Millennium Enterprises Integrated Modeling Amplifier manual Detuners

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Section - 4 Editing Modules

Johnson Millennium

Shft E - H

See Shift A - B.

Dtn E - H

See Dtn A - B.

Key

Sets the diatonic key for the harmonies. If the song you are playing is in the key of G Major, you would select G for

 

the scale.

Scale

Sets the scale type for the Harmony you want to hear. Scale types include: Major, Minor, Harmonic Minor, Melodic

 

Minor. Dorian, Mixolydian, Lydian, Lydian Augmented, Major Pentatonic, Minor Pentatonic, Blues, Whole Tone, Half-

 

Whole,and Whole-Half.

Interval

Sets the basic interval of the Harmony. You can choose from one of several Harmony intervals. See the Harmony

 

Interval Charts for reference.

Out A - B

Adjusts the overall level of pitch-shifted voice A or B. Ranges from Off to 100%.

Pan A - B

Controls the placement of pitch-shifted voice A or B in the stereo image. Ranges from -99 (all left) to 99 (all right).

Out C - D

Adjusts the overall level of pitch-shifted voice C or D. Ranges from Off to 100%.

Pan C - D

Controls the placement of pitch-shifted voice C or D in the stereo image. Ranges from -99 (all left) to 99 (all right).

Out E - H

Adjusts the overall level of pitch-shifted voice E through H. Ranges from Off to 100%.

Pan E - H

Controls the placement of pitch-shifted voice E through H in the stereo image. Ranges from -99 (all left) to 99 (all

 

right).

Out L - R

Adjusts the left or right output level of the pitch-shifted voice. Ranges from Off to 100%.

Out LA - LA

Adjusts the left-side level of pitch-shifted voice A or B. Ranges from Off to 100%.

Out RA - RB

Adjusts the right-side level of pitch-shifted voice A or B. Ranges from Off to 100%.

Spread

Controls the width of the effect’s stereo imaging. The higher the setting, the wider the image The lower the setting,

 

the more monophonic the effect becomes. Ranges from 1 to 10.

Detuners

The detuner effect does exactly what its name implies; it detunes a sound (moves it out of tune) and allows you to add it to the original sound. The result can be almost chorus-like, but it doesn't move like the chorus effect does. This actually makes the detuner more transparent and not quite as thick as the chorus effect, which in many applications is a good thing (since effects can quickly pile up and clog up great sounding audio).

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User Guide

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Contents User’s Guide Mains Plug Warning Manufacturer’s Name 8760 S. Sandy ParkwaySandy, Utah 84070, USA Product NameQuick Start Table of Contents Editing Modules Advanced Topics Amplifier SectionMidi Functions Digital Effects SectionUsing the Johnson Amplification J-12 Foot Controller AppendixUser Guide Introduction CongratulationsUser Guide Quick Tour of the Millennium Two-Fifty Front Panel100 User Guide F FX Library Buttons Loop Send Jack This is the effects loop send jack Rear PanelFuse- 100, 120 VAC 6 Amp fuse is inserted here Amplifier Model Types American Stack Dual Rectifier, Boogie MK II, Soldano SLOEffects include Basic Specifications Programmable Mono FX LoopFoot Controller Compatibility Johnson Amplification J-12 foot controllerModule Types Module SizesSetting Up Making ConnectionsTo exit this mode, simply press the Preset button XLR Cabinet Emulation functionsPreset Mode FX Edit ModeUtility Mode Assign ModeInput and Master Output Adjustments Gain AdjustmentsEQ and Preset Level Getting SoundsAmplifier Contour Control Wet/Dry Mix Adjustments Global or LocalAmplifier Model and Channel Selection Digital FX Quick Adjust Knobs Selecting a Preset Using the TunerUtility Menu Tuner Mode Press the Utility button once. The display readsJohnson Amplification J-12 Tuner Mode Instant Tuner AccessPress the any button to exit the Tuner mode Reference and OutputNaming and Storing Presets Naming the PresetStoring the Preset After which you are taken to the preset you have just storedEditing a Preset Preset Editing SectionsIntegrated Amplifier Model Editing Integrated Amplifier Model SelectionBgain LVL Analog Wah Editing Adig LVLNoise Gate Editing Avail Link for Pedal 1 OFFSelecting Effect Configuration Routes To exit Noise gate edit mode, press the Preset buttonSelecting a Default Adjusting the Module’s ParametersCustom Defaults Changing Effect ModulesComparing Changes Comparing Original PstStoring/Naming Defaults Naming the DefaultStoring the Default Editing a ModuleScrolling through a Module’s Pages Output Module FunctionsDigital Effect Module Size and Type Effect NameDefault List ChorusesEffects Library Analog WahAmplifier Types Analog Wah ParametersNoise Gate Noise Gate ParametersDigital Effects ReverbsReverb Stereo Reverb a true stereo version of the Reverb ModuleGated Reverb Reverb ParametersOver Type Over FreqLow Pass TimeChoruses and Flangers T C H ChorusChorus Parameters Flanger Flanger ParametersPhasers Phaser ParametersRotary Speaker Simulator ModeLevel OverTremolo and Auto-Panner TremoloAuto Panner Tremolo & Auto Panner ParametersPitch Shifters and Harmony Pitch Shifters ParametersDetuners Dtn E -H DelaysDetuner Parameters Delay Parameters Dly TimeTapIt SmearCompressor Compressor ParametersGraphic Equalizer Parameters EqualizersGraphic Equalizers Parametric Equalizer Parameters Multi Effects Modules Chorus/Delay and Flange/DelayParametric Equalizers Whammy Effects Multi-Effect Module ParametersAuto Wah Effect Parameters Auto WahWhammy Effect Parameters Assigning Modifiers Midi CCsDynamic Modifiers LFOsExternal Expression Pedals Linking a Parameter to a ModifierSetting up an LFO Setting up a Dynamic ModifierMorphing Pedal Assignments Amplifier MorphingVolume Pedal Assignments Morphing Between Effect ModulesVol Pdl Morph Pdl Setting the Midi Channels Preset Receive MapMidi Functions Midi MergingPreset Transmit Map SysEx Device ChannelAfter which it returns to the Preset dump screen Sysex DumpsAfter which it returns to the User default screen SysEx Dump Bulk SystemGlobal vs. Local XLR Cabinet Emulation Factory ResetOther Utility Functions Output Mode and Speaker Cabinet Voicing Selections Footswitch Set-UpExpression Pedal Names Configuring the PedalboardConnecting the Johnson Amplification J-12 Foot Controller Assigning Functions Assigning Presets to FootswitchesPress the Preset button to exit Assigning Parameters to Footswitches/ Expression Pedals Gain Exp 1 Min 56MaxOther Footswitch Functions J12FCBank FS=Tog CCTranAssigning Midi Control to the Expression Pedals When connected. The display now reads 12 will appear like thisMomentary Footswitch Assignment Turn Page knob to page 3 and the display will readBank Up/ Tuner and Bank Down / Bypass Footswitches Using the TunerOther Pedalboard Tidbits Naming BanksUn-Linking or Viewing Parameter Control Will now readBank 1 Top Bank 2 FenderBank 4 Vox MatchlessBank 12 Alternative Bank 18 Dynamics Bank 13 Country Bank 19 MorphBank 14 Vintage StudioMillennium Preset Descriptions Bank 3 Boogie/SoldanoBank 5 Matchless Bank 6 MarshallBank 8 Signature Bank 12 Alternative Bank 13 CountryBank 15 Studio Bank 16 Jazz/FusionBank 18 Dynamics Effect Configuration Chart ConfigStereo 2,2 ConfigParall 4,4,2 ConfigMonoSplit 4,4,4,4Harmony Interval Charts Power Amp Section Power RequirementsAudio Outputs Audio InputsMidi Implementation Chart RemarksJohnson Amplification System Exclusive ImplementationMidi Basics Procedures General FormatSYSHEAD, 11h, F7h SYSHEAD, 49h, F7hSyshead 48h, dd1st1 dd1st2, ... ddnth1, ddnth2, F7h Ddn Vv = Software version number Rr = Tt =Syshead 17h, aa1, aa2,bbs1, bbs2, F7h BbsNumber of Modules Modules User requestedIndicates the beginning of the xth Module Number of available parameters in the FX Module02h Effect Module 03h 04h Whole Effect Module SYSHEAD, 54h, cc, F7hSYSHEAD, 21h, F7h SYSHEAD, 22h, F7hSYSHEAD, 13h, yy1, yy2, zz1, zz2 F7h Yy= effect ID #SysEx Button/Keys/Footswitch codes Key Label Hex equivalentSysEx Preset Dump Example FX Module Count for Module Types 00 FX Module Class TypeFx Module codes and numbers PEQ 100 101 102 103 104 105 106 107