SoundCraft 1601E manual Tap/Clear, Isolator, Y Controls

Page 31

4) TAP/CLEAR

[TAP/CLEAR] button is used to manually 'tap in” a tempo. This function also acts as the BPM range selector.

5) CUTTER (1)

This button selects the GATE effect. The [X] encoder

controls the [DEPTH](MARK:SPACE RATIO) of the waveform. The [Y] encoder controls the cutter [SLOPE] parameters.

6) PAN (2)

This button selects the PANNING effect.

The [X] encoder function controls the [SPS] depth.

The [Y] encoder control the panning [2-WAY SPLIT] parameters.

7) FILTER (3)

This button selects the FILTER effect.

The [X] encoder controls the filter [FREQUENCY]

The [Y] encoder controls the filter [RESONANCE] parameters in multi-mode [B~F] only.

The [Y] encoder controls the filter [LFO DEPTH] in single mode [A/3] only.

Press and hold this button to set the filter LFO [SHAPE]. See page 41 (sub menu).

8) FLANGER (4)

This button selects the FLANGE effect.

The [X] encoder controls the [FREQUENCY].

The [Y] encoder controls the flange [DEPTH] parameter.

Press and hold this button to set the flange LFO [SHAPE]. See page 45 (sub menu).

9) DELAY (5)

This button selects the DELAY or ‘echo’ effect.

The [X] encoder controls the analog tape modeler [SPEED] parameter.

The [Y] encoder controls the [REPEAT] depth.

Press and hold this button to set the [REPRO], reproduction quality of the repeats. See page 42 (sub menu).

10) ISOLATOR

The 3-band isolator allows you to choose which band of frequencies is passed through the effects.

This function also operates as the "BPM Range Selector" & the "Pattern Select" of the Filter, Flange & Cutter. In single mode [A/3] the isolator is used to select low pass/band pass/high pass filter mode.

11) X-Y CONTROLS

These two rotary encoders adjust the two fixed parameters for each selected effect in [SINGLE] mode or any two factory assigned parameters in [MULTI] mode.

The encoders are geared, so the faster you turn the encoder the faster the response, the slower you turn the encoder the slower the response.

31

Image 31
Contents Page Potters BAR Contents Important Safety Instructions Green and Yellow US Green/Yellow Recommended Headphone Impedance = 200 Ohms Safety Symbol GuideHeadphones Safety Warning TIPBPM Effects IntroductionPage General Precautions InstallationMains Installation Audio Wiring Initial Wiring ConsiderationsShielding Working Safely with Sound Points to RememberEnvironmental Considerations Inspection and InstallationPowering Unpacking and InspectionConnecting to a Typical Sound System Replacing The Faders Making Adjustments and Fitting SparesSetting The Pre-trim Pads Changing The Orientation Of The Phono/Line SwitchesPage TOP Panel DescriptionBPM FX MIX Fader BPM FX Section seeBalanced Master Outputs -XLR Connectors Rear Connector PanelBalanced Booth Outputs -XLR Connectors EQ CUT -Rotary Front PanelMIC / Line Input Combi -XLR ConnectorOperation Getting StartedMIC Insert Socket rearcon Level ControlEQ -LOW Control EQ -HIGH ControlClip Indicators Input Selector SwitchesPRE-TRIM Pads MID EQ Channel Volume FadersTrim HI EQSend -SELECT FX Send & Return / AUXSend -LEVEL Record OUTReturn / AUX -LEVEL Clip IndicatorFX ON/OFF Switch FX SEND/RETURN RE-CONFIGURATIONMaster / Booth Output Exciter FaderFader Curve Headphone Sockets Headphone MonitorLevel MASTER/CUE SelectMonitor Operating Criteria Bank ModeBeats Indicator BPM FX ModuleIsolator TAP/CLEARY Controls BPM FX MIX ON-OFF switchesActivating the Effects Setting UPQuick Start ConnectionsTAP -Tempo Edit OperationBPM Range TAP/CLEAR ButtonApplying the BPM-FX Effect Start SyncMIX Fader Effect ControlsRotary Encoder Band Isolator Mode Bank select SINGLE/MULTI Mode OperationSingle Mode Additional speed settings for FILTER/FLANGER/PANNER Multi ModeProgram Edit and Recall Filter EffectsFrequency SUB-MENU Speed DelayRepeats Y SPS PANWAY Split Y Depth X mark space ratio CutterSlope Y Resonance is factory set @ 75% FlangeDepth Y Hints & Tips PRE-SET Voice ListBlock Diagram Connecting Leads Troubleshooting Specifications Warranty Post after the channel fader GlossaryEqualising the system to notch out the offending frequencies Riaa