Yorkville Sound YS1011 owner manual Addendum, EQ Sweep Control

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ADDENDUM

EQ Sweep Control

Although frequency sweep controls have graced the channel-EQs of recording mixers for many years, they are only found on the more upscale P.A. mixers. As a result many P.A. users, even veterans, are unfamiliar with their function. The Sweep control determines the range of frequencies that are affected by the Mid cut/boost. It moves or sweeps the Mid control's peak or notch in response up to several thousand Hertz or down to below 100 Hz. As a result it can have quite a noticeable effect on the sound, especially since the MID cut or boost will be interacting with whatever cuts or boosts you may have set with the Low or High EQ controls.

For example, if you have set a Low boost, a Mid boost swept all the way down to the lowest frequency setting will alter the sound of lows and increase their volume. Be care- ful this doesn't damage your woofers. And watch out for your tweeters/horns if you sweep the boost up to the higher settings while the High EQ is boosted.

Considering that the Sweep control can alter everything you are accustomed to an EQ doing, it would be worthwhile to spend some time becoming acquainted with how it works. As music plays through a channel on the mixer and speakers, adjust that channel's Mid, first for a boost then for a cut and Sweep them back and forth. (If there is no Mid cut or boost setting, i.e. if it is set at the centre position, the Sweep will have no effect at all). Now repeat the process with that channel's Low and High EQ controls at various settings (but with the volume at a safe level for the speakers).

Hint: The PowerMAX Sweep has a "home base" setting marked with a triangle at the

2.5kHz mark. This approximately corresponds to the setting of the fixed mid controls on our other mixers. Set channels not requiring Sweep equalization at 2.5 kHz and the Mid cuts or boosts will have more standard results.

Together, Mid and Sweep controls can be used to accomplish a variety of tasks from combating feedback to improving the way things sound through the P.A. or on recording. Here are some of those tasks and settings:

Note: These are approximate settings only. Use them as a starting point and "tune around" them.

•Killing feedback? Set Mid at -6 dB and slowly rotate Sweep until the feedback stops. If needed cut the MID further.

•Bonky sounding snare drum? -6 dB @ 200 Hz (roll off Low EQ -6 dB)

•Boomy bass drum? -6 dB @ 300 Hz (Low EQ @ +6 dB and High EQ @ +3 dB)

•Fwashy sounding cymbals? -9 dB @ 300 Hz (roll off Low EQ -15 dB)

•Excessive hiss from guitar, bass or keyboard amp? +3 dB @ 5 kHz (High EQ rolled off -9 dB)

•Fading vocal range (notes too low for singer)? +3 dB @ 80 Hz (Low EQ rolled off -6 dB)

•Puffing on harmonica mic? -9 dB @ 80Hz (Low EQ rolled off -12 dB)

•Rack Toms? -3 dB @ 400 Hz

•Floor tom? -6 dB @ 200 Hz Generally speaking, you will probably end up with the Mid in cut mode for most problem solving uses of the Sweep control. In any case you will learn to use this feature judiciously. The best P.A. EQ setting is the one with the least adjustment, but when you need to solve a problem it's good to know how to use the tools.

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Contents Manuel DE L’UTILISATEUR Important Safety Instructions 13/14 15/16 IntroductionChannel Overload Protection Input Channel FeaturesInsert Jacks Mic InputsTrk Inputs Stereo Channels Only Phantom Power Switch and LEDBalanced Line Inputs Gain Control HPF ButtonChannel EQ Mon 1 and Mon 2 SendsEfx 1 and 2 Sends AUX SendPan Control Mono Channels Mute SwitchBalance Control Stereo Channels Clip/Mute LEDLevel Fader Solo SwitchRecord Outputs Master SectionEfx 2 and Aux Send Jacks Efx 2 and Aux Return JacksReturn Levels Masters, Solos and Clip LEDs Internal Efx Defeat Footswitch Jack Mon 1 Send Masters, Clip LEDs and Solo SwitchesAux Send Master and Clip LED Efx 1 and 2 Send Masters and Clip LEDs31. L/R Main EQ Speaker Processor Curve and Enable Buttons29. L&R Main Master Send Faders and Clip LEDs Mon 1 and Mon 2 EQs VU-Meter, Solo Mode Button, AFL and PFL LEDsAmplifier AMP A, B, C and D Inputs Amplifier Full Power LEDsOutput Section System Power LED Lamp ConnectorPower Switch and Circuit Breaker Basic Operating InstructionsEQ Sweep Control AddendumHPF Protection de Surcharge à l’Entrée Caractéristiques d’Entrée de CanalPrises d’Insert Entrées de MicrophoneEntrée 2-Trk Canaux Stéréo Seulement Commutateur D’Alimentation en Duplex et DELEntrées Lignes Symétriques Égalisateur de Canal Bouton HPF Filtre Passe HauteContrôle de Gain Envois Efx 1 Envois au Mon 1 et MonEnvois Aux Commande Panoramique Canaux Mono DEL Clip/Mute Commande de Balance Canaux StéréoBouton Mute DEL Solo ActiveFader de Niveau Section PrincipaleSorties pour Enregistrement Prises Efx 2 et Aux SendPrises Efx 2 et Aux Return Section d’Envoi Principale Envois Principaux Efx 1 et Efx 2 et DEL Clip Envois Aux Principaux et DEL Clip32. Égalisateur Mon 1 et Mon 31. Égalisateur Gauche et Droit PrincipalEntrées Des Amplificateurs A, B, C et D Section de SortieDEL Amplifier Full Output DEL System PowerBranchements Pour Haut-Parleurs Connecteur Pour LampeInstructions de Fonctionnement de Base Contrôle de Balayage D’Égalisateur Page PowerMAX Digital Effects Specifications PowerMAX Digital Effects Spécifications Two & Ten Year Warranty Canada
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