Roland owner manual Sending Bulk data back to the FR-7/FR-5

Page 90

FR-7/FR-5V-Accordion

MIDI functions Archiving your settings via MIDI (Bulk Dump)

The display now responds with:

–OR–

Press [EXIT÷JUMP] if you do not want to transmit your settings after all.

(11)Wait until the following message appears, then stop recording on your sequencer.

(12)Name the “song” (it may only contain data so far) and save it to hard or floppy disk.

See below for how to transmit the settings back to the FR-7/FR-5 at a later stage.

Sending Bulk data (back) to the FR-7/FR-5

The FR-7/FR-5 not only sends SysEx data to external devices (see above), it also receives them. In fact, the FR-7/FR-5 accepts several kinds of Bulk data:

Entire sets that overwrite the contents of all internal Set memories. If you don’t want to lose the settings that currently reside in the FR-7/FR-5’s internal memories, archive them first using the procedure described on page 89.

One Set: in this case, you can choose where to save the received Set data.

(1)Connect the FBC-7’s MIDI IN socket to the sequencer’s/computer’s MIDI OUT socket.

See page 79 for a connection diagram. Obviously, you also need to connect the FR-7/FR-5 to the FBC-7.

Note: Your computer needs to be equipped with (or connected to) an appropriate MIDI interface.

(2)If you are working with a computer, launch the sequencer program.

(3)Load the song that contains the data you want to transmit.

(4)On your sequencer, perform all necessary actions to ensure that it transmits SysEx data.

See its manual for details.

Note: If you are about to transmit a group of 40 Sets (“ALL”) to the FR-7/FR-5, ask yourself whether you have archived the Set data that currently reside in the internal memories, or whether it is OK to overwrite them. Be aware that by proceeding with an “ALL DATA” file, you replace all internal settings.

r

(5) Start playback of the data file or song on your

sequencer, etc.

 

 

The display now responds with:

 

 

 

–OR–

 

 

 

 

 

 

 

 

 

 

Note: When transmitting an “ALL DATA” file to the FR-7/FR-5, wait until the “WRITE COMPLETE” message appears before stopping playback on your sequencer. Failure to do so will ren- der your FR-7/FR-5 inoperable. If that happens, you need to initialize it (see “Restoring the factory defaults” on p. 94).

(6)Stop playback of your sequencer.

If you transmitted one Set to the FR-7/FR-5, the dis- play now responds with:

This message means that the corresponding data cur- rently reside in the FR-7/FR-5’s temporary memory but that you need to save them if the FR-7/FR-5 should remember them. A Set received in this way can be used until you select another (internal) Set.

If you think you’ll need the Set at a later stage, be sure to save it. If you only need it temporarily, you can select “NO”. The FR-7/FR-5 will then use the sound (and MIDI) settings received from the com- puter, but they will be “forgotten” when you switch the FR-7/FR-5 off or select another Set.

“YES” is selected by default. If you want to save your changes, proceed as described below. (If you don’t, turn the [DATA÷ENTER] knob to select “NO”, then press the [DATA÷ENTER] knob.)

To save the Set data:

(7)Press the [DATA÷ENTER] knob. The display now responds with:

(8)Rotate the [DATA÷ENTER] knob to select the target memory for the received Set (1~40).

Be aware that the data in the memory you select here will be overwritten.

(9)Press the [WRITE] button to save your changes. The display briefly shows a confirmation:

In some cases, the display may show the following message. It means that the SysEx data were incom- plete or that the checksum was missing or wrong.

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Contents FR-7/FR-5 OS VersionImportant Safety Instructions FR-7/FR-5 FR-7/FR-5V-Accordion Contents Features Using the unit safely FR-7/FR-5V-Accordion Features Using the unit safely Important notes Strap holder precaution FR-7/FR-5V-Accordion Important notes Important notesPanel descriptions Treble control panelBass control panel Display and master bar Connection panelConnection panel of the FBC-7 Using the Output sockets Setting upConnecting the FR-7/FR-5 to the supplied FBC-7 ConnectionsSwitch it on Switching the power on and offIf you are using the FBC-7 Switch on the receiving audio deviceSwitch on the FR-7/FR-5 Listening to the demo songsFR-7/FR-5V-Accordion Setting up First steps First stepsSections of your FR-7/FR-5 Selecting Easy or Full mode Press the EXIT÷JUMP button to return to the MainAbout the Main Typical Main page display looks like thisBassoon Master Bandon Touring the FR-7/FR-5’s sectionsTreble section Accord Oboe ViolinUsing the FR-7/FR-5’s digital effects InstrumentHere is what the caps look like Bass sectionBass section can be played via the Stradella but- tons Press another register to change the soundPlaying in Free Bass mode Simultaneously press the three registers labeled Free BassDisplay now briefly responds with FR-7/FR-5’s Orchestra functionality actually com Using the orchestral soundsOrchestral sounds for the Treble section Orchestra and three for the Bass buttons called RegistersNitely Selecting the Orchestra modeHere is how the drone function works If you press a single gray key see the illustrationSetting the volume of the Treble orchestral sound Again play a few notes and listen to the resultReturn to the Main page by pressing EXIT÷JUMP FR-7/FR-5V-Accordion Setting up Using the orchestral sounds Switching off the Orchestra partSwitching off the Orchestra Bass part Orchestral sounds for the Bass sectionOrchestral sounds for the Chord section Switching off the Orch Chord partThis is not necessary if you are already in Free Bass mode Orchestral sounds for the Free Bass sectionPress the Down button four times Display now responds with Switching off the Orch Free BS partSimultaneously press the three registers in the moddle ValuePitch-related functions Other practical functionsGeneral remark TransposeScale Tuning Noise Edit Valve & ButtonVolume-related functions Using the footswitches Using the FBC-7Connecting the FBC-7 Connecting an optional expression pedalCharging the battery General remarks about the batteryUse BP-24-45 batteries, part no. K2568101 Recharging the battery on the FBC-7 FR-7/FR-5V-Accordion About the FBC-7 Charging the batteryIf the battery fails to last 8 hours or slightly less Using the recharged batterySelecting parameters Selecting parameters using the Jump functionEditing sounds Easy and Full modesProceed with Setting parameter values Selecting parameters via the menuButtons to change the value Setting parameter valuesParameter for editing Function groupTranspose Tuning parametersMaster Tune ScaleFR-7/FR-5V-Accordion Editing sounds 1. Tuning parameters Scale AssignPress MENU÷WRITE again to jump to the following Treble Edit parameters IntroductionIng them Register plays Reed TypeHold down UP for a while Register into a different instruTreble Octave Reed VolumeRegister Valve NoiseAftertouch Pitch Reverb Send, 2.9 Chorus Send Delay SendBellows Detune Bass LinkOrchestra Link Orchestra Chord LinkOn the Main page, links are indicated as follows FBS-Flute, FBS-PercOrgan Treble Midi TXCHD-AcGuitar, CHD-AcPiano FBS-AcGuitar, FBS-AcPianoBass Edit parameters ThemOptions are 16’, 8’, 8’-4’, 4’, 2’ Button NoiseKnob to select the desired reed Ume balance for the active reeds see the RegisterBass Midi TX, 3.11 Chord Midi TX Reverb Send, 3.8 Chorus Send Delay SendReed Growl Std~40Free Bass Edit parameters Important notesSaving them Options are ALL both reeds simultaneously, 16’, 8’ Reverb Send, 4.8 Chorus Send Delay Send Free Bass Midi TXORC Bass Edit parameters Lowest NoteWithout saving them Orc Bass Volume Reverb Send, 5.5 Chorus Send Delay SendOrc Bass Midi TX Orchestra Volume ORCH. Edit parametersOrchestra Octave Recognition Reverb Send, 6.5 Chorus Send Delay SendOrchestra Midi TX Messages or only one of themOrc Chord Volume ORC CHD Edit parametersReverb Send, 7.3 Chorus Send Delay Send Orc Chord Midi TXOrc FreeBs Volume Reverb Send, 8.3 Chorus Send Delay SendORC FBS Edit parameters Orc FreeBs Midi TX About the effects parameters SET Common parametersReverb Macro Type If necessary, select another Set by turningReverb Parameters Chorus Macro TypeAvailable options are Chorus Parameters Chorus knobDelay Macro Type Delay ParametersMaster Bar Recall System parametersName IconFR-7/FR-5V-Accordion Editing sounds 10. System parameters LCD ContrastPedal Controller Less strength the X stands for extra. StandardBass & Chord Mode Bass & Chord ModeFree Bass Mode Stereo WidthAuto Power OFF Free Bass ModeOrchestra Touch StartupStartup Name Orch. Bs&Ch TouchTreble Release T Battery StatusUtility parameters Copy ALL EffectsCopy SET Copy Reverb, 11.4 Copy Chorus Copy DelayEffects settings, these three parame Bulk Dump ALL, 11.8 Bulk Dump SETRestore SET Treble Reg. on current SetCurrent Set Edit simultaneouslySelect this parameter 11.11 Bass Reg. on Ter to be edited for all Bass registersFreeBass Reg. on current Set Press the EXIT÷JUMP button to return to the Main Midi functions About MidiMidi data always go from OUT to Working with a sequencer and other tone generatorsFR-7/FR-5’s sections use the following Midi chan- nels Sending program changesGlobal Midi parameters Final note regarding sequencersFreeBs, Basic Ch, and Control Ch Press register 1 to select the followingChannel you want to set Be set toSet the module’s Midi receive channel often called RX to Defining the ‘PC’ format Solving Midi buffer problems 12.3 Bellows TX Resolution Important remarks Procedure for setting these parametersMidi parameters for the various sections/parts SectionsOctave CC00, CC32, PCReverb VolumePanpot ChorusSwitch off the sequencer’s Midi Echo or Soft Thru function Archiving your settings via Midi Bulk DumpArchiving your settings with a sequencer AfterT only for the Treble and Orchestra sectionsSending Bulk data back to the FR-7/FR-5 Sending Bulk data back to the FR-7/FR-5 Saving settings using the Write function Miscellaneous functionsUsing Write Press the DATA÷ENTER knob to jump to Selected functionRestoring the factory defaults Switch on the FR-7/FR-5 while holding downTroubleshooting My settings have changed MIDI-related issuesAt power-on, the FR-7/FR-5 displays the follow- ing message Specifications Supplied accessoriesBattery for FR-5, spare part for FR-7 Pedal Board Soft Bag Parameter list 100 Miscellaneous functions Parameter list101 Orchestra Edit102 Utility103 Factory SetsDemo Songs 104 Rêve d’amour by L. Bruti Luigi BrutiMidi implementation 105106 Midi implementation Bulk Dump107 Midi Implementation Chart 108Information 109Numerics Index110 Bulk111 112 User 1~3Avis 602.00.0152

FR-7, FR-5 specifications

The Roland FR-5 and FR-7 are part of Roland's acclaimed line of digital accordions, known for their innovative technologies and exceptional sound quality. These instruments have been designed to provide musicians with a versatile and rich playing experience, fusing traditional accordion elements with modern digital functionality.

One of the most significant features of both the FR-5 and FR-7 is their advanced digital sound engine. This technology offers a wide array of sounds, including a variety of accordion types, reeds, and orchestral instruments. The sound quality is remarkable, with a high level of fidelity that captures the essence of authentic acoustic instruments. Musicians can easily switch between different instrument sounds, making these accordions perfect for various musical styles and genres.

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The user interface on both models is intuitive, with easily accessible controls that allow for quick adjustments while performing. The FR-7 takes it a notch higher with its extensive customizable settings and user memory options, which can store a variety of configurations and preferences for different playing situations.

A standout feature of the FR-7 is its capability for MIDI connectivity, enabling musicians to connect to computers and other digital devices. This opens up a world of possibilities for recording and live performance setups, allowing users to integrate their accordion with software instruments and digital audio workstations.

In terms of playability, the FR-5 and FR-7 offer responsive keyboard action and a range of registers that mimic the sound of traditional accordions. The bellows response is finely tuned, ensuring that players can achieve dynamic expression through their playing style.

Overall, the Roland FR-5 and FR-7 digital accordions represent a perfect blend of traditional craftsmanship and modern technology, catering to both hobbyists and professional musicians. With their exceptional sound, lightweight design, and cutting-edge features, these instruments are redefining the possibilities of accordion music in contemporary settings. Whether one is performing on stage or practicing at home, the FR-5 and FR-7 deliver an unparalleled playing experience that inspires creativity and passion for music.