Archiving your settings via Midi Bulk Dump

■AfterT (only for the Treble and Orchestra sections)

The Treble keyboard also generates aftertouch mes- sages. Aftertouch is usually used for temporary changes to a sound’s volume, timbre or pitch (this needs to be set on the receiving instrument). Used right, it can be a very powerful expressive tool.

The downside is, however, that aftertouch messages usually represent a massive amount of data, which makes it a lot harder to find the MIDI messages you

V-Accordion r

Archiving your settings via MIDI (Bulk Dump)

want to edit on an external sequencer, not to men- tion the fact that your song files become a lot heavier than they need to be.

Besides, many sounds/parts on external MIDI instru- ments are set to ignore these messages by default, so that you would end up sending a lot of information for nothing. That is why we recommend setting this parameter to “Off” and only select “On” if you really mean to take advantage of the Treble keyboard’s aftertouch capability.

Archiving your settings via MIDI (Bulk Dump)

MIDI can also be used for transmitting parameter and memory settings from the FR-7/FR-5 to an external MIDI device and back.

Archiving your settings with a sequencer

The Bulk Dump parameters allow you to transmit the contents of one or all Set memories to a second FR-7 or FR-5, an external sequencer, computer or data filer. Sending these data to other instruments (a digital piano, synthesizer, etc.) does nothing at all. That’s because the setting data are special MIDI messages only one model (or model family) understands. They are called “system exclusive messages” – or “SysEx” for short. By transmitting them to a second FR-7/FR-5, however, you can “copy” the settings of your V-Accor- dion to that of a friend, colleague or student.

A sequencer or data filer does not know what the mes- sages mean and so does not use them in any way. It merely records them. Afterwards, you only need to start playback on your sequencer or data filer to transmit the settings back to the FR-7/FR-5.

Note: The FR-7/FR-5’s SysEx data are fully compatible with the FR-7b/FR-5b (button versions).

(1)Connect the FBC-7’s MIDI OUT socket to the sequencer’s/computer’s MIDI IN socket.

See page 79 for a connection diagram. Obviously, you also need to connect the FR-7/FR-5 to the FBC-7.

Note: Your computer needs to be equipped with (or connected to) an appropriate MIDI interface.

(6) Activate the record-ready mode of the track you selected/created.

Note: It would be wise not to change the tempo on your sequencer/in the software. By default, most sequencers/pro- grams use the tempo value = 120. Leave it that way (or else do whatever is necessary to ensure that the new tempo value is stored along with the data).

(7)If you want to archive the settings of just one Set (11.8 Bulk Dump SET), select it on the FR-7/FR-5 using the SET [√][®] buttons.

(8)On the FR-7/FR-5, press and hold the [EXIT÷JUMP] button, then press register [11].

Depending on whether you want to archive all Sets or just the settings of one Set, either press register [7] (Bulk Dump ALL) or [8] (Bulk Dump SET). The display now responds with:

–OR–

(2)If you are working with a computer, launch the sequencer program.

(3)Create or select an empty song.

(4)Create (or select) an empty track.

The track’s MIDI channel is of no importance here. You need to ensure, however, that the sequencer/ program accepts SysEx data. If necessary, switch off the MIDI filter in question (see the manual of your sequencer or software).

(5)Switch off the sequencer’s MIDI Echo (or Soft Thru) function.

If that’s too tedious, disconnect the MIDI cable from the sequencer’s/computer’s MIDI OUT socket. This is to ensure that the sequencer doesn’t transmit the SysEx data back to the FR-7/FR-5 right away, which might cause problems.

Before going on tour, etc., select “ALL” to make a backup copy of your Sets. Select “SET” to transmit only the settings that are actually needed for the song in question. This transmits the settings of the Set you are currently using.

(9)Start recording on your sequencer/computer. Wait until the count-in (one or two measures) is fin- ished, then…

(10)Press [MENU÷WRITE] on the FR-7/FR-5 to start the transmission of the bulk data.

FR-7, FR-5 specifications

The Roland FR-5 and FR-7 are part of Roland's acclaimed line of digital accordions, known for their innovative technologies and exceptional sound quality. These instruments have been designed to provide musicians with a versatile and rich playing experience, fusing traditional accordion elements with modern digital functionality.

One of the most significant features of both the FR-5 and FR-7 is their advanced digital sound engine. This technology offers a wide array of sounds, including a variety of accordion types, reeds, and orchestral instruments. The sound quality is remarkable, with a high level of fidelity that captures the essence of authentic acoustic instruments. Musicians can easily switch between different instrument sounds, making these accordions perfect for various musical styles and genres.

Both models feature a lightweight and ergonomic design, making them comfortable to play for extended periods. The FR-5 and FR-7 have built-in speakers that provide excellent sound projection, allowing performers to play without the need for external amplification. Furthermore, the onboard effects, such as reverb and chorus, enhance the musical experience, enabling players to add depth and character to their performances.

The user interface on both models is intuitive, with easily accessible controls that allow for quick adjustments while performing. The FR-7 takes it a notch higher with its extensive customizable settings and user memory options, which can store a variety of configurations and preferences for different playing situations.

A standout feature of the FR-7 is its capability for MIDI connectivity, enabling musicians to connect to computers and other digital devices. This opens up a world of possibilities for recording and live performance setups, allowing users to integrate their accordion with software instruments and digital audio workstations.

In terms of playability, the FR-5 and FR-7 offer responsive keyboard action and a range of registers that mimic the sound of traditional accordions. The bellows response is finely tuned, ensuring that players can achieve dynamic expression through their playing style.

Overall, the Roland FR-5 and FR-7 digital accordions represent a perfect blend of traditional craftsmanship and modern technology, catering to both hobbyists and professional musicians. With their exceptional sound, lightweight design, and cutting-edge features, these instruments are redefining the possibilities of accordion music in contemporary settings. Whether one is performing on stage or practicing at home, the FR-5 and FR-7 deliver an unparalleled playing experience that inspires creativity and passion for music.