Roland FR-5, FR-7 owner manual 101, Orchestra Edit

Page 101

 

 

 

 

 

 

 

 

 

 

 

 

V-Accordion r

 

 

 

 

 

Parameter list

 

 

 

 

 

 

5.7

Orc Bass MIDI TX

Message & value

Note [On, Off], Octave [-3~0~3], CC 00 [Std, Off, 0~127], CC32 [Std, Off, 0~127],

 

 

 

 

PC [Std, Off, 1~128], Volume [Off, 0~127], Panpot [Off, 0~127], Reverb [Off, 0~127],

 

 

 

 

Chorus [Off, 0~127], Velocity [On, 1~127], Express [Off, Bellows, Pedal]

 

 

 

 

 

 

 

6. ORCHESTRA EDIT

 

 

 

 

 

6.1

Orchestra Octave

Value

–1~0~1

 

 

 

 

 

 

 

6.2

Orchestra Volume

Level

Off, –40~Std~40

 

 

 

 

 

 

6.3

Bellows Detune

Type

Off, Low, Standard, High

 

 

 

 

 

 

 

6.4

Reverb Send

Level

0~127

 

 

 

 

 

 

 

 

 

6.5

Chorus Send

Level

0~127

 

 

 

 

 

 

 

 

 

6.6

Delay Send

Level

0~127

 

 

 

 

 

 

 

 

6.7

Aftertouch Pitch

Mode

Off, 1/4 Down, 1/2 Down, 1/4 Up, 1/2 Up

 

 

 

 

 

 

6.8

Orchestra MIDI TX

Message & value

Note [On, Off], Octave [-3~0~3], CC 00 [Std, Off, 0~127], CC32 [Std, Off, 0~127],

 

 

 

 

PC [Std, Off, 1~128], Volume [Off, 0~127], Panpot [Off, 0~127], Reverb [Off, 0~127],

 

 

 

 

Chorus [Off, 0~127], Velocity [On, 1~127], Express [Off, Bellows, Pedal], AfterT. [On, Off]

 

 

 

 

 

 

 

7. ORC CHD EDIT

 

 

 

 

 

7.1

Orc Chord Volume

Level

Off, –40~Std~40

 

 

 

 

 

 

 

 

7.2

Reverb Send

Level

0~127

 

 

 

 

 

 

 

 

 

7.3

Chorus Send

Level

0~127

 

 

 

 

 

 

 

 

 

7.4

Delay Send

Level

0~127

 

 

 

 

 

 

 

 

7.5

Orc Chord MIDI TX

Message & value

Note [On, Off], Octave [-3~0~3], CC 00 [Std, Off, 0~127], CC32 [Std, Off, 0~127],

 

 

 

 

PC [Std, Off, 1~128], Volume [Off, 0~127], Panpot [Off, 0~127], Reverb [Off, 0~127],

 

 

 

 

Chorus [Off, 0~127], Velocity [On, 1~127], Express [Off, Bellows, Pedal]

 

 

 

 

 

 

 

8. ORC FBS EDIT

 

 

 

 

 

8.1

Orc FreeBs Volume

Level

Off, –40~Std~40

 

 

 

 

 

 

 

 

8.2

Reverb Send

Level

0~127

 

 

 

 

 

 

 

 

 

8.3

Chorus Send

Level

0~127

 

 

 

 

 

 

 

 

 

8.4

Delay Send

Level

0~127

 

 

 

 

 

 

 

 

8.5

Orc FreeBs MIDI TX

Message & value

Note [On, Off], Octave [-3~0~3], CC 00 [Std, Off, 0~127], CC32 [Std, Off, 0~127],

 

 

 

 

PC [Std, Off, 1~128], Volume [Off, 0~127], Panpot [Off, 0~127], Reverb [Off, 0~127],

 

 

 

 

Chorus [Off, 0~127], Velocity [On, 1~127], Express [Off, Bellows, Pedal]

 

 

 

 

 

 

 

9. SET COMMON

 

 

 

 

 

9.1

Reverb Macro Type

Type

Room1, Room2, Room3, Hall1, Hall2, Plate, Delay, Panning Dly

 

 

 

 

 

 

 

 

 

 

 

Level

0~127

 

 

 

 

 

 

 

 

9.2

Reverb Parameters

Parameters

Character [0~7], Pre-LPF [0~7], Time [0~127], Level [0~127], DlyFback [0~127], Pre-DlyT. [0~127]

 

 

 

 

 

 

9.3

Chorus Macro Type

Macro Type

Chorus1, Chorus2, Chorus3, Chorus4, FBackChr, Flanger, ShortDelay, ShortDlyFB

 

 

 

 

 

 

 

 

 

 

Level

0~127

 

 

 

 

 

 

 

 

9.4

Chorus Parameters

Parameters

Pre-LPF [0~7], Level [0~127], Feedback [0~127], Delay [0~127], Rate [0~127], Depth [0~127],

 

 

 

 

Chr>Rev [0~127], Chr>Dly [0~127]

 

 

 

 

 

 

9.5

Delay Macro Type

Type

Delay1, Delay2, Delay3, Delay4, PanDelay1, PanDelay2, PanDelay3, PanDelay4, Delay>Rev,

 

 

 

 

PanRepeat

 

 

 

 

 

 

 

 

 

 

Level

0~127

 

 

 

 

 

 

 

 

9.6

Delay Parameters

Parameters

Pre-LPF [0~7], Level [0~127], Time L(%) [4%~500%], Time C(ms/s) [0.1~1000],

 

 

 

 

Time R(%) [4%~500%], Level L [0~127], Level C [0~127], Level R [0~127], Feedback [-64~0~63],

 

 

 

 

Dly>Rev [0~127]

 

 

 

 

 

 

9.7

Name

Characters

See the character table below.

 

 

 

 

 

 

 

9.8

Master Bar Recall

Register

1~14

 

 

 

 

 

 

 

 

9.9

Icon

Bitmap

1~40, preset

 

 

 

 

 

 

 

10.

SYSTEM

 

 

 

 

 

10.1 LCD Contrast*

Value

1~7 (Default setting: 5)

 

 

 

 

 

 

 

10.2 Parameter Access

Mode

Easy, Full

 

 

 

 

 

 

10.3 Bellows Curve*

Type

Fixed Low, Fixed Med, Fixed High, X-Light, Light, Standard, Heavy, X-Heavy

 

 

 

 

 

 

 

10.4 Pedal Controller*

Switch

1~5

 

 

 

 

 

 

 

 

 

 

 

Assign

Set Up, Set Down, Regist Up, Regist Dwn, Treble Sust, Bass Sust, Chord Sust, Orch.Sust,

 

 

 

 

OrchBs Sust, OrchCh Sust, OrchFB Sust, Orch.On/Off, Start/Stop, Intro, Fill Up, Fill Down, Ending,

 

 

 

 

Set 1~40, Register 1~14 independent for each switch

 

 

 

 

 

 

 

101

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Contents OS Version FR-7/FR-5Important Safety Instructions FR-7/FR-5 FR-7/FR-5V-Accordion Contents Features Using the unit safely FR-7/FR-5V-Accordion Features Using the unit safely Important notes FR-7/FR-5V-Accordion Important notes Important notes Strap holder precautionTreble control panel Panel descriptionsBass control panel Connection panel Display and master barConnection panel of the FBC-7 Connecting the FR-7/FR-5 to the supplied FBC-7 Setting upUsing the Output sockets ConnectionsIf you are using the FBC-7 Switching the power on and offSwitch it on Switch on the receiving audio deviceListening to the demo songs Switch on the FR-7/FR-5Sections of your FR-7/FR-5 FR-7/FR-5V-Accordion Setting up First stepsFirst steps Press the EXIT÷JUMP button to return to the Main Selecting Easy or Full modeTypical Main page display looks like this About the MainTreble section Touring the FR-7/FR-5’s sectionsBassoon Master Bandon Accord Oboe ViolinInstrument Using the FR-7/FR-5’s digital effectsBass section can be played via the Stradella but- tons Bass sectionHere is what the caps look like Press another register to change the soundDisplay now briefly responds with Playing in Free Bass modeSimultaneously press the three registers labeled Free Bass Orchestral sounds for the Treble section Using the orchestral soundsFR-7/FR-5’s Orchestra functionality actually com Orchestra and three for the Bass buttons called RegistersHere is how the drone function works Selecting the Orchestra modeNitely If you press a single gray key see the illustrationReturn to the Main page by pressing EXIT÷JUMP Setting the volume of the Treble orchestral soundAgain play a few notes and listen to the result Switching off the Orchestra Bass part Switching off the Orchestra partFR-7/FR-5V-Accordion Setting up Using the orchestral sounds Orchestral sounds for the Bass sectionThis is not necessary if you are already in Free Bass mode Switching off the Orch Chord partOrchestral sounds for the Chord section Orchestral sounds for the Free Bass sectionSimultaneously press the three registers in the moddle Switching off the Orch Free BS partPress the Down button four times Display now responds with ValueGeneral remark Other practical functionsPitch-related functions TransposeNoise Edit Valve & Button Scale TuningVolume-related functions Connecting the FBC-7 Using the FBC-7Using the footswitches Connecting an optional expression pedalUse BP-24-45 batteries, part no. K2568101 Charging the batteryGeneral remarks about the battery FR-7/FR-5V-Accordion About the FBC-7 Charging the battery Recharging the battery on the FBC-7Using the recharged battery If the battery fails to last 8 hours or slightly lessEditing sounds Selecting parameters using the Jump functionSelecting parameters Easy and Full modesSelecting parameters via the menu Proceed with Setting parameter valuesParameter for editing Setting parameter valuesButtons to change the value Function groupMaster Tune Tuning parametersTranspose ScalePress MENU÷WRITE again to jump to the following FR-7/FR-5V-Accordion Editing sounds 1. Tuning parametersScale Assign Ing them Treble Edit parametersIntroduction Hold down UP for a while Reed TypeRegister plays Register into a different instruRegister Reed VolumeTreble Octave Valve NoiseBellows Detune Reverb Send, 2.9 Chorus Send Delay SendAftertouch Pitch Bass LinkOn the Main page, links are indicated as follows Orchestra LinkOrchestra Chord Link CHD-AcGuitar, CHD-AcPiano Treble Midi TXFBS-Flute, FBS-PercOrgan FBS-AcGuitar, FBS-AcPianoThem Bass Edit parametersKnob to select the desired reed Button NoiseOptions are 16’, 8’, 8’-4’, 4’, 2’ Ume balance for the active reeds see the RegisterReed Growl Reverb Send, 3.8 Chorus Send Delay SendBass Midi TX, 3.11 Chord Midi TX Std~40Saving them Free Bass Edit parametersImportant notes Options are ALL both reeds simultaneously, 16’, 8’ Free Bass Midi TX Reverb Send, 4.8 Chorus Send Delay SendWithout saving them ORC Bass Edit parametersLowest Note Orc Bass Midi TX Orc Bass VolumeReverb Send, 5.5 Chorus Send Delay Send Orchestra Octave Orchestra VolumeORCH. Edit parameters Orchestra Midi TX Reverb Send, 6.5 Chorus Send Delay SendRecognition Messages or only one of themORC CHD Edit parameters Orc Chord VolumeOrc Chord Midi TX Reverb Send, 7.3 Chorus Send Delay SendORC FBS Edit parameters Orc FreeBs VolumeReverb Send, 8.3 Chorus Send Delay Send Orc FreeBs Midi TX Reverb Macro Type SET Common parametersAbout the effects parameters If necessary, select another Set by turningAvailable options are Reverb ParametersChorus Macro Type Chorus knob Chorus ParametersDelay Parameters Delay Macro TypeName System parametersMaster Bar Recall IconPedal Controller LCD ContrastFR-7/FR-5V-Accordion Editing sounds 10. System parameters Less strength the X stands for extra. StandardBass & Chord Mode Bass & Chord ModeStereo Width Free Bass ModeFree Bass Mode Auto Power OFFStartup Name StartupOrchestra Touch Orch. Bs&Ch TouchUtility parameters Battery StatusTreble Release T Copy ALL EffectsEffects settings, these three parame Copy Reverb, 11.4 Copy Chorus Copy DelayCopy SET Bulk Dump ALL, 11.8 Bulk Dump SETTreble Reg. on current Set Restore SETSelect this parameter 11.11 Bass Reg. on Edit simultaneouslyCurrent Set Ter to be edited for all Bass registersFreeBass Reg. on current Set Press the EXIT÷JUMP button to return to the Main About Midi Midi functionsFR-7/FR-5’s sections use the following Midi chan- nels Working with a sequencer and other tone generatorsMidi data always go from OUT to Sending program changesFinal note regarding sequencers Global Midi parametersChannel you want to set Press register 1 to select the followingFreeBs, Basic Ch, and Control Ch Be set toSet the module’s Midi receive channel often called RX to Defining the ‘PC’ format Solving Midi buffer problems 12.3 Bellows TX Resolution Midi parameters for the various sections/parts Procedure for setting these parametersImportant remarks SectionsCC00, CC32, PC OctavePanpot VolumeReverb ChorusArchiving your settings with a sequencer Archiving your settings via Midi Bulk DumpSwitch off the sequencer’s Midi Echo or Soft Thru function AfterT only for the Treble and Orchestra sectionsSending Bulk data back to the FR-7/FR-5 Sending Bulk data back to the FR-7/FR-5 Miscellaneous functions Saving settings using the Write functionPress the DATA÷ENTER knob to jump to Selected function Using WriteSwitch on the FR-7/FR-5 while holding down Restoring the factory defaultsTroubleshooting MIDI-related issues My settings have changedAt power-on, the FR-7/FR-5 displays the follow- ing message Battery for FR-5, spare part for FR-7 Pedal Board Soft Bag SpecificationsSupplied accessories Parameter list Miscellaneous functions Parameter list 100Orchestra Edit 101Utility 102Demo Songs 103Factory Sets Rêve d’amour by L. Bruti Luigi Bruti 104105 Midi implementationMidi implementation Bulk Dump 106107 108 Midi Implementation Chart109 Information110 IndexNumerics Bulk111 User 1~3 112Avis 602.00.0152

FR-7, FR-5 specifications

The Roland FR-5 and FR-7 are part of Roland's acclaimed line of digital accordions, known for their innovative technologies and exceptional sound quality. These instruments have been designed to provide musicians with a versatile and rich playing experience, fusing traditional accordion elements with modern digital functionality.

One of the most significant features of both the FR-5 and FR-7 is their advanced digital sound engine. This technology offers a wide array of sounds, including a variety of accordion types, reeds, and orchestral instruments. The sound quality is remarkable, with a high level of fidelity that captures the essence of authentic acoustic instruments. Musicians can easily switch between different instrument sounds, making these accordions perfect for various musical styles and genres.

Both models feature a lightweight and ergonomic design, making them comfortable to play for extended periods. The FR-5 and FR-7 have built-in speakers that provide excellent sound projection, allowing performers to play without the need for external amplification. Furthermore, the onboard effects, such as reverb and chorus, enhance the musical experience, enabling players to add depth and character to their performances.

The user interface on both models is intuitive, with easily accessible controls that allow for quick adjustments while performing. The FR-7 takes it a notch higher with its extensive customizable settings and user memory options, which can store a variety of configurations and preferences for different playing situations.

A standout feature of the FR-7 is its capability for MIDI connectivity, enabling musicians to connect to computers and other digital devices. This opens up a world of possibilities for recording and live performance setups, allowing users to integrate their accordion with software instruments and digital audio workstations.

In terms of playability, the FR-5 and FR-7 offer responsive keyboard action and a range of registers that mimic the sound of traditional accordions. The bellows response is finely tuned, ensuring that players can achieve dynamic expression through their playing style.

Overall, the Roland FR-5 and FR-7 digital accordions represent a perfect blend of traditional craftsmanship and modern technology, catering to both hobbyists and professional musicians. With their exceptional sound, lightweight design, and cutting-edge features, these instruments are redefining the possibilities of accordion music in contemporary settings. Whether one is performing on stage or practicing at home, the FR-5 and FR-7 deliver an unparalleled playing experience that inspires creativity and passion for music.
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