SoundCraft 1601E manual Cutter, Depth X mark space ratio, Slope Y

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THE CUTTER

This effect operates in a similar fashion to the filter but on the overall volume of the signal. The Cutter can be set to operate either as a conventional 'gate' which, each time it is triggered, opens instantly to allow the signal through but then after a short period closes completely to cut off the signal. It will also work as a fade-in/fade-out control with a relatively short period of operation.

DEPTH [ X ] (mark: space ratio)

This parameter sets the length of the square pulse wave 'open' or 'on' period, the period in which the audio signal can be heard.

At the [MIN] position the gate is open for its maximum duration, allowing most of the audio signal to pass. As the encoder is rotated clockwise the centre position the 'open' period becomes increasingly shorter, allowing less and less of the audio signal to pass until, at the [MAX] position the duration of the open period is extremely short, allowing through only a minimal burst of audio.

NOTE: There is no SUB-MENU function for the CUTTER effect.

SLOPE [ Y ]

This parameter sets the shape of the cutter effect, transforming it from a falling saw tooth to a square pulse with interim settings in between.

When the [Y] encoder is in the default position the shape will be at its mid point. As the encoder is rotated anti-clockwise the shape will become more sloped, the overall volume of the audio rising quickly and falling slowly until, at the edge position it will be a pure saw tooth shape.

As the encoder is rotated clockwise the shape will become more squared-off, quickly rising and falling to form a 'gated' effect until, at the edge position it will be a pure square wave.

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Contents Page Potters BAR Contents Important Safety Instructions Green and Yellow US Green/Yellow Safety Symbol Guide Headphones Safety WarningTIP Recommended Headphone Impedance = 200 OhmsIntroduction BPM EffectsPage Mains Installation InstallationGeneral Precautions Shielding Initial Wiring ConsiderationsAudio Wiring Points to Remember Working Safely with SoundInspection and Installation PoweringUnpacking and Inspection Environmental ConsiderationsConnecting to a Typical Sound System Making Adjustments and Fitting Spares Setting The Pre-trim PadsChanging The Orientation Of The Phono/Line Switches Replacing The FadersPage Description TOP PanelBPM FX Section see BPM FX MIX FaderBalanced Booth Outputs -XLR Connectors Rear Connector PanelBalanced Master Outputs -XLR Connectors Front Panel EQ CUT -RotaryCombi -XLR Connector OperationGetting Started MIC / Line InputLevel Control EQ -LOW ControlEQ -HIGH Control MIC Insert Socket rearconPRE-TRIM Pads Input Selector SwitchesClip Indicators Channel Volume Faders TrimHI EQ MID EQFX Send & Return / AUX Send -LEVELRecord OUT Send -SELECTClip Indicator FX ON/OFF SwitchFX SEND/RETURN RE-CONFIGURATION Return / AUX -LEVELMaster / Booth Output Fader Curve FaderExciter Headphone Monitor LevelMASTER/CUE Select Headphone SocketsMonitor Bank Mode Beats IndicatorBPM FX Module Operating CriteriaY Controls TAP/CLEARIsolator ON-OFF switches BPM FX MIXSetting UP Quick StartConnections Activating the EffectsOperation BPM RangeTAP/CLEAR Button TAP -Tempo EditEffect Start Sync Applying the BPM-FXRotary Encoder Effect ControlsMIX Fader Band Isolator Single Mode SINGLE/MULTI Mode OperationMode Bank select Program Edit and Recall Multi ModeAdditional speed settings for FILTER/FLANGER/PANNER Frequency EffectsFilter SUB-MENU Repeats Y DelaySpeed WAY Split Y PANSPS Slope Y CutterDepth X mark space ratio Depth Y FlangeResonance is factory set @ 75% PRE-SET Voice List Hints & TipsBlock Diagram Connecting Leads Troubleshooting Specifications Warranty Glossary Post after the channel faderEqualising the system to notch out the offending frequencies Riaa