Roland FR-5, FR-7 owner manual Auto Power OFF, Free Bass Mode

Page 71

V-Accordion r

10.8 Auto Power OFF

ORCH BASS

 

 

 

FREE BASS

 

 

Ab2

Eb2

Bb2

F2

C3

G2

D3

A2

E2

B2

 

F#2

C#3

Ab2

Eb2

Bb2

F2

C3

G2

D3

A2

E2

B2

F#2

C#3

Ab2

Eb2

Bb2

 

F2

C3

G2

D3

A2

E2

B2

F#2

C#3

Ab2

Eb2

Bb2

F2

ORCH BASS FREE BASS

Ab2

Eb2

Bb2

F2

C3

G2

D3

A2

E2

B2

 

F#2

C#3

Ab2

Eb2

Bb2

F2

C3

G2

D3

A2

E2

B2

F#2

C#3

Ab2

Eb2

Bb2

 

F2

C3

G2

D3

A2

E2

B2

F#2

C#3

Ab2

Eb2

Bb2

F2

ORCH BASS FREE BASS

Fifth

Ab2

Eb2

Bb2

F2

C3

G2

D3

A2

E2

B2

 

F#2

C#3

Ab2

Eb2

Bb2

F2

C3

G2

D3

A2

E2

B2

F#2

C#3

Ab2

Eb2

Bb2

 

F2

C3

G2

D3

A2

E2

B2

F#2

C#3

Ab2

Eb2

Bb2

F2

ORCH BASS FREE BASS

Ab2

Eb2

Bb2

F2

C3

G2

D3

A2

E2

B2

 

F#2

C#3

Ab2

Eb2

Bb2

F2

C3

G2

D3

A2

E2

B2

F#2

C#3

Ab2

Eb2

Bb2

 

F2

C3

G2

D3

A2

E2

B2

F#2

C#3

Ab2

Eb2

Bb2

F2

ORCH BASS FREE BASS

Finnish

Ab2

Eb2

 

Bb2

F2

C3

 

G2

D3

 

A2

 

E2

B2

 

F#2

 

C#3

 

Ab2

Eb2

Bb2

 

F2

C3

G2

D3

A2

 

 

 

E2

B2

 

 

F#2

C#3

Ab2

Eb2

Bb2

F2

 

C3

 

G2

 

D3

 

A2

 

E2

 

B2

F#2

C#3

Ab2

Eb2

Bb2

F2

 

 

 

D7

B6

Ab6

F6

D6

B5

Ab5

F5

D5

B4

Ab4

F4

D4

B3

Ab3

F3

D3

B2

Ab2

 

F2

 

 

C#7

 

Bb6

G6

E6

 

C#6

Bb5

G5

 

E5

C#5

Bb4

 

G4

 

E4

C#4

Bb3

 

G3

E3

C#3

Bb2

G2

E2

 

 

C7

 

A6

F#6

Eb6

C6

A5

F#5

Eb5

C5

 

A4

F#4

Eb4

C4

A3

F#3

Eb3

C3

A2

F#2

Eb2

 

 

 

B6

Ab6

F6

D6

B5

Ab5

 

F5

D5

 

B4

 

Ab4

 

F4

D4

 

B3

Ab3

F3

D3

 

B2

Ab2

 

F2

D2

(C3= note number 48)

Note: The note names on the bass buttons correspond to the MIDI note numbers. The note range of the Bass part is 1 octave.

Note: The actual sound range depends on the type of reed and footage.

10.8 Auto Power OFF

(Disabled, 10 min, 15 min, 20 min, Default setting: 10 min) This parameter allows you to specify how long the FR-7/FR-5 should wait before deciding that

you won’t be using it for a while. If you have ever

worked with a computer, you may remember that a similar function is called “sleep”, “energy saver”, or the like.

Obviously, this is meant to preserve battery power, and so this function only applies when the FR-7/FR-5 is not connected to the FBC-7. To “wake” the FR-7/FR-5 after it has fallen asleep, press its [POWER] button. Select “Disabled” to switch this function off.

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Contents OS Version FR-7/FR-5Important Safety Instructions FR-7/FR-5 FR-7/FR-5V-Accordion Contents Features Using the unit safely FR-7/FR-5V-Accordion Features Using the unit safely Important notes FR-7/FR-5V-Accordion Important notes Important notes Strap holder precautionTreble control panel Panel descriptionsBass control panel Connection panel Display and master barConnection panel of the FBC-7 Connections Setting upConnecting the FR-7/FR-5 to the supplied FBC-7 Using the Output socketsSwitch on the receiving audio device Switching the power on and offIf you are using the FBC-7 Switch it onListening to the demo songs Switch on the FR-7/FR-5Sections of your FR-7/FR-5 FR-7/FR-5V-Accordion Setting up First stepsFirst steps Press the EXIT÷JUMP button to return to the Main Selecting Easy or Full modeTypical Main page display looks like this About the MainAccord Oboe Violin Touring the FR-7/FR-5’s sectionsTreble section Bassoon Master BandonInstrument Using the FR-7/FR-5’s digital effectsPress another register to change the sound Bass sectionBass section can be played via the Stradella but- tons Here is what the caps look likeDisplay now briefly responds with Playing in Free Bass modeSimultaneously press the three registers labeled Free Bass Orchestra and three for the Bass buttons called Registers Using the orchestral soundsOrchestral sounds for the Treble section FR-7/FR-5’s Orchestra functionality actually comIf you press a single gray key see the illustration Selecting the Orchestra modeHere is how the drone function works NitelyReturn to the Main page by pressing EXIT÷JUMP Setting the volume of the Treble orchestral soundAgain play a few notes and listen to the result Orchestral sounds for the Bass section Switching off the Orchestra partSwitching off the Orchestra Bass part FR-7/FR-5V-Accordion Setting up Using the orchestral soundsOrchestral sounds for the Free Bass section Switching off the Orch Chord partThis is not necessary if you are already in Free Bass mode Orchestral sounds for the Chord sectionValue Switching off the Orch Free BS partSimultaneously press the three registers in the moddle Press the Down button four times Display now responds withTranspose Other practical functionsGeneral remark Pitch-related functionsNoise Edit Valve & Button Scale TuningVolume-related functions Connecting an optional expression pedal Using the FBC-7Connecting the FBC-7 Using the footswitchesUse BP-24-45 batteries, part no. K2568101 Charging the batteryGeneral remarks about the battery FR-7/FR-5V-Accordion About the FBC-7 Charging the battery Recharging the battery on the FBC-7Using the recharged battery If the battery fails to last 8 hours or slightly lessEasy and Full modes Selecting parameters using the Jump functionEditing sounds Selecting parametersSelecting parameters via the menu Proceed with Setting parameter valuesFunction group Setting parameter valuesParameter for editing Buttons to change the valueScale Tuning parametersMaster Tune TransposePress MENU÷WRITE again to jump to the following FR-7/FR-5V-Accordion Editing sounds 1. Tuning parametersScale Assign Ing them Treble Edit parametersIntroduction Register into a different instru Reed TypeHold down UP for a while Register playsValve Noise Reed VolumeRegister Treble OctaveBass Link Reverb Send, 2.9 Chorus Send Delay SendBellows Detune Aftertouch PitchOn the Main page, links are indicated as follows Orchestra LinkOrchestra Chord Link FBS-AcGuitar, FBS-AcPiano Treble Midi TXCHD-AcGuitar, CHD-AcPiano FBS-Flute, FBS-PercOrganThem Bass Edit parametersUme balance for the active reeds see the Register Button NoiseKnob to select the desired reed Options are 16’, 8’, 8’-4’, 4’, 2’Std~40 Reverb Send, 3.8 Chorus Send Delay SendReed Growl Bass Midi TX, 3.11 Chord Midi TXSaving them Free Bass Edit parametersImportant notes Options are ALL both reeds simultaneously, 16’, 8’ Free Bass Midi TX Reverb Send, 4.8 Chorus Send Delay SendWithout saving them ORC Bass Edit parametersLowest Note Orc Bass Midi TX Orc Bass VolumeReverb Send, 5.5 Chorus Send Delay Send Orchestra Octave Orchestra VolumeORCH. Edit parameters Messages or only one of them Reverb Send, 6.5 Chorus Send Delay SendOrchestra Midi TX RecognitionORC CHD Edit parameters Orc Chord VolumeOrc Chord Midi TX Reverb Send, 7.3 Chorus Send Delay SendORC FBS Edit parameters Orc FreeBs VolumeReverb Send, 8.3 Chorus Send Delay Send Orc FreeBs Midi TX If necessary, select another Set by turning SET Common parametersReverb Macro Type About the effects parametersAvailable options are Reverb ParametersChorus Macro Type Chorus knob Chorus ParametersDelay Parameters Delay Macro TypeIcon System parametersName Master Bar RecallLess strength the X stands for extra. Standard LCD ContrastPedal Controller FR-7/FR-5V-Accordion Editing sounds 10. System parametersBass & Chord Mode Bass & Chord ModeStereo Width Free Bass ModeFree Bass Mode Auto Power OFFOrch. Bs&Ch Touch StartupStartup Name Orchestra TouchCopy ALL Effects Battery StatusUtility parameters Treble Release TBulk Dump ALL, 11.8 Bulk Dump SET Copy Reverb, 11.4 Copy Chorus Copy DelayEffects settings, these three parame Copy SETTreble Reg. on current Set Restore SETTer to be edited for all Bass registers Edit simultaneouslySelect this parameter 11.11 Bass Reg. on Current SetFreeBass Reg. on current Set Press the EXIT÷JUMP button to return to the Main About Midi Midi functionsSending program changes Working with a sequencer and other tone generatorsFR-7/FR-5’s sections use the following Midi chan- nels Midi data always go from OUT toFinal note regarding sequencers Global Midi parametersBe set to Press register 1 to select the followingChannel you want to set FreeBs, Basic Ch, and Control ChSet the module’s Midi receive channel often called RX to Defining the ‘PC’ format Solving Midi buffer problems 12.3 Bellows TX Resolution Sections Procedure for setting these parametersMidi parameters for the various sections/parts Important remarksCC00, CC32, PC OctaveChorus VolumePanpot ReverbAfterT only for the Treble and Orchestra sections Archiving your settings via Midi Bulk DumpArchiving your settings with a sequencer Switch off the sequencer’s Midi Echo or Soft Thru functionSending Bulk data back to the FR-7/FR-5 Sending Bulk data back to the FR-7/FR-5 Miscellaneous functions Saving settings using the Write functionPress the DATA÷ENTER knob to jump to Selected function Using WriteSwitch on the FR-7/FR-5 while holding down Restoring the factory defaultsTroubleshooting MIDI-related issues My settings have changedAt power-on, the FR-7/FR-5 displays the follow- ing message Battery for FR-5, spare part for FR-7 Pedal Board Soft Bag SpecificationsSupplied accessories Parameter list Miscellaneous functions Parameter list 100Orchestra Edit 101Utility 102Demo Songs 103Factory Sets Rêve d’amour by L. Bruti Luigi Bruti 104105 Midi implementationMidi implementation Bulk Dump 106107 108 Midi Implementation Chart109 InformationBulk Index110 Numerics111 User 1~3 112Avis 602.00.0152

FR-7, FR-5 specifications

The Roland FR-5 and FR-7 are part of Roland's acclaimed line of digital accordions, known for their innovative technologies and exceptional sound quality. These instruments have been designed to provide musicians with a versatile and rich playing experience, fusing traditional accordion elements with modern digital functionality.

One of the most significant features of both the FR-5 and FR-7 is their advanced digital sound engine. This technology offers a wide array of sounds, including a variety of accordion types, reeds, and orchestral instruments. The sound quality is remarkable, with a high level of fidelity that captures the essence of authentic acoustic instruments. Musicians can easily switch between different instrument sounds, making these accordions perfect for various musical styles and genres.

Both models feature a lightweight and ergonomic design, making them comfortable to play for extended periods. The FR-5 and FR-7 have built-in speakers that provide excellent sound projection, allowing performers to play without the need for external amplification. Furthermore, the onboard effects, such as reverb and chorus, enhance the musical experience, enabling players to add depth and character to their performances.

The user interface on both models is intuitive, with easily accessible controls that allow for quick adjustments while performing. The FR-7 takes it a notch higher with its extensive customizable settings and user memory options, which can store a variety of configurations and preferences for different playing situations.

A standout feature of the FR-7 is its capability for MIDI connectivity, enabling musicians to connect to computers and other digital devices. This opens up a world of possibilities for recording and live performance setups, allowing users to integrate their accordion with software instruments and digital audio workstations.

In terms of playability, the FR-5 and FR-7 offer responsive keyboard action and a range of registers that mimic the sound of traditional accordions. The bellows response is finely tuned, ensuring that players can achieve dynamic expression through their playing style.

Overall, the Roland FR-5 and FR-7 digital accordions represent a perfect blend of traditional craftsmanship and modern technology, catering to both hobbyists and professional musicians. With their exceptional sound, lightweight design, and cutting-edge features, these instruments are redefining the possibilities of accordion music in contemporary settings. Whether one is performing on stage or practicing at home, the FR-5 and FR-7 deliver an unparalleled playing experience that inspires creativity and passion for music.
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