Roland FR-7, FR-5 Orchestral sounds for the Bass section, Switching off the Orchestra part

Page 28

FR-7/FR-5V-Accordion

Setting up Using the orchestral sounds

■Switching off the Orchestra part

To return to a state where only the Treble accordion section sounds:

(10)Press the [CANCEL] register. Now, the FR-7/FR-5 is a normal accordion again.

To activate the Orchestra part again, repeat steps (1) and (2) on page 25.

Orchestral sounds for the Bass section

The orchestral bass part can be used instead of the Bass section (thus replacing the accordion sound played by the bass rows of the button keyboard). There are no clever modes (DUAL, SOLO, etc.) here.

Furthermore, the ORCH BASS part does what its name implies: it only applies to the bass rows (the ones closest to the bellows) and has no effect on the chord buttons.

(1)Simultaneously press the three registers labeled “ORCH BASS”.

 

ORCH BASS

 

 

 

FREE BASS

 

[7]

[6]

[5]

[4]

[3]

[2]

[1]

The display now briefly responds with:

(2) Use the Bass registers to select the desired sound.

Orchestra Bass sounds

1

Acoustic

5

Picked

2*

Bowed*

6*

Tuba*

 

 

 

 

3

Fingered

7

Tuba Mix

 

 

 

 

4

Fretless

 

 

 

 

 

 

Note: The dynamics of sounds marked with an asterisk (*) can only be controlled by bellows movements. Those sounds are not velocity sensitive. For the other sounds, see also

“10.12 Orch. Bs&Ch Touch” on p. 72.

Note: The numbers shown in the illustration above do not appear on the registers themselves. They have been added for your reference.

r

■Setting the volume of the Bass Orchestra sound There may be times when the Orchestra Bass sound is too loud or too soft with respect to the Bass/Free Bass accordion sound. In that case, you can change its volume:

(3)Press the [DOWN] button twice.

The display now responds with:

(4)Use the [DATA÷ENTER] knob to set the desired value.

This is actually a balance parameter with a setting range of “Off”, –40~“Std”~+40. “Std” means that the Orchestra Bass part uses its “normal” volume. Nega- tive values (–) make the Orchestra Bass part softer, while positive values (+) make it louder.

You can save the new value (and the remaining changes you make). See page 92.

(5)Return to the Main page by pressing [EXIT÷JUMP].

■Switching off the Orchestra Bass part

(6)Press the three ORCH BASS registers again to return to the normal Bass mode.

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Contents FR-7/FR-5 OS VersionImportant Safety Instructions FR-7/FR-5 FR-7/FR-5V-Accordion Contents Features Using the unit safely FR-7/FR-5V-Accordion Features Using the unit safely Important notes Strap holder precaution FR-7/FR-5V-Accordion Important notes Important notesPanel descriptions Treble control panelBass control panel Display and master bar Connection panelConnection panel of the FBC-7 Setting up Connecting the FR-7/FR-5 to the supplied FBC-7Using the Output sockets ConnectionsSwitching the power on and off If you are using the FBC-7Switch it on Switch on the receiving audio deviceSwitch on the FR-7/FR-5 Listening to the demo songsFirst steps FR-7/FR-5V-Accordion Setting up First stepsSections of your FR-7/FR-5 Selecting Easy or Full mode Press the EXIT÷JUMP button to return to the MainAbout the Main Typical Main page display looks like thisTouring the FR-7/FR-5’s sections Treble sectionBassoon Master Bandon Accord Oboe ViolinUsing the FR-7/FR-5’s digital effects InstrumentBass section Bass section can be played via the Stradella but- tonsHere is what the caps look like Press another register to change the soundSimultaneously press the three registers labeled Free Bass Playing in Free Bass modeDisplay now briefly responds with Using the orchestral sounds Orchestral sounds for the Treble sectionFR-7/FR-5’s Orchestra functionality actually com Orchestra and three for the Bass buttons called RegistersSelecting the Orchestra mode Here is how the drone function worksNitely If you press a single gray key see the illustrationAgain play a few notes and listen to the result Setting the volume of the Treble orchestral soundReturn to the Main page by pressing EXIT÷JUMP Switching off the Orchestra part Switching off the Orchestra Bass partFR-7/FR-5V-Accordion Setting up Using the orchestral sounds Orchestral sounds for the Bass sectionSwitching off the Orch Chord part This is not necessary if you are already in Free Bass modeOrchestral sounds for the Chord section Orchestral sounds for the Free Bass sectionSwitching off the Orch Free BS part Simultaneously press the three registers in the moddlePress the Down button four times Display now responds with ValueOther practical functions General remarkPitch-related functions TransposeScale Tuning Noise Edit Valve & ButtonVolume-related functions Using the FBC-7 Connecting the FBC-7Using the footswitches Connecting an optional expression pedalGeneral remarks about the battery Charging the batteryUse BP-24-45 batteries, part no. K2568101 Recharging the battery on the FBC-7 FR-7/FR-5V-Accordion About the FBC-7 Charging the batteryIf the battery fails to last 8 hours or slightly less Using the recharged batterySelecting parameters using the Jump function Editing soundsSelecting parameters Easy and Full modesProceed with Setting parameter values Selecting parameters via the menuSetting parameter values Parameter for editingButtons to change the value Function groupTuning parameters Master TuneTranspose ScaleScale Assign FR-7/FR-5V-Accordion Editing sounds 1. Tuning parametersPress MENU÷WRITE again to jump to the following Introduction Treble Edit parametersIng them Reed Type Hold down UP for a whileRegister plays Register into a different instruReed Volume RegisterTreble Octave Valve NoiseReverb Send, 2.9 Chorus Send Delay Send Bellows DetuneAftertouch Pitch Bass LinkOrchestra Chord Link Orchestra LinkOn the Main page, links are indicated as follows Treble Midi TX CHD-AcGuitar, CHD-AcPianoFBS-Flute, FBS-PercOrgan FBS-AcGuitar, FBS-AcPianoBass Edit parameters ThemButton Noise Knob to select the desired reedOptions are 16’, 8’, 8’-4’, 4’, 2’ Ume balance for the active reeds see the RegisterReverb Send, 3.8 Chorus Send Delay Send Reed GrowlBass Midi TX, 3.11 Chord Midi TX Std~40Important notes Free Bass Edit parametersSaving them Options are ALL both reeds simultaneously, 16’, 8’ Reverb Send, 4.8 Chorus Send Delay Send Free Bass Midi TXLowest Note ORC Bass Edit parametersWithout saving them Reverb Send, 5.5 Chorus Send Delay Send Orc Bass VolumeOrc Bass Midi TX ORCH. Edit parameters Orchestra VolumeOrchestra Octave Reverb Send, 6.5 Chorus Send Delay Send Orchestra Midi TXRecognition Messages or only one of themOrc Chord Volume ORC CHD Edit parametersReverb Send, 7.3 Chorus Send Delay Send Orc Chord Midi TXReverb Send, 8.3 Chorus Send Delay Send Orc FreeBs VolumeORC FBS Edit parameters Orc FreeBs Midi TX SET Common parameters Reverb Macro TypeAbout the effects parameters If necessary, select another Set by turningChorus Macro Type Reverb ParametersAvailable options are Chorus Parameters Chorus knobDelay Macro Type Delay ParametersSystem parameters NameMaster Bar Recall IconLCD Contrast Pedal ControllerFR-7/FR-5V-Accordion Editing sounds 10. System parameters Less strength the X stands for extra. StandardBass & Chord Mode Bass & Chord ModeFree Bass Mode Stereo WidthAuto Power OFF Free Bass ModeStartup Startup NameOrchestra Touch Orch. Bs&Ch TouchBattery Status Utility parametersTreble Release T Copy ALL EffectsCopy Reverb, 11.4 Copy Chorus Copy Delay Effects settings, these three parameCopy SET Bulk Dump ALL, 11.8 Bulk Dump SETRestore SET Treble Reg. on current SetEdit simultaneously Select this parameter 11.11 Bass Reg. onCurrent Set Ter to be edited for all Bass registersFreeBass Reg. on current Set Press the EXIT÷JUMP button to return to the Main Midi functions About MidiWorking with a sequencer and other tone generators FR-7/FR-5’s sections use the following Midi chan- nelsMidi data always go from OUT to Sending program changesGlobal Midi parameters Final note regarding sequencersPress register 1 to select the following Channel you want to setFreeBs, Basic Ch, and Control Ch Be set toSet the module’s Midi receive channel often called RX to Defining the ‘PC’ format Solving Midi buffer problems 12.3 Bellows TX Resolution Procedure for setting these parameters Midi parameters for the various sections/partsImportant remarks SectionsOctave CC00, CC32, PCVolume PanpotReverb ChorusArchiving your settings via Midi Bulk Dump Archiving your settings with a sequencerSwitch off the sequencer’s Midi Echo or Soft Thru function AfterT only for the Treble and Orchestra sectionsSending Bulk data back to the FR-7/FR-5 Sending Bulk data back to the FR-7/FR-5 Saving settings using the Write function Miscellaneous functionsUsing Write Press the DATA÷ENTER knob to jump to Selected functionRestoring the factory defaults Switch on the FR-7/FR-5 while holding downTroubleshooting My settings have changed MIDI-related issuesAt power-on, the FR-7/FR-5 displays the follow- ing message Supplied accessories SpecificationsBattery for FR-5, spare part for FR-7 Pedal Board Soft Bag Parameter list 100 Miscellaneous functions Parameter list101 Orchestra Edit102 UtilityFactory Sets 103Demo Songs 104 Rêve d’amour by L. Bruti Luigi BrutiMidi implementation 105106 Midi implementation Bulk Dump107 Midi Implementation Chart 108Information 109Index 110Numerics Bulk111 112 User 1~3Avis 602.00.0152

FR-7, FR-5 specifications

The Roland FR-5 and FR-7 are part of Roland's acclaimed line of digital accordions, known for their innovative technologies and exceptional sound quality. These instruments have been designed to provide musicians with a versatile and rich playing experience, fusing traditional accordion elements with modern digital functionality.

One of the most significant features of both the FR-5 and FR-7 is their advanced digital sound engine. This technology offers a wide array of sounds, including a variety of accordion types, reeds, and orchestral instruments. The sound quality is remarkable, with a high level of fidelity that captures the essence of authentic acoustic instruments. Musicians can easily switch between different instrument sounds, making these accordions perfect for various musical styles and genres.

Both models feature a lightweight and ergonomic design, making them comfortable to play for extended periods. The FR-5 and FR-7 have built-in speakers that provide excellent sound projection, allowing performers to play without the need for external amplification. Furthermore, the onboard effects, such as reverb and chorus, enhance the musical experience, enabling players to add depth and character to their performances.

The user interface on both models is intuitive, with easily accessible controls that allow for quick adjustments while performing. The FR-7 takes it a notch higher with its extensive customizable settings and user memory options, which can store a variety of configurations and preferences for different playing situations.

A standout feature of the FR-7 is its capability for MIDI connectivity, enabling musicians to connect to computers and other digital devices. This opens up a world of possibilities for recording and live performance setups, allowing users to integrate their accordion with software instruments and digital audio workstations.

In terms of playability, the FR-5 and FR-7 offer responsive keyboard action and a range of registers that mimic the sound of traditional accordions. The bellows response is finely tuned, ensuring that players can achieve dynamic expression through their playing style.

Overall, the Roland FR-5 and FR-7 digital accordions represent a perfect blend of traditional craftsmanship and modern technology, catering to both hobbyists and professional musicians. With their exceptional sound, lightweight design, and cutting-edge features, these instruments are redefining the possibilities of accordion music in contemporary settings. Whether one is performing on stage or practicing at home, the FR-5 and FR-7 deliver an unparalleled playing experience that inspires creativity and passion for music.
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