Roland FR-5, FR-7 owner manual Midi functions, About Midi

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V-Accordion r

MIDI functions

7. MIDI functions

Your FR-7/FR-5 also transmits and receives MIDI data. In this chapter we’ll look at what MIDI is and does and which MIDI functions are available on the FR-7/FR-5.

IMPORTANT REMARK: To take advantage of the FR-7/FR-5’s MIDI functions, you must connect it to the supplied FBC-7, because the FR-7/FR-5 itself has no MIDI sockets.

MIDI OUT

External MIDI device

MIDI IN

About MIDI

Even though your FR-7/FR-5 is already a remarkably flexible instrument (quite unlike any other accordion available today), you may also want to use it with other MIDI-compatible instruments, sequencers and comput- ers to record your performances in the same way as keyboard players, drummers, guitarists, etc., have been doing for a while.

Another important application for the FR-7/FR-5’s MIDI functions is controlling an arranger module that sup- plies the accompaniment. “Arranger modules” use short accompaniment patterns that can be selected in real- time and whose key depends on the note information they receive. You can select those patterns by assigning the corresponding MIDI messages to the FBC-7’s foot- switches (see p. 68), so that you do not have to stand or sit next to your arranger module.

Both module types (and all MIDI-compatible sound sources) also allow you to use the FR-7/FR-5’s Treble and Bass keyboards for playing sounds the FR-7/FR-5 does not provide.

This is possible thanks to a common language for musi- cal applications, which is called “Musical Instrument Digital Interface” or “MIDI” for short. MIDI has a lot in common with the internet: you can link one or several instruments to one another via a cable (but you don’t need a telephone line).

You can also use the FR-7/FR-5 as “master keyboard”, i.e. an instrument that transmits MIDI messages to a device (or software program) that can record MIDI mes- sages. Such a device or program is called a “sequencer”.

To take advantage of the FR-7/FR-5’s MIDI functions, you must connect the FBC-7 as follows:

MIDI OUT: This socket transmits messages describ- ing actions (such as playing on a keyboard) to the MIDI IN jack on the external device. The receiving MIDI device executes the incoming MIDI messages and plays notes, selects other sounds, etc.

MIDI IN: This socket receives the MIDI messages transmitted by an external MIDI device.

MIDI THRU: This socket retransmits the MIDI mes- sages received via the FBC-7’s MIDI IN port. You can connect it to the MIDI IN port of an another MIDI device.

Note: The MIDI THRU port does not transmit the MIDI mes- sages generated by the FR-7/FR-5. Those messages are only sent to the FBC-7’s MIDI OUT port.

MIDI can simultaneously transmit and receive messages on 16 channels, so that up to 16 instruments (or parts of a module or synthesizer) can be controlled. Nowa- days, most instruments –like your FR-7/FR-5– are mul- titimbral, which means that they can play several musi- cal parts with different sounds. This requires the use of several MIDI channels. The FR-7/FR-5, for instance, has several accordion and orchestral sections that can be played simultaneously. They can transmit and receive on different channels.

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Contents OS Version FR-7/FR-5Important Safety Instructions FR-7/FR-5 FR-7/FR-5V-Accordion Contents Features Using the unit safely FR-7/FR-5V-Accordion Features Using the unit safely Important notes FR-7/FR-5V-Accordion Important notes Important notes Strap holder precautionTreble control panel Panel descriptionsBass control panel Connection panel Display and master barConnection panel of the FBC-7 Connections Setting upConnecting the FR-7/FR-5 to the supplied FBC-7 Using the Output socketsSwitch on the receiving audio device Switching the power on and offIf you are using the FBC-7 Switch it onListening to the demo songs Switch on the FR-7/FR-5First steps FR-7/FR-5V-Accordion Setting up First stepsSections of your FR-7/FR-5 Press the EXIT÷JUMP button to return to the Main Selecting Easy or Full modeTypical Main page display looks like this About the MainAccord Oboe Violin Touring the FR-7/FR-5’s sectionsTreble section Bassoon Master BandonInstrument Using the FR-7/FR-5’s digital effectsPress another register to change the sound Bass sectionBass section can be played via the Stradella but- tons Here is what the caps look likeSimultaneously press the three registers labeled Free Bass Playing in Free Bass modeDisplay now briefly responds with Orchestra and three for the Bass buttons called Registers Using the orchestral soundsOrchestral sounds for the Treble section FR-7/FR-5’s Orchestra functionality actually comIf you press a single gray key see the illustration Selecting the Orchestra modeHere is how the drone function works NitelyAgain play a few notes and listen to the result Setting the volume of the Treble orchestral soundReturn to the Main page by pressing EXIT÷JUMP Orchestral sounds for the Bass section Switching off the Orchestra partSwitching off the Orchestra Bass part FR-7/FR-5V-Accordion Setting up Using the orchestral soundsOrchestral sounds for the Free Bass section Switching off the Orch Chord partThis is not necessary if you are already in Free Bass mode Orchestral sounds for the Chord sectionValue Switching off the Orch Free BS partSimultaneously press the three registers in the moddle Press the Down button four times Display now responds withTranspose Other practical functionsGeneral remark Pitch-related functionsNoise Edit Valve & Button Scale TuningVolume-related functions Connecting an optional expression pedal Using the FBC-7Connecting the FBC-7 Using the footswitchesGeneral remarks about the battery Charging the batteryUse BP-24-45 batteries, part no. K2568101 FR-7/FR-5V-Accordion About the FBC-7 Charging the battery Recharging the battery on the FBC-7Using the recharged battery If the battery fails to last 8 hours or slightly lessEasy and Full modes Selecting parameters using the Jump functionEditing sounds Selecting parametersSelecting parameters via the menu Proceed with Setting parameter valuesFunction group Setting parameter valuesParameter for editing Buttons to change the valueScale Tuning parametersMaster Tune TransposeScale Assign FR-7/FR-5V-Accordion Editing sounds 1. Tuning parametersPress MENU÷WRITE again to jump to the following Introduction Treble Edit parametersIng them Register into a different instru Reed TypeHold down UP for a while Register playsValve Noise Reed VolumeRegister Treble OctaveBass Link Reverb Send, 2.9 Chorus Send Delay SendBellows Detune Aftertouch PitchOrchestra Chord Link Orchestra LinkOn the Main page, links are indicated as follows FBS-AcGuitar, FBS-AcPiano Treble Midi TXCHD-AcGuitar, CHD-AcPiano FBS-Flute, FBS-PercOrganThem Bass Edit parametersUme balance for the active reeds see the Register Button NoiseKnob to select the desired reed Options are 16’, 8’, 8’-4’, 4’, 2’Std~40 Reverb Send, 3.8 Chorus Send Delay SendReed Growl Bass Midi TX, 3.11 Chord Midi TXImportant notes Free Bass Edit parametersSaving them Options are ALL both reeds simultaneously, 16’, 8’ Free Bass Midi TX Reverb Send, 4.8 Chorus Send Delay SendLowest Note ORC Bass Edit parametersWithout saving them Reverb Send, 5.5 Chorus Send Delay Send Orc Bass VolumeOrc Bass Midi TX ORCH. Edit parameters Orchestra VolumeOrchestra Octave Messages or only one of them Reverb Send, 6.5 Chorus Send Delay SendOrchestra Midi TX RecognitionORC CHD Edit parameters Orc Chord VolumeOrc Chord Midi TX Reverb Send, 7.3 Chorus Send Delay SendReverb Send, 8.3 Chorus Send Delay Send Orc FreeBs VolumeORC FBS Edit parameters Orc FreeBs Midi TX If necessary, select another Set by turning SET Common parametersReverb Macro Type About the effects parametersChorus Macro Type Reverb ParametersAvailable options are Chorus knob Chorus ParametersDelay Parameters Delay Macro TypeIcon System parametersName Master Bar RecallLess strength the X stands for extra. Standard LCD ContrastPedal Controller FR-7/FR-5V-Accordion Editing sounds 10. System parametersBass & Chord Mode Bass & Chord ModeStereo Width Free Bass ModeFree Bass Mode Auto Power OFFOrch. Bs&Ch Touch StartupStartup Name Orchestra TouchCopy ALL Effects Battery StatusUtility parameters Treble Release TBulk Dump ALL, 11.8 Bulk Dump SET Copy Reverb, 11.4 Copy Chorus Copy DelayEffects settings, these three parame Copy SETTreble Reg. on current Set Restore SETTer to be edited for all Bass registers Edit simultaneouslySelect this parameter 11.11 Bass Reg. on Current SetFreeBass Reg. on current Set Press the EXIT÷JUMP button to return to the Main About Midi Midi functionsSending program changes Working with a sequencer and other tone generatorsFR-7/FR-5’s sections use the following Midi chan- nels Midi data always go from OUT toFinal note regarding sequencers Global Midi parametersBe set to Press register 1 to select the followingChannel you want to set FreeBs, Basic Ch, and Control ChSet the module’s Midi receive channel often called RX to Defining the ‘PC’ format Solving Midi buffer problems 12.3 Bellows TX Resolution Sections Procedure for setting these parametersMidi parameters for the various sections/parts Important remarksCC00, CC32, PC OctaveChorus VolumePanpot ReverbAfterT only for the Treble and Orchestra sections Archiving your settings via Midi Bulk DumpArchiving your settings with a sequencer Switch off the sequencer’s Midi Echo or Soft Thru functionSending Bulk data back to the FR-7/FR-5 Sending Bulk data back to the FR-7/FR-5 Miscellaneous functions Saving settings using the Write functionPress the DATA÷ENTER knob to jump to Selected function Using WriteSwitch on the FR-7/FR-5 while holding down Restoring the factory defaultsTroubleshooting MIDI-related issues My settings have changedAt power-on, the FR-7/FR-5 displays the follow- ing message Supplied accessories SpecificationsBattery for FR-5, spare part for FR-7 Pedal Board Soft Bag Parameter list Miscellaneous functions Parameter list 100Orchestra Edit 101Utility 102Factory Sets 103Demo Songs Rêve d’amour by L. Bruti Luigi Bruti 104105 Midi implementationMidi implementation Bulk Dump 106107 108 Midi Implementation Chart109 InformationBulk Index110 Numerics111 User 1~3 112Avis 602.00.0152

FR-7, FR-5 specifications

The Roland FR-5 and FR-7 are part of Roland's acclaimed line of digital accordions, known for their innovative technologies and exceptional sound quality. These instruments have been designed to provide musicians with a versatile and rich playing experience, fusing traditional accordion elements with modern digital functionality.

One of the most significant features of both the FR-5 and FR-7 is their advanced digital sound engine. This technology offers a wide array of sounds, including a variety of accordion types, reeds, and orchestral instruments. The sound quality is remarkable, with a high level of fidelity that captures the essence of authentic acoustic instruments. Musicians can easily switch between different instrument sounds, making these accordions perfect for various musical styles and genres.

Both models feature a lightweight and ergonomic design, making them comfortable to play for extended periods. The FR-5 and FR-7 have built-in speakers that provide excellent sound projection, allowing performers to play without the need for external amplification. Furthermore, the onboard effects, such as reverb and chorus, enhance the musical experience, enabling players to add depth and character to their performances.

The user interface on both models is intuitive, with easily accessible controls that allow for quick adjustments while performing. The FR-7 takes it a notch higher with its extensive customizable settings and user memory options, which can store a variety of configurations and preferences for different playing situations.

A standout feature of the FR-7 is its capability for MIDI connectivity, enabling musicians to connect to computers and other digital devices. This opens up a world of possibilities for recording and live performance setups, allowing users to integrate their accordion with software instruments and digital audio workstations.

In terms of playability, the FR-5 and FR-7 offer responsive keyboard action and a range of registers that mimic the sound of traditional accordions. The bellows response is finely tuned, ensuring that players can achieve dynamic expression through their playing style.

Overall, the Roland FR-5 and FR-7 digital accordions represent a perfect blend of traditional craftsmanship and modern technology, catering to both hobbyists and professional musicians. With their exceptional sound, lightweight design, and cutting-edge features, these instruments are redefining the possibilities of accordion music in contemporary settings. Whether one is performing on stage or practicing at home, the FR-5 and FR-7 deliver an unparalleled playing experience that inspires creativity and passion for music.