Roland FR-5, FR-7 owner manual Bass & Chord Mode

Page 69

■Orch Bs Sust—The footswitch can be used to hold the orchestral notes of the Bass section that are transmitted via MIDI. This is for MIDI control only.

■OrchFB Sust—The footswitch can be used to hold the

orchestral notes of the Free Bass section that are transmit- ted via MIDI. This is for MIDI control only.

■OrchCh Sust—The footswitch can be used to hold the orchestral notes of the chord section that are transmitted via MIDI. This is for MIDI control only.

■Orch On/Off—The footswitch can be used to switch the Orchestra Treble section on and off. This has no effect on the Orchestra’s mode setting, nor can you specify which orchestral sound should be used. (You can, however, use “2.13 Orchestra Link” for that.)

■Start/Stop—This setting only makes sense if you connect the FBC-7’s MIDI OUT socket to the MIDI IN socket of an external sequencer, arranger module, drum machine or DisCover 5M. Pressing the footswitch once will cause the external device to start playback. Obviously, you need to load the desired song, select a Music Style, etc., before- hand. Press the footswitch again to stop playback.

■Intro—This setting only makes sense if you connect the FBC-7’s MIDI OUT socket to the MIDI IN socket of an arranger module. In this case, the footswitch can be used to select the “Intro” pattern of the active Music Style.

Note: Arranger instruments of other manufacturers may not understand this message. If in doubt, see their MIDI implemen- tation section for details. The MIDI message transmitted by this footswitch is PC83 (program change) on MIDI channel 10.

■Fill Up—This setting only makes sense if you connect the FBC-7’s MIDI OUT socket to the MIDI IN socket of an arranger module. In this case, the footswitch can be used to select a fill-in pattern of the active Music Style that selects a more richly orchestrated accompaniment pattern upon completion.

Depending on the arranger instrument you’re controlling, you could use this footswitch up to three times to jump to the most complex level. If you then press the footswitch again, however, nothing happens. You thus cannot cycle back to the lowest level (which is called “Original” on older Roland arranger instruments).

Note: Some arranger instruments provide only two accompa- niment levels.

Note: Arranger instruments of other manufacturers may not understand this message. The MIDI message transmitted by this footswitch is PC81 (program change) on MIDI channel 10.

■Fill Down—This setting only makes sense if you connect the FBC-7’s MIDI OUT socket to the MIDI IN socket of an arranger module. In this case, the footswitch can be used to select a fill-in pattern of the active Music Style that selects a more scarcely orchestrated accompaniment pat- tern upon completion.

Certain arranger instruments provide four accompaniment levels, so that you could use this footswitch up to three times to return to the most fundamental level (please see the manual of the arranger instrument you’re controlling to find out how many levels it provides). If you then press the footswitch again, however, nothing happens. You thus cannot cycle back to the highest level (which is called “Variation” on older Roland arranger instruments).

Note: Some arranger instruments provide only two accompa- niment levels.

Note: Arranger instruments of other manufacturers may not understand this message. The MIDI message transmitted by this footswitch is PC82 (program change) on MIDI channel 10.

V-Accordion r

10.5 Bass & Chord Mode

■Ending—This setting only makes sense if you connect the FBC-7’s MIDI OUT socket to the MIDI IN socket of an arranger module. The footswitch can be used to select the “Ending” pattern of the active Music Style.

Note: Arranger instruments of other manufacturers may not understand this message. If in doubt, see their MIDI implemen- tation section for details. The MIDI message transmitted by this footswitch is PC84 (program change) on MIDI channel 10.

■Set 1~40—The selected footswitch can be used to recall the specified Set (i.e. the Set whose number you choose). Consider using “Set Up/Set Down” if you prefer to cycle through all available Sets.

■Register 1~14—The footswitch can be used to recall the selected Treble register. That is why you must specify a number here. Consider using “Regist Up/Regist Dwn” if you prefer to cycle through all available registers.

10.5 Bass & Chord Mode

(Default setting: 2 Bs Rows) This parameter allows you to specify the number of button rows for playing bass notes. The default is 2 bass rows and 4 chord rows.

By selecting “3 Bs Rows”, you thus gain 20 bass buttons (an entire row) and lose the “dim” chord buttons – but that may just be more convenient for you. See also the illustration on page 70.

There are four “3 Bs Rows” options: “A-7th” and

“B-7th” mean that the 6th chord row plays seventh chords (“7”) that don’t contain the fifth. In the case of a C7 chord, you therefore hear C-E-Bb (but not the G). “A-7th” and “B-7th” differ in the arrangement of the bass notes (see the illustration on page 70).

The “Bx-7th” option reverses the “B-7th” settings (from right to left), so that the C3 note shifts from 9th to 12th position.

Note: This shift does not apply to Free Bass mode, which is an altogether different mode.

The “A-5dim” and “B-5dim” options mean that those seventh chords don’t contain the root note. A C7 chord is then sounded with the notes E-G-Bb (but not the C). “A-5dim” and “B-5dim” differ in the arrangement of the bass notes (see the illustration on page 70).

Note: The FR-7/FR-5 is supplied with several reference caps designed to help you locate the bass and chord buttons without looking at them. See also page 23.

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Contents OS Version FR-7/FR-5Important Safety Instructions FR-7/FR-5 FR-7/FR-5V-Accordion Contents Features Using the unit safely FR-7/FR-5V-Accordion Features Using the unit safely Important notes FR-7/FR-5V-Accordion Important notes Important notes Strap holder precautionTreble control panel Panel descriptionsBass control panel Connection panel Display and master barConnection panel of the FBC-7 Connecting the FR-7/FR-5 to the supplied FBC-7 Setting upUsing the Output sockets ConnectionsIf you are using the FBC-7 Switching the power on and offSwitch it on Switch on the receiving audio deviceListening to the demo songs Switch on the FR-7/FR-5FR-7/FR-5V-Accordion Setting up First steps First stepsSections of your FR-7/FR-5 Press the EXIT÷JUMP button to return to the Main Selecting Easy or Full modeTypical Main page display looks like this About the MainTreble section Touring the FR-7/FR-5’s sectionsBassoon Master Bandon Accord Oboe ViolinInstrument Using the FR-7/FR-5’s digital effectsBass section can be played via the Stradella but- tons Bass sectionHere is what the caps look like Press another register to change the soundPlaying in Free Bass mode Simultaneously press the three registers labeled Free BassDisplay now briefly responds with Orchestral sounds for the Treble section Using the orchestral soundsFR-7/FR-5’s Orchestra functionality actually com Orchestra and three for the Bass buttons called RegistersHere is how the drone function works Selecting the Orchestra modeNitely If you press a single gray key see the illustrationSetting the volume of the Treble orchestral sound Again play a few notes and listen to the resultReturn to the Main page by pressing EXIT÷JUMP Switching off the Orchestra Bass part Switching off the Orchestra partFR-7/FR-5V-Accordion Setting up Using the orchestral sounds Orchestral sounds for the Bass sectionThis is not necessary if you are already in Free Bass mode Switching off the Orch Chord partOrchestral sounds for the Chord section Orchestral sounds for the Free Bass sectionSimultaneously press the three registers in the moddle Switching off the Orch Free BS partPress the Down button four times Display now responds with ValueGeneral remark Other practical functionsPitch-related functions TransposeNoise Edit Valve & Button Scale TuningVolume-related functions Connecting the FBC-7 Using the FBC-7Using the footswitches Connecting an optional expression pedalCharging the battery General remarks about the batteryUse BP-24-45 batteries, part no. K2568101 FR-7/FR-5V-Accordion About the FBC-7 Charging the battery Recharging the battery on the FBC-7Using the recharged battery If the battery fails to last 8 hours or slightly lessEditing sounds Selecting parameters using the Jump functionSelecting parameters Easy and Full modesSelecting parameters via the menu Proceed with Setting parameter valuesParameter for editing Setting parameter valuesButtons to change the value Function groupMaster Tune Tuning parametersTranspose ScaleFR-7/FR-5V-Accordion Editing sounds 1. Tuning parameters Scale AssignPress MENU÷WRITE again to jump to the following Treble Edit parameters IntroductionIng them Hold down UP for a while Reed TypeRegister plays Register into a different instruRegister Reed VolumeTreble Octave Valve NoiseBellows Detune Reverb Send, 2.9 Chorus Send Delay SendAftertouch Pitch Bass LinkOrchestra Link Orchestra Chord LinkOn the Main page, links are indicated as follows CHD-AcGuitar, CHD-AcPiano Treble Midi TXFBS-Flute, FBS-PercOrgan FBS-AcGuitar, FBS-AcPianoThem Bass Edit parametersKnob to select the desired reed Button NoiseOptions are 16’, 8’, 8’-4’, 4’, 2’ Ume balance for the active reeds see the RegisterReed Growl Reverb Send, 3.8 Chorus Send Delay SendBass Midi TX, 3.11 Chord Midi TX Std~40Free Bass Edit parameters Important notesSaving them Options are ALL both reeds simultaneously, 16’, 8’ Free Bass Midi TX Reverb Send, 4.8 Chorus Send Delay SendORC Bass Edit parameters Lowest NoteWithout saving them Orc Bass Volume Reverb Send, 5.5 Chorus Send Delay SendOrc Bass Midi TX Orchestra Volume ORCH. Edit parametersOrchestra Octave Orchestra Midi TX Reverb Send, 6.5 Chorus Send Delay SendRecognition Messages or only one of themORC CHD Edit parameters Orc Chord VolumeOrc Chord Midi TX Reverb Send, 7.3 Chorus Send Delay SendOrc FreeBs Volume Reverb Send, 8.3 Chorus Send Delay SendORC FBS Edit parameters Orc FreeBs Midi TX Reverb Macro Type SET Common parametersAbout the effects parameters If necessary, select another Set by turningReverb Parameters Chorus Macro TypeAvailable options are Chorus knob Chorus ParametersDelay Parameters Delay Macro TypeName System parametersMaster Bar Recall IconPedal Controller LCD ContrastFR-7/FR-5V-Accordion Editing sounds 10. System parameters Less strength the X stands for extra. StandardBass & Chord Mode Bass & Chord ModeStereo Width Free Bass ModeFree Bass Mode Auto Power OFFStartup Name StartupOrchestra Touch Orch. Bs&Ch TouchUtility parameters Battery StatusTreble Release T Copy ALL EffectsEffects settings, these three parame Copy Reverb, 11.4 Copy Chorus Copy DelayCopy SET Bulk Dump ALL, 11.8 Bulk Dump SETTreble Reg. on current Set Restore SETSelect this parameter 11.11 Bass Reg. on Edit simultaneouslyCurrent Set Ter to be edited for all Bass registersFreeBass Reg. on current Set Press the EXIT÷JUMP button to return to the Main About Midi Midi functionsFR-7/FR-5’s sections use the following Midi chan- nels Working with a sequencer and other tone generatorsMidi data always go from OUT to Sending program changesFinal note regarding sequencers Global Midi parametersChannel you want to set Press register 1 to select the followingFreeBs, Basic Ch, and Control Ch Be set toSet the module’s Midi receive channel often called RX to Defining the ‘PC’ format Solving Midi buffer problems 12.3 Bellows TX Resolution Midi parameters for the various sections/parts Procedure for setting these parametersImportant remarks SectionsCC00, CC32, PC OctavePanpot VolumeReverb ChorusArchiving your settings with a sequencer Archiving your settings via Midi Bulk DumpSwitch off the sequencer’s Midi Echo or Soft Thru function AfterT only for the Treble and Orchestra sectionsSending Bulk data back to the FR-7/FR-5 Sending Bulk data back to the FR-7/FR-5 Miscellaneous functions Saving settings using the Write functionPress the DATA÷ENTER knob to jump to Selected function Using WriteSwitch on the FR-7/FR-5 while holding down Restoring the factory defaultsTroubleshooting MIDI-related issues My settings have changedAt power-on, the FR-7/FR-5 displays the follow- ing message Specifications Supplied accessoriesBattery for FR-5, spare part for FR-7 Pedal Board Soft Bag Parameter list Miscellaneous functions Parameter list 100Orchestra Edit 101Utility 102103 Factory SetsDemo Songs Rêve d’amour by L. Bruti Luigi Bruti 104105 Midi implementationMidi implementation Bulk Dump 106107 108 Midi Implementation Chart109 Information110 IndexNumerics Bulk111 User 1~3 112Avis 602.00.0152

FR-7, FR-5 specifications

The Roland FR-5 and FR-7 are part of Roland's acclaimed line of digital accordions, known for their innovative technologies and exceptional sound quality. These instruments have been designed to provide musicians with a versatile and rich playing experience, fusing traditional accordion elements with modern digital functionality.

One of the most significant features of both the FR-5 and FR-7 is their advanced digital sound engine. This technology offers a wide array of sounds, including a variety of accordion types, reeds, and orchestral instruments. The sound quality is remarkable, with a high level of fidelity that captures the essence of authentic acoustic instruments. Musicians can easily switch between different instrument sounds, making these accordions perfect for various musical styles and genres.

Both models feature a lightweight and ergonomic design, making them comfortable to play for extended periods. The FR-5 and FR-7 have built-in speakers that provide excellent sound projection, allowing performers to play without the need for external amplification. Furthermore, the onboard effects, such as reverb and chorus, enhance the musical experience, enabling players to add depth and character to their performances.

The user interface on both models is intuitive, with easily accessible controls that allow for quick adjustments while performing. The FR-7 takes it a notch higher with its extensive customizable settings and user memory options, which can store a variety of configurations and preferences for different playing situations.

A standout feature of the FR-7 is its capability for MIDI connectivity, enabling musicians to connect to computers and other digital devices. This opens up a world of possibilities for recording and live performance setups, allowing users to integrate their accordion with software instruments and digital audio workstations.

In terms of playability, the FR-5 and FR-7 offer responsive keyboard action and a range of registers that mimic the sound of traditional accordions. The bellows response is finely tuned, ensuring that players can achieve dynamic expression through their playing style.

Overall, the Roland FR-5 and FR-7 digital accordions represent a perfect blend of traditional craftsmanship and modern technology, catering to both hobbyists and professional musicians. With their exceptional sound, lightweight design, and cutting-edge features, these instruments are redefining the possibilities of accordion music in contemporary settings. Whether one is performing on stage or practicing at home, the FR-5 and FR-7 deliver an unparalleled playing experience that inspires creativity and passion for music.
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