SoundCraft 1601E manual Effect Controls, MIX Fader, Rotary Encoder

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EFFECT CONTROLS

This section deals with the controls dedicated to adjusting and controlling the effect parameters. Elements of each effect can be altered in real-time using the X and Y Controls whilst the 3-band filter section lets you choose which part of the sound is affected.

Each time this button is set to ON the active effect will commence its cycle from the start point. As an example, if the FILTER effect is selected with a [FALLING] type LFO shape and the trigger duration set to 4 bars, the following will occur when the [FILTER] button is pressed on or slightly before the first beat of the bar:

MIX FADER

This 25mm fader controls the balance between the un-processed and processed signal. At the end-stop marked [ORIGINAL] the effects will be completely bypassed and only the original sound will be heard. As the fader is moved away from this position the processed signal will be gradually introduced until, at the end-stop marked [EFFECT], the maximum processed sound will be heard.

X-Rotary Encoder

As the pot is moved clockwise from the central "parked" position the X parameter is gradually increased in a positive manner until it reaches its maximum. As the pot is moved anti-clockwise the X parameter is gradually increased in a negative manner until it reaches It's maximum.

Y-Rotary Encoder

As the pot is moved clockwise from the central "parked" position the Y parameter is gradually increased in a positive manner until it reaches its maximum. As the pot is moved anti-clockwise the Y parameter is gradually increased in a negative manner until it reaches It's maximum.

The encoders are geared, so the faster you turn the encoder the faster the response, the slower you turn the encoder the slower the response.

Under normal operation, one full rotation in either direction is a full sweep of the encoders.

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Contents Page Potters BAR Contents Important Safety Instructions Green and Yellow US Green/Yellow Safety Symbol Guide Headphones Safety WarningTIP Recommended Headphone Impedance = 200 OhmsIntroduction BPM EffectsPage Installation General PrecautionsMains Installation Initial Wiring Considerations Audio WiringShielding Points to Remember Working Safely with SoundInspection and Installation PoweringUnpacking and Inspection Environmental ConsiderationsConnecting to a Typical Sound System Making Adjustments and Fitting Spares Setting The Pre-trim PadsChanging The Orientation Of The Phono/Line Switches Replacing The FadersPage Description TOP PanelBPM FX Section see BPM FX MIX FaderRear Connector Panel Balanced Master Outputs -XLR ConnectorsBalanced Booth Outputs -XLR Connectors Front Panel EQ CUT -RotaryCombi -XLR Connector OperationGetting Started MIC / Line InputLevel Control EQ -LOW ControlEQ -HIGH Control MIC Insert Socket rearconInput Selector Switches Clip IndicatorsPRE-TRIM Pads Channel Volume Faders TrimHI EQ MID EQFX Send & Return / AUX Send -LEVELRecord OUT Send -SELECTClip Indicator FX ON/OFF SwitchFX SEND/RETURN RE-CONFIGURATION Return / AUX -LEVELMaster / Booth Output Fader ExciterFader Curve Headphone Monitor LevelMASTER/CUE Select Headphone SocketsMonitor Bank Mode Beats IndicatorBPM FX Module Operating CriteriaTAP/CLEAR IsolatorY Controls ON-OFF switches BPM FX MIXSetting UP Quick StartConnections Activating the EffectsOperation BPM RangeTAP/CLEAR Button TAP -Tempo EditEffect Start Sync Applying the BPM-FXEffect Controls MIX FaderRotary Encoder Band Isolator SINGLE/MULTI Mode Operation Mode Bank selectSingle Mode Multi Mode Additional speed settings for FILTER/FLANGER/PANNERProgram Edit and Recall Effects FilterFrequency SUB-MENU Delay SpeedRepeats Y PAN SPSWAY Split Y Cutter Depth X mark space ratioSlope Y Flange Resonance is factory set @ 75%Depth Y PRE-SET Voice List Hints & TipsBlock Diagram Connecting Leads Troubleshooting Specifications Warranty Glossary Post after the channel faderEqualising the system to notch out the offending frequencies Riaa