Reed Growl, Reverb Send, 3.8 Chorus Send Delay Send

Use the LEVEL parameter to specify how prominent the noise should be (“Off”, –40~“Std”~40, Default setting: Std).

Note: Whenever you select “ALL” for “Reed Type” and set a differ- ent reed type, this noise setting is automatically adapted to the reed type. It would therefore be a good idea to first select the reed type and only then change the noise type.

3.5 Reed Growl

This parameter allows you to simulate the typical noise a bass reed makes just before it stops vibrating altogether (a kind of “musical flatulence” if you will).

Each instrument of the accordion family produces its own typical growl. The growl that matches the sound selected with “Reed Type” probably yields the most real- istic effect – but feel free to select another one if you like it better.

•If necessary, press the [DATA÷ENTER] knob to select the “TYPE” parameter, then rotate the [DATA÷ENTER] knob to select one of the available instrument types: Bandoneon, I-Folk, I-Folk2, Classic, Cajun, Jazz, F-Folk, D-Folk, Organetto, F-Folk2, Classic2, Studio, Tradition, Steierische, Trikitixa

•Press the [DATA÷ENTER] knob to select the “LEVEL” parameter, then rotate the [DATA÷ENTER] knob to set the volume of the Reed Growl sound (Off, –40~

“Std”~40).

Note: Whenever you select “ALL” for “Reed Type” and set a dif- ferent reed type, this growl setting is automatically adapted to the reed type. It would therefore be a good idea to first select the reed type and only then change the growl type.

3.6 Bellows Detune

(Off, Low, Standard, High, Default setting: Standard) This parameter further adds to the realism of the sounds emulated by your FR-7/FR-5. Here, you

can specify how strongly the pitch of the simulated Bass reed(s) changes when you open or close the bel- lows faster than usual.

If the “Standard” setting seems too mild, try “High”. If it is too strong, use “Low”. If you do not want any detun- ing effect, select “Off”. The most convincing setting usually depends on the selected instrument(s) (see “Reed Type”).

3.7Reverb Send, 3.8 Chorus Send,

3.9Delay Send

(0~127 for all three) Use these parameters to set the Reverb, Chorus or Delay send level (how much effect

should be applied to the Bass section). The higher the value you set, the

more the Bass section will be pro- cessed by the effect in question.

V-Accordion r

3.5 Reed Growl

The other sections (Treble, Free Bass, etc.) have the same parameters, so that you can create a sound image with various “levels” (foreground, background).

The effects themselves can be edited on separate pages (see p. 64).

3.10 Bass MIDI TX, 3.11 Chord MIDI TX

These pages contain a series of MIDI parameters for the selected register you need to set one by one. One page allows

you to specify which MIDI mes- sages the bass notes (i.e. the two

or three button rows closest to the bellows) should transmit, the other does the same for the

chords (the remaining buttons in the Bass section).

See page 86 for details about the MIDI parameters. These parameters are saved along with all other Set parameters, which allows you to use different MIDI set- tings for each Set – and even each register within a Set.

FR-7, FR-5 specifications

The Roland FR-5 and FR-7 are part of Roland's acclaimed line of digital accordions, known for their innovative technologies and exceptional sound quality. These instruments have been designed to provide musicians with a versatile and rich playing experience, fusing traditional accordion elements with modern digital functionality.

One of the most significant features of both the FR-5 and FR-7 is their advanced digital sound engine. This technology offers a wide array of sounds, including a variety of accordion types, reeds, and orchestral instruments. The sound quality is remarkable, with a high level of fidelity that captures the essence of authentic acoustic instruments. Musicians can easily switch between different instrument sounds, making these accordions perfect for various musical styles and genres.

Both models feature a lightweight and ergonomic design, making them comfortable to play for extended periods. The FR-5 and FR-7 have built-in speakers that provide excellent sound projection, allowing performers to play without the need for external amplification. Furthermore, the onboard effects, such as reverb and chorus, enhance the musical experience, enabling players to add depth and character to their performances.

The user interface on both models is intuitive, with easily accessible controls that allow for quick adjustments while performing. The FR-7 takes it a notch higher with its extensive customizable settings and user memory options, which can store a variety of configurations and preferences for different playing situations.

A standout feature of the FR-7 is its capability for MIDI connectivity, enabling musicians to connect to computers and other digital devices. This opens up a world of possibilities for recording and live performance setups, allowing users to integrate their accordion with software instruments and digital audio workstations.

In terms of playability, the FR-5 and FR-7 offer responsive keyboard action and a range of registers that mimic the sound of traditional accordions. The bellows response is finely tuned, ensuring that players can achieve dynamic expression through their playing style.

Overall, the Roland FR-5 and FR-7 digital accordions represent a perfect blend of traditional craftsmanship and modern technology, catering to both hobbyists and professional musicians. With their exceptional sound, lightweight design, and cutting-edge features, these instruments are redefining the possibilities of accordion music in contemporary settings. Whether one is performing on stage or practicing at home, the FR-5 and FR-7 deliver an unparalleled playing experience that inspires creativity and passion for music.