because all three components or channels of the video signal are transmitted independently, the quality of the signal is quite high. Noise is very low and the colors in the video are richer and more precise.

In broadcast and professional environments, component analog has mostly yielded to digital video formats.

Component analog has become very popular in the consumer market, though,

as the preferred format for connecting home DVD players to new television sets

In professional environments, the component analog signals are carried by three individual BNC cables because of their ability to accommodate long runs and locking connections. In the new home

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Contents How it works FeaturesCool stuff to play with and use Page Tips & Terminology Depth of Field Focus Composition Tip Video Audio Control HardwareRCA XLR Audio Paths Video PathsRifle Mic SoundMaking the Mic Stereo Shure MixerDigital Audio Recording XL1 Audio GuideDigital audio modes on the XL1 Digital FeaturesProcedure Lighting Page NEW Terms Tips Video Compression CompressionDVD Formats Features of CompressionHuman Senses FundamentalsInternet Formats Mobile DevicesTypes of Compression HOW Compression WorksColour Modes Frame Types and CompressionColour Depths Colour Sampling Sample Used Sufficient for Audio CompressionBIT Depth DVD, DATChannels Page Page Signal Formats and Cables Page ANALOG‐TO‐DV Converters Digital formats Choosing the right capture codec Exporting video Understanding preprocessing Deinterlacing video Scaling Encoding Page Adjusting the frame rate Negotiating Frame Dropping Choosing a compression format Windows media players Windows media audio Wma codecs RealMedia Video Codecs PNG IMA Extras