Millennium Enterprises Integrated Modeling Amplifier manual T C H, Chorus

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Johnson Millennium

Section - 4 Editing Modules

The Dual Chorus creates two different pitch “voices”, while the Octal Chorus creates eight voices for extremely full, rich sounds .

P I T C H

10 -5 cents 0 5 cents 10

 

 

1 sec

2 sec

3 sec

T

I

M

E

 

Modulated Sound

 

Original Sound

 

Figure 4-1 Modulation Example

The only difference between choruses and flangers is that flangers use less delay and have a feedback parameter that sends a portion of the effected signal back to the input of the module. When the effected signal reaches the input, it is sent through the module again, building thickness and depth. If you increase the feedback enough, the source begins to lose its own original pitch to the dramatic pitch modulation of the feedback loop.

LFO Waveforms: There are four LFO waveforms available for Choruses, Flangers, Phasers, Tremolos, Auto Panners. They include SINe, TRIangle, SPecial-1, SPecial-2, and SPecial-3. See figure 4-2 for examples of what these waveforms look like.

(DEPTH)AMPLITUDE FREQUENCY (SPEED)

SINE LFO

Chorus

AMPLITUDE (DEPTH)

FREQUENCY (SPEED)

AMPLITUDE (DEPTH)

FREQUENCY (SPEED)

AMPLITUDE (DEPTH)

 

 

 

TRIANGLE LFO

SP1 LFO

Figure 4-2 LFO Types

FREQUENCY (SPEED)

SP2 LFO

(DEPTH)AMPLITUDE FREQUENCY (SPEED)

SP3 LFO

(Modifiers only)

Chorus is probably the most basic modulation effect. It is really just a very small delay whose time is always changing. As the time is varied, the delayed signal's pitch changes (just like a tape recordings' pitch raises when you play it faster). By moving the time back and forth, you hear a sound that goes in and out of tune. When combined with the original sound, it almost sounds like more than one instrument is playing. The Millennium uses several choruses at once to make huge rich sounds. For example, the octal chorus uses eight chorus voices at once to create an incredible ensemble of sound. Aside from the more obvious speed and depth parameters (which adjust respectively how fast and far the sound goes out of tune), the Millennium allows you to use different waveforms. The waveform defines how it will move in and out of tune. The triangle waveform is very popular for slow, shallow chorus settings, while the sine waveform works nicely for faster, deeper settings.

User Guide

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Contents User’s Guide Mains Plug Warning 8760 S. Sandy Parkway Manufacturer’s NameSandy, Utah 84070, USA Product NameQuick Start Table of Contents Amplifier Section Editing Modules Advanced TopicsMidi Functions Digital Effects SectionAppendix Using the Johnson Amplification J-12 Foot ControllerUser Guide Congratulations IntroductionUser Guide Front Panel Quick Tour of the Millennium Two-Fifty100 User Guide F FX Library Buttons Fuse- 100, 120 VAC 6 Amp fuse is inserted here Rear PanelLoop Send Jack This is the effects loop send jack American Stack Dual Rectifier, Boogie MK II, Soldano SLO Amplifier Model TypesEffects include Programmable Mono FX Loop Basic SpecificationsJohnson Amplification J-12 foot controller Foot Controller CompatibilityModule Sizes Module TypesMaking Connections Setting UpXLR Cabinet Emulation functions To exit this mode, simply press the Preset buttonFX Edit Mode Preset ModeUtility Mode Assign ModeGain Adjustments Input and Master Output AdjustmentsEQ and Preset Level Getting SoundsAmplifier Model and Channel Selection Wet/Dry Mix Adjustments Global or LocalAmplifier Contour Control Digital FX Quick Adjust Knobs Using the Tuner Selecting a PresetUtility Menu Tuner Mode Press the Utility button once. The display readsInstant Tuner Access Johnson Amplification J-12 Tuner ModePress the any button to exit the Tuner mode Reference and OutputNaming the Preset Naming and Storing PresetsAfter which you are taken to the preset you have just stored Storing the PresetPreset Editing Sections Editing a PresetIntegrated Amplifier Model Editing Integrated Amplifier Model SelectionBgain LVL Adig LVL Analog Wah EditingAvail Link for Pedal 1 OFF Noise Gate EditingTo exit Noise gate edit mode, press the Preset button Selecting Effect Configuration RoutesAdjusting the Module’s Parameters Selecting a DefaultCustom Defaults Changing Effect ModulesComparing Original Pst Comparing ChangesNaming the Default Storing/Naming DefaultsEditing a Module Storing the DefaultOutput Module Functions Scrolling through a Module’s PagesEffect Name Digital Effect Module Size and TypeChoruses Default ListAnalog Wah Effects LibraryAmplifier Types Analog Wah ParametersNoise Gate Parameters Noise GateReverbs Digital EffectsReverb Stereo Reverb a true stereo version of the Reverb ModuleReverb Parameters Gated ReverbOver Freq Over TypeLow Pass TimeChoruses and Flangers Chorus T C HChorus Parameters Flanger Parameters FlangerPhaser Parameters PhasersMode Rotary Speaker SimulatorLevel OverTremolo Tremolo and Auto-PannerAuto Panner Tremolo & Auto Panner ParametersPitch Shifters Parameters Pitch Shifters and HarmonyDetuners Detuner Parameters DelaysDtn E -H Dly Time Delay ParametersTapIt SmearCompressor Parameters CompressorGraphic Equalizers EqualizersGraphic Equalizer Parameters Parametric Equalizers Multi Effects Modules Chorus/Delay and Flange/DelayParametric Equalizer Parameters Multi-Effect Module Parameters Whammy EffectsWhammy Effect Parameters Auto WahAuto Wah Effect Parameters Midi CCs Assigning ModifiersDynamic Modifiers LFOsLinking a Parameter to a Modifier External Expression PedalsSetting up a Dynamic Modifier Setting up an LFOAmplifier Morphing Morphing Pedal AssignmentsMorphing Between Effect Modules Volume Pedal AssignmentsVol Pdl Morph Pdl Preset Receive Map Setting the Midi ChannelsMidi Functions Midi MergingSysEx Device Channel Preset Transmit MapSysex Dumps After which it returns to the Preset dump screenSysEx Dump Bulk System After which it returns to the User default screenOther Utility Functions Factory ResetGlobal vs. Local XLR Cabinet Emulation Footswitch Set-Up Output Mode and Speaker Cabinet Voicing SelectionsConnecting the Johnson Amplification J-12 Foot Controller Configuring the PedalboardExpression Pedal Names Press the Preset button to exit Assigning Presets to FootswitchesAssigning Functions Gain Exp 1 Min 56Max Assigning Parameters to Footswitches/ Expression PedalsJ12FCBank FS=Tog CCTran Other Footswitch FunctionsAssigning Midi Control to the Expression Pedals 12 will appear like this When connected. The display now readsTurn Page knob to page 3 and the display will read Momentary Footswitch AssignmentUsing the Tuner Bank Up/ Tuner and Bank Down / Bypass FootswitchesOther Pedalboard Tidbits Naming BanksWill now read Un-Linking or Viewing Parameter ControlBank 2 Fender Bank 1 TopBank 4 Vox MatchlessBank 13 Country Bank 19 Morph Bank 12 Alternative Bank 18 DynamicsBank 14 Vintage StudioBank 3 Boogie/Soldano Millennium Preset DescriptionsBank 6 Marshall Bank 5 MatchlessBank 8 Signature Bank 13 Country Bank 12 AlternativeBank 16 Jazz/Fusion Bank 15 StudioBank 18 Dynamics ConfigStereo 2,2 ConfigParall 4,4,2 ConfigMonoSplit 4,4,4,4 Effect Configuration ChartHarmony Interval Charts Power Requirements Power Amp SectionAudio Outputs Audio InputsRemarks Midi Implementation ChartMidi Basics System Exclusive ImplementationJohnson Amplification General Format ProceduresSyshead 48h, dd1st1 dd1st2, ... ddnth1, ddnth2, F7h Ddn SYSHEAD, 49h, F7hSYSHEAD, 11h, F7h Tt = Vv = Software version number Rr =Syshead 17h, aa1, aa2,bbs1, bbs2, F7h BbsModules User requested Number of ModulesIndicates the beginning of the xth Module Number of available parameters in the FX ModuleSYSHEAD, 54h, cc, F7h 02h Effect Module 03h 04h Whole Effect ModuleSYSHEAD, 22h, F7h SYSHEAD, 21h, F7hSYSHEAD, 13h, yy1, yy2, zz1, zz2 F7h Yy= effect ID #Key Label Hex equivalent SysEx Button/Keys/Footswitch codesFX Module Count for Module Types 00 FX Module Class Type SysEx Preset Dump ExampleFx Module codes and numbers PEQ 100 101 102 103 104 105 106 107