Millennium Enterprises Integrated Modeling Amplifier manual Choruses and Flangers

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Sets the length of time before hearing Delay Group A. Ranges from 0 to 120 milliseconds.
Sets the length of time before hearing Delay Group A and Delay Group B. Ranges from 0 to 120 milliseconds.
Sets the length of time before hearing Delay Group B and Delay Group C. Ranges from 0 to 120 milliseconds.
Sets the length of time before hearing Delay Group C and Delay Group D. Ranges from 0 to 120 milliseconds.
Controls the output level of the Delay Groups. Ranges from Off to 100%.
Controls the left/right balance of the Delay Groups. Ranges from -99 to 99.
Selects the shape of the output levels for the delay group taps. Shape selections are: Flat, Peak, Decreasing, Increasing, Shelf, and Reverse Shelf.
Controls the width of the effect’s stereo imaging. Ranges from 1 to 10.
Sets the amount of time before the delay is fedback in. Ranges from 0 to 170 ms.
Sets how much delay is fedback into the signal. Ranges from Off to 50%.
Adjusts the overall level of the left/right side of the reverb. Ranges from Off to 100%.
Adjusts the overall level of the left side of the Primary reverb. Ranges from Off to 100%.
Adjusts the overall level of the right side of the Primary reverb. Ranges from Off to 100%.
Adjusts the overall level of left side of the Secondary reverb. Ranges from Off to 100%.
Adjusts the overall level of the right side of the Secondary reverb. Ranges from Off to 100%.

Section - 4 Editing Modules

Johnson Millennium

Note: The following Delay parameters that are utilized within the Reverb section are to be used in the Room Echo reverb module.

Delay A

Delay B

Delay C

Delay D

Out A - D

Bal A - D

Shape

Spread

FB: Dly

Amount

Out L - R

Prim Out L

Prim Out R

Secd Out L

Secd Out R

Choruses and Flangers

Both choruses and flangers use a Low Frequency Oscillator (LFO) to produce their rich, swirling effects. When you change the speed and depth Parameters of modulation effects, you're actually controlling the frequency and amplitude of the LFO. These settings determine the rate and intensity of the modulation effect.

In general, here's how a chorus works: after entering the module, the source signal is split into two paths. One is allowed to pass through the Module unaltered, while the other is delayed and pitch modulated with an LFO. The modified sound is then sent to the output, along with the original. In Fig. 4-1 below, a sine wave is used to modulate the pitch of the split sound source.

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User Guide

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Contents User’s Guide Mains Plug Warning Manufacturer’s Name 8760 S. Sandy ParkwaySandy, Utah 84070, USA Product NameQuick Start Table of Contents Editing Modules Advanced Topics Amplifier SectionMidi Functions Digital Effects SectionUsing the Johnson Amplification J-12 Foot Controller AppendixUser Guide Introduction CongratulationsUser Guide Quick Tour of the Millennium Two-Fifty Front Panel100 User Guide F FX Library Buttons Rear Panel Fuse- 100, 120 VAC 6 Amp fuse is inserted hereLoop Send Jack This is the effects loop send jack Amplifier Model Types American Stack Dual Rectifier, Boogie MK II, Soldano SLOEffects include Basic Specifications Programmable Mono FX LoopFoot Controller Compatibility Johnson Amplification J-12 foot controllerModule Types Module SizesSetting Up Making ConnectionsTo exit this mode, simply press the Preset button XLR Cabinet Emulation functionsPreset Mode FX Edit ModeUtility Mode Assign ModeInput and Master Output Adjustments Gain AdjustmentsEQ and Preset Level Getting SoundsWet/Dry Mix Adjustments Global or Local Amplifier Model and Channel SelectionAmplifier Contour Control Digital FX Quick Adjust Knobs Selecting a Preset Using the TunerUtility Menu Tuner Mode Press the Utility button once. The display readsJohnson Amplification J-12 Tuner Mode Instant Tuner AccessPress the any button to exit the Tuner mode Reference and OutputNaming and Storing Presets Naming the PresetStoring the Preset After which you are taken to the preset you have just storedEditing a Preset Preset Editing SectionsIntegrated Amplifier Model Editing Integrated Amplifier Model SelectionBgain LVL Analog Wah Editing Adig LVLNoise Gate Editing Avail Link for Pedal 1 OFFSelecting Effect Configuration Routes To exit Noise gate edit mode, press the Preset buttonSelecting a Default Adjusting the Module’s ParametersCustom Defaults Changing Effect ModulesComparing Changes Comparing Original PstStoring/Naming Defaults Naming the DefaultStoring the Default Editing a ModuleScrolling through a Module’s Pages Output Module FunctionsDigital Effect Module Size and Type Effect NameDefault List ChorusesEffects Library Analog WahAmplifier Types Analog Wah ParametersNoise Gate Noise Gate ParametersDigital Effects ReverbsReverb Stereo Reverb a true stereo version of the Reverb ModuleGated Reverb Reverb ParametersOver Type Over FreqLow Pass TimeChoruses and Flangers T C H ChorusChorus Parameters Flanger Flanger ParametersPhasers Phaser ParametersRotary Speaker Simulator ModeLevel OverTremolo and Auto-Panner TremoloAuto Panner Tremolo & Auto Panner ParametersPitch Shifters and Harmony Pitch Shifters ParametersDetuners Delays Detuner ParametersDtn E -H Delay Parameters Dly TimeTapIt SmearCompressor Compressor ParametersEqualizers Graphic EqualizersGraphic Equalizer Parameters Multi Effects Modules Chorus/Delay and Flange/Delay Parametric EqualizersParametric Equalizer Parameters Whammy Effects Multi-Effect Module ParametersAuto Wah Whammy Effect ParametersAuto Wah Effect Parameters Assigning Modifiers Midi CCsDynamic Modifiers LFOsExternal Expression Pedals Linking a Parameter to a ModifierSetting up an LFO Setting up a Dynamic ModifierMorphing Pedal Assignments Amplifier MorphingVolume Pedal Assignments Morphing Between Effect ModulesVol Pdl Morph Pdl Setting the Midi Channels Preset Receive MapMidi Functions Midi MergingPreset Transmit Map SysEx Device ChannelAfter which it returns to the Preset dump screen Sysex DumpsAfter which it returns to the User default screen SysEx Dump Bulk SystemFactory Reset Other Utility FunctionsGlobal vs. Local XLR Cabinet Emulation Output Mode and Speaker Cabinet Voicing Selections Footswitch Set-UpConfiguring the Pedalboard Connecting the Johnson Amplification J-12 Foot ControllerExpression Pedal Names Assigning Presets to Footswitches Press the Preset button to exitAssigning Functions Assigning Parameters to Footswitches/ Expression Pedals Gain Exp 1 Min 56MaxOther Footswitch Functions J12FCBank FS=Tog CCTranAssigning Midi Control to the Expression Pedals When connected. The display now reads 12 will appear like thisMomentary Footswitch Assignment Turn Page knob to page 3 and the display will readBank Up/ Tuner and Bank Down / Bypass Footswitches Using the TunerOther Pedalboard Tidbits Naming BanksUn-Linking or Viewing Parameter Control Will now readBank 1 Top Bank 2 FenderBank 4 Vox MatchlessBank 12 Alternative Bank 18 Dynamics Bank 13 Country Bank 19 MorphBank 14 Vintage StudioMillennium Preset Descriptions Bank 3 Boogie/SoldanoBank 5 Matchless Bank 6 MarshallBank 8 Signature Bank 12 Alternative Bank 13 CountryBank 15 Studio Bank 16 Jazz/FusionBank 18 Dynamics Effect Configuration Chart ConfigStereo 2,2 ConfigParall 4,4,2 ConfigMonoSplit 4,4,4,4Harmony Interval Charts Power Amp Section Power RequirementsAudio Outputs Audio InputsMidi Implementation Chart RemarksSystem Exclusive Implementation Midi BasicsJohnson Amplification Procedures General FormatSYSHEAD, 49h, F7h Syshead 48h, dd1st1 dd1st2, ... ddnth1, ddnth2, F7h DdnSYSHEAD, 11h, F7h Vv = Software version number Rr = Tt =Syshead 17h, aa1, aa2,bbs1, bbs2, F7h BbsNumber of Modules Modules User requestedIndicates the beginning of the xth Module Number of available parameters in the FX Module02h Effect Module 03h 04h Whole Effect Module SYSHEAD, 54h, cc, F7hSYSHEAD, 21h, F7h SYSHEAD, 22h, F7hSYSHEAD, 13h, yy1, yy2, zz1, zz2 F7h Yy= effect ID #SysEx Button/Keys/Footswitch codes Key Label Hex equivalentSysEx Preset Dump Example FX Module Count for Module Types 00 FX Module Class TypeFx Module codes and numbers PEQ 100 101 102 103 104 105 106 107
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