Roland FR-5, FR-7 owner manual Display and master bar, Connection panel

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V-Accordion r

Display and master bar

Display and master bar

R Master bar

In most cases, this bar (which you can press) recalls a Treble register you specify. In Dual, High or Low mode, however, it allows you to switch the Orches- tra section on and off.

S Display

The display keeps you informed about the FR-7/FR-5’s status.

R

S

Connection panel

T

TTO FBC-7 socket

Use the supplied cable to connect this socket to the supplied FBC-7 power supply/footswitch unit/battery charger. This may be necessary in the following cases:

To power the FR-7/FR-5 without using the supplied battery. In most instances, this may be unnecessary, because the supplied battery (FR-7) lasts up to 8

hours.

Note: See also “Connecting the FBC-7” on p. 34 for details about maximizing the life span of the battery.

If you connect the 19-pin cable, be sure to never place the FR-7/FR-5 on the side when not using it.

Always stand the V-Accordion on its rubber feet (and in the corresponding direction) to avoid damaging the 19-pin plug.

Always handle and move the FR-7/FR-5 with care and pay special attention to the cable slack to avoid damaging or bending the 19-pin cable.

If you place the FR-7/FR-5 on your lap, ensure that the 19-pin cable runs between you legs (not side- ways) to avoid damaging or bending the 19-pin cable.

To be able to control certain functions by foot (see p. 34).

To use the FR-7/FR-5 as a MIDI controller (only the FBC-7 has MIDI sockets).

V

U

UOUTPUT L/MONO (Treble) & R/MONO (Bass) sockets These sockets can be connected to an amplifier, a mixing console or a wireless system.

If you use both connectors, the FR-7/FR-5’s output is stereo. If you only use one jack (connected to the “L” or “R” socket), the FR-7/FR-5’s output is mono.

Note: If you don’t want to use a wireless system, consider con- necting the FR-7/FR-5 to the FBC-7 when you need to connect it to an external amplifier.

Note: On the FR-7, connecting jacks to these sockets does not mute the internal speakers.

VPHONES socket

This is where you can connect stereo headphones (Roland RH-25, RH-50 or RH-200). On the FR-7, con- necting a pair of headphones mutes the internal speakers.

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Contents OS Version FR-7/FR-5Important Safety Instructions FR-7/FR-5 FR-7/FR-5V-Accordion Contents Features Using the unit safely FR-7/FR-5V-Accordion Features Using the unit safely Important notes FR-7/FR-5V-Accordion Important notes Important notes Strap holder precautionTreble control panel Panel descriptionsBass control panel Connection panel Display and master barConnection panel of the FBC-7 Connecting the FR-7/FR-5 to the supplied FBC-7 Setting upUsing the Output sockets ConnectionsIf you are using the FBC-7 Switching the power on and offSwitch it on Switch on the receiving audio deviceListening to the demo songs Switch on the FR-7/FR-5First steps FR-7/FR-5V-Accordion Setting up First stepsSections of your FR-7/FR-5 Press the EXIT÷JUMP button to return to the Main Selecting Easy or Full modeTypical Main page display looks like this About the MainTreble section Touring the FR-7/FR-5’s sectionsBassoon Master Bandon Accord Oboe ViolinInstrument Using the FR-7/FR-5’s digital effectsBass section can be played via the Stradella but- tons Bass sectionHere is what the caps look like Press another register to change the soundSimultaneously press the three registers labeled Free Bass Playing in Free Bass modeDisplay now briefly responds with Orchestral sounds for the Treble section Using the orchestral soundsFR-7/FR-5’s Orchestra functionality actually com Orchestra and three for the Bass buttons called RegistersHere is how the drone function works Selecting the Orchestra modeNitely If you press a single gray key see the illustrationAgain play a few notes and listen to the result Setting the volume of the Treble orchestral soundReturn to the Main page by pressing EXIT÷JUMP Switching off the Orchestra Bass part Switching off the Orchestra partFR-7/FR-5V-Accordion Setting up Using the orchestral sounds Orchestral sounds for the Bass sectionThis is not necessary if you are already in Free Bass mode Switching off the Orch Chord partOrchestral sounds for the Chord section Orchestral sounds for the Free Bass sectionSimultaneously press the three registers in the moddle Switching off the Orch Free BS partPress the Down button four times Display now responds with ValueGeneral remark Other practical functionsPitch-related functions TransposeNoise Edit Valve & Button Scale TuningVolume-related functions Connecting the FBC-7 Using the FBC-7Using the footswitches Connecting an optional expression pedalGeneral remarks about the battery Charging the batteryUse BP-24-45 batteries, part no. K2568101 FR-7/FR-5V-Accordion About the FBC-7 Charging the battery Recharging the battery on the FBC-7Using the recharged battery If the battery fails to last 8 hours or slightly lessEditing sounds Selecting parameters using the Jump functionSelecting parameters Easy and Full modesSelecting parameters via the menu Proceed with Setting parameter valuesParameter for editing Setting parameter valuesButtons to change the value Function groupMaster Tune Tuning parametersTranspose ScaleScale Assign FR-7/FR-5V-Accordion Editing sounds 1. Tuning parametersPress MENU÷WRITE again to jump to the following Introduction Treble Edit parametersIng them Hold down UP for a while Reed TypeRegister plays Register into a different instruRegister Reed VolumeTreble Octave Valve NoiseBellows Detune Reverb Send, 2.9 Chorus Send Delay SendAftertouch Pitch Bass LinkOrchestra Chord Link Orchestra LinkOn the Main page, links are indicated as follows CHD-AcGuitar, CHD-AcPiano Treble Midi TXFBS-Flute, FBS-PercOrgan FBS-AcGuitar, FBS-AcPianoThem Bass Edit parametersKnob to select the desired reed Button NoiseOptions are 16’, 8’, 8’-4’, 4’, 2’ Ume balance for the active reeds see the RegisterReed Growl Reverb Send, 3.8 Chorus Send Delay SendBass Midi TX, 3.11 Chord Midi TX Std~40Important notes Free Bass Edit parametersSaving them Options are ALL both reeds simultaneously, 16’, 8’ Free Bass Midi TX Reverb Send, 4.8 Chorus Send Delay SendLowest Note ORC Bass Edit parametersWithout saving them Reverb Send, 5.5 Chorus Send Delay Send Orc Bass VolumeOrc Bass Midi TX ORCH. Edit parameters Orchestra VolumeOrchestra Octave Orchestra Midi TX Reverb Send, 6.5 Chorus Send Delay SendRecognition Messages or only one of themORC CHD Edit parameters Orc Chord VolumeOrc Chord Midi TX Reverb Send, 7.3 Chorus Send Delay SendReverb Send, 8.3 Chorus Send Delay Send Orc FreeBs VolumeORC FBS Edit parameters Orc FreeBs Midi TX Reverb Macro Type SET Common parametersAbout the effects parameters If necessary, select another Set by turningChorus Macro Type Reverb ParametersAvailable options are Chorus knob Chorus ParametersDelay Parameters Delay Macro TypeName System parametersMaster Bar Recall IconPedal Controller LCD ContrastFR-7/FR-5V-Accordion Editing sounds 10. System parameters Less strength the X stands for extra. StandardBass & Chord Mode Bass & Chord ModeStereo Width Free Bass ModeFree Bass Mode Auto Power OFFStartup Name StartupOrchestra Touch Orch. Bs&Ch TouchUtility parameters Battery StatusTreble Release T Copy ALL EffectsEffects settings, these three parame Copy Reverb, 11.4 Copy Chorus Copy DelayCopy SET Bulk Dump ALL, 11.8 Bulk Dump SETTreble Reg. on current Set Restore SETSelect this parameter 11.11 Bass Reg. on Edit simultaneouslyCurrent Set Ter to be edited for all Bass registersFreeBass Reg. on current Set Press the EXIT÷JUMP button to return to the Main About Midi Midi functionsFR-7/FR-5’s sections use the following Midi chan- nels Working with a sequencer and other tone generatorsMidi data always go from OUT to Sending program changesFinal note regarding sequencers Global Midi parametersChannel you want to set Press register 1 to select the followingFreeBs, Basic Ch, and Control Ch Be set toSet the module’s Midi receive channel often called RX to Defining the ‘PC’ format Solving Midi buffer problems 12.3 Bellows TX Resolution Midi parameters for the various sections/parts Procedure for setting these parametersImportant remarks SectionsCC00, CC32, PC OctavePanpot VolumeReverb ChorusArchiving your settings with a sequencer Archiving your settings via Midi Bulk DumpSwitch off the sequencer’s Midi Echo or Soft Thru function AfterT only for the Treble and Orchestra sectionsSending Bulk data back to the FR-7/FR-5 Sending Bulk data back to the FR-7/FR-5 Miscellaneous functions Saving settings using the Write functionPress the DATA÷ENTER knob to jump to Selected function Using WriteSwitch on the FR-7/FR-5 while holding down Restoring the factory defaultsTroubleshooting MIDI-related issues My settings have changedAt power-on, the FR-7/FR-5 displays the follow- ing message Supplied accessories SpecificationsBattery for FR-5, spare part for FR-7 Pedal Board Soft Bag Parameter list Miscellaneous functions Parameter list 100Orchestra Edit 101Utility 102Factory Sets 103Demo Songs Rêve d’amour by L. Bruti Luigi Bruti 104105 Midi implementationMidi implementation Bulk Dump 106107 108 Midi Implementation Chart109 Information110 IndexNumerics Bulk111 User 1~3 112Avis 602.00.0152

FR-7, FR-5 specifications

The Roland FR-5 and FR-7 are part of Roland's acclaimed line of digital accordions, known for their innovative technologies and exceptional sound quality. These instruments have been designed to provide musicians with a versatile and rich playing experience, fusing traditional accordion elements with modern digital functionality.

One of the most significant features of both the FR-5 and FR-7 is their advanced digital sound engine. This technology offers a wide array of sounds, including a variety of accordion types, reeds, and orchestral instruments. The sound quality is remarkable, with a high level of fidelity that captures the essence of authentic acoustic instruments. Musicians can easily switch between different instrument sounds, making these accordions perfect for various musical styles and genres.

Both models feature a lightweight and ergonomic design, making them comfortable to play for extended periods. The FR-5 and FR-7 have built-in speakers that provide excellent sound projection, allowing performers to play without the need for external amplification. Furthermore, the onboard effects, such as reverb and chorus, enhance the musical experience, enabling players to add depth and character to their performances.

The user interface on both models is intuitive, with easily accessible controls that allow for quick adjustments while performing. The FR-7 takes it a notch higher with its extensive customizable settings and user memory options, which can store a variety of configurations and preferences for different playing situations.

A standout feature of the FR-7 is its capability for MIDI connectivity, enabling musicians to connect to computers and other digital devices. This opens up a world of possibilities for recording and live performance setups, allowing users to integrate their accordion with software instruments and digital audio workstations.

In terms of playability, the FR-5 and FR-7 offer responsive keyboard action and a range of registers that mimic the sound of traditional accordions. The bellows response is finely tuned, ensuring that players can achieve dynamic expression through their playing style.

Overall, the Roland FR-5 and FR-7 digital accordions represent a perfect blend of traditional craftsmanship and modern technology, catering to both hobbyists and professional musicians. With their exceptional sound, lightweight design, and cutting-edge features, these instruments are redefining the possibilities of accordion music in contemporary settings. Whether one is performing on stage or practicing at home, the FR-5 and FR-7 deliver an unparalleled playing experience that inspires creativity and passion for music.